Create Fractal Noise in three dimensions! Very useful for integrating noise in 3D composites. It reacts to After Effects comp cameras and lights.
Choose from 5 geometry modes
Uniform
Horizontal
Spherical
Marble
Wood
Composite with 3D renders by using a depth map to determine the noise interaction in space.
| Name: | FractalNoise_3D_v1.53_Mac_Mactorrents.io.zip |
|---|---|
| Size: | 3.53 MB |
| Files | FractalNoise_3D_v1.53_Mac_Mactorrents.io.dmg[3.53 MB] |
A Lens Blur plugin that allows full parametric control of Bokeh shape with beautiful tonal mapping and HDR highlights.
Compatibility: After Effects 2020, CC 2019, CC 2018, CC 2017, CC 2015.3, CC 2015, CC 2014, CC, CS6
Homepage https://aescripts.com/crossphere-bokeh/
Crossphere Bokeh Promo
| Name: | CROSSPHERE_Bokeh_v1.3.3_Mac_Mactorrents.io.zip |
|---|---|
| Size: | 6.62 MB |
| Files | CROSSPHERE_Bokeh_v1.3.3_Mac_Mactorrents.io.dmg[6.62 MB] |
The easiest way to rig and animate in After Effects! Setup and animate with IK in as little as 3 clicks.
Smooth skinning
Bones gives you the option to use masks to define the distortion mesh to get ultra-smooth skinning without any artifacts.
Pupeteer
Pupeteer allows you to control many instances of Bones from one layer.
Simplicity
Bones was created for an animation feature film, which required the animation of A LOT of characters. Bones makes it super easy to setup and manage many different characters.
Less layers
With Bones, you can control a whole character on a single layer without needing any extra nulls or controllers. This keeps compositions tidy and light.
Speed
Bones is a native plugin and does not rely on expressions, so it is really fast. Oh, and it is also GPU accelerated, so it is really, really fast!
Compatibility: After Effects 2020, CC 2019, CC 2018, CC 2017, CC 2015.3, CC 2015, CC 2014, CC, CS6
Homepage http://aescripts.com/bao-bones/http://aescripts.com/bao-bones/
| Name: | BAO_Bones_v1.5.8_Mactorrents.io.rar |
|---|---|
| Size: | 43.9 MB |
| Files | BAO_Bones_v1.5.8_Mactorrents.io.rar[43.9 MB] |
A procedural plug-in for After Effects that creates elegant geometric shapes in 3D space. It’s akin to a particle system but instead of rendering small particles all over the place, it generates vector like shapes (waves) that change over time much like the classic Radiowaves plug-in. It renders hundreds of thousands of high-frequency waves without sweat and creates mesmerizing animations.
Aura is a procedural plug-in for After Effects that creates elegant geometric shapes in 3D space. It’s akin to a particle system but instead of rendering small particles all over the place, it generates vector like shapes (waves) that change over time much like the classic Radiowaves plug-in. It renders hundreds of thousands of high-frequency waves without sweat and creates mesmerizing animations.
Compatibility: After Effects 2020, CC 2019, CC 2018, CC 2017
Homepage https://aescripts.com/aura/https://aescripts.com/aura/
| Name: | Aura_v1.1.3_Mactorrents.io.rar |
|---|---|
| Size: | 5.03 MB |
| Files | Aura_v1.1.3_Mactorrents.io.rar[5.03 MB] |
EaseCopy lets you copy/paste your eases without overwriting your values and copy/paste your values without overwriting your eases.
If you’re like me, you find that After Effects’ standard Ease in, Ease out, Easy ease options get pretty stale to look at. If you like to manually adjust your eases with the graph editor, this tool is for you!
Use EaseCopy to copy those carefully-adjusted eases to your other keyframes. Get started right away with a very quick and simple UI. It’s super compact so you can have it docked at all times, since you’ll find yourself tapping those buttons quite frequently.
Homepage https://aescripts.com/easecopy/
| Name: | EaseCopy_v1.7_Mactorrents.io.zip |
|---|---|
| Size: | 19.8 MB |
| Files | EaseCopy_v1.7_Mactorrents.io.dmg[19.8 MB] |
The new, more connected After Effects CC 2020 can make the impossible possible. Get powerful new features like a Live 3D Pipeline that brings CINEMA 4D scenes in as layers – without intermediate rendering. Share work directly from within the application and get access to new features the moment they’re released. Your entire creative world, together in one place.
After Effects 2020 is part of Creative Cloud. That means you have access to all the latest updates and future releases the moment they’re available. Sharpen your skills and master new tools with a rich library of training videos. And Creative Cloud is integrated with Behance, so you can share your projects and get immediate feedback from creatives around the world.
What’s New:
Version v17.0.6:
Compatibility: macOS 10.13 or later, 64-bit processor
Homepage https://www.adobe.com/
| Name: | Adobe_After_Effects_2020_v17.0.6__TNT_Mactorrents.io.dmg |
|---|---|
| Size: | 2.3 GB |
| Files | Adobe_After_Effects_2020_v17.0.6__TNT_Mactorrents.io.dmg[2.3 GB] |
Fixel EdgeHancer features a novel algorithm to enhance and emphasize edges in images.
Unlike “classic” sharpeners, EdgeHancer emphasizes the edges exclusively instead of increasing the contrast of the surrounding pixels.
EdgeHancer 3 adds the new Edge Preserving feature and is compatible with Adobe After Effects and Adobe Premier in a single Plug-In.
Compatibility:
After Effects 2020, CC 2019, CC 2018, CC 2017, CC 2015.3
Premiere 2020, CC 2019, CC 2018, CC 2017, CC 2015.3
Homepage https://aescripts.com/fixel-edgehancer/
| Name: | Fixel_EdgeHancer_v3.0.0_Mactorrents.io.zip |
|---|---|
| Size: | 16.7 MB |
| Files | Fixel_EdgeHancer_v3.0.0_Mactorrents.io.dmg[16.7 MB] |
Dynamically reveal any part of the layer below using zone masks
Features
Generated reveal zone can be interactively moved and animated
Use unlimited zones to reveal any part of the layer below
Works with Shape Layer, Text and Precomps
Ultra-compact UI
Compatibility: After Effects 2020, CC 2019, CC 2018, CC 2017, CC 2015.3, CC 2015, CC 2014
Homepage https://aescripts.com/zone-below/
| Name: | md_zonebelow_v1.1_Mactorrents.io.zip |
|---|---|
| Size: | 139 KB |
| Files | md_zonebelow_v1.1_Mactorrents.io.dmg[139 KB] |
Native exporter for AE bringing you ProRes on Windows and h264 (x264 and x265) codecs for excellent quality and lightweight videos.
AfterCodecs is a native render queue plugin for After Effects that allows you to render directly to the codecs listed below.
Need to render ProRes on Windows?
Want to render directly to a small file size, high quality H264 straight from the After Effects render queue?
AfterCodecs can do it without requiring any intermediate files!
Codecs
ProRes : LT / Proxy / Normal / HQ and even 444 that supports Alpha Channel.
x264 : best H264/AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264.
x265 : files are 30% lighter than x264 and it also supports 8K resolution.
x264 RGB : same as x264 but avoids YUV colorspace, best for storing separate channels in one video (UV map, Alphas…) for power users only.
Homepage http://aescripts.com/aftercodecs/
| Name: | AfterCodecs_1.8.0_Mactorrents.io.rar |
|---|---|
| Size: | 21.1 MB |
| Files | AfterCodecs_1.8.0_Mactorrents.io.rar[21.1 MB] |
24 Preset VHS Effects!
All presets are adjustable to create your own unique VHS look.
To install, save the downloaded folder in you Motion Templates – Effects folder
Heres a TUTORIAL on how to INSTALL plugins to FCPX
https://www.youtube.com/watch?v=EUugTZYnyGI
System Requirements: – FCP X 10.3.1 or above
Homepage https://sellfy.com/p/iQW5/
| Name: | VHS_Effect_Mactorrents.io.zip |
|---|---|
| Size: | 158 MB |
| Files | VHS_Effect_Mactorrents.io.dmg[158 MB] |
CC 2018, CC 2017, CC 2016, CC 2015, CC 2014 | Resizable | No Plugin
Over 1700 brand new transitions. This is a library of 1700 brand new transitions which will save you a lot of time and help you professionally edit your video in a matter of minutes. Transitions Library contains all types of ready to use effects from different categories: Cartoon, Glass, Glitch, Grunge, Modern, Smoke, Split, Zoom, Fade, Spin, Flat, Glitch, Panoramic and many more. Every category contains different types of effects and creates unique stylish look. Apply a preset in one click and use Control Panel to adjust it like you want. We will frequently update Transitions Library and add more categories and effects.
Homepage https://videohive.net/item/transitions-library-brand-new-transitions/23955941
Transitions and Effects – V5 Preview
| Name: | Transitions_and_Effects_V5__Mactorrents.io.rar |
|---|---|
| Size: | 2.65 GB |
| Files | Transitions_and_Effects_V5__Mactorrents.io.rar[2.65 GB] |
Just drag these clips over your footage and adjust the blend mode to “screen”. You’ll have high quality motion graphics without needing to animate anything yourself!
Our brand new animated GLOW FX will give your videos a unique look without having to spend hours animating.
GLOW FX includes:
Watch our Glow FX video tutorial that takes you step-by-step through the process of utilizing each asset to its fullest potential.
Homepage https://cinepacks.store/collections/packs/products/glow-fx
| Name: | CinePacks Glow FX_Mactorrents.io.rar |
|---|---|
| Size: | 878 MB |
| Files | CinePacks Glow FX_Mactorrents.io.rar[878 MB] |
The new, more connected After Effects CC 2020 can make the impossible possible. Get powerful new features like a Live 3D Pipeline that brings CINEMA 4D scenes in as layers – without intermediate rendering. Share work directly from within the application and get access to new features the moment they’re released. Your entire creative world, together in one place.
After Effects 2020 is part of Creative Cloud. That means you have access to all the latest updates and future releases the moment they’re available. Sharpen your skills and master new tools with a rich library of training videos. And Creative Cloud is integrated with Behance, so you can share your projects and get immediate feedback from creatives around the world.
What’s New:
Version 17.0:
Preview and playback performance improvements:
Enhanced EXR workflows:
Faster shapes:
Graphics and text enhancements:
Expression improvements:
Expanded format and better playback support:
Other enhancements:
Cinema 4D Lite R21:
Content-Aware Fill for video improvements:
Compatibility: macOS 10.13 or later, 64-bit processor
Homepage https://www.adobe.com/
| Name: | Adobe_After_Effects_2020_v17.0.2__TNT_Mactorrents.io.dmg |
|---|---|
| Size: | 2.28 GB |
| Files | Adobe_After_Effects_2020_v17.0.2__TNT_Mactorrents.io.dmg[2.28 GB] |
The new, more connected After Effects CC 2020 can make the impossible possible. Get powerful new features like a Live 3D Pipeline that brings CINEMA 4D scenes in as layers – without intermediate rendering. Share work directly from within the application and get access to new features the moment they’re released. Your entire creative world, together in one place.
After Effects 2020 is part of Creative Cloud. That means you have access to all the latest updates and future releases the moment they’re available. Sharpen your skills and master new tools with a rich library of training videos. And Creative Cloud is integrated with Behance, so you can share your projects and get immediate feedback from creatives around the world.
What’s New:
Version 17.0:
Preview and playback performance improvements:
Enhanced EXR workflows:
Faster shapes:
Graphics and text enhancements:
Expression improvements:
Expanded format and better playback support:
Other enhancements:
Cinema 4D Lite R21:
Content-Aware Fill for video improvements:
Compatibility: macOS 10.13 or later, 64-bit processor
Homepage https://www.adobe.com/
| Name: | Adobe_After_Effects_2020_v17.0.1_[TNT]_Mactorrents.io.dmg |
|---|---|
| Size: | 2.26 GB |
| Files | Adobe_After_Effects_2020_v17.0.1_[TNT]_Mactorrents.io.dmg[2.26 GB] |
ON1 Effects 2019 includes hundreds of built-in photo effects, filters, LUTs, borders, textures, and presets — all completely customizable to your style. There are endless creative possibilities with ON1 Effects. Our most popular include HDR Look, B&W, Lens Blur (tilt-shift), Glows, Color Enhancer, Tone Enhancer, Textures, Borders, Film Looks, Split Tone, and more.
We promise you will have fun using ON1 Effects 2019. It includes everything you need to create any style. Whether you are color grading, looking to style an HDR photo, or looking for an elegant black and white look, ON1 Effects includes it all. You can also customize any look to your taste and quickly save your own presets.
Combine multiple effects to create any possible look. Includes 23 stackable filters and hundreds of presets, borders, and textures.
Use the easy-to-use yet powerful tools to target your effects to specific areas of your photo. Every effect can be brushed in or out in just seconds.
| Name | ON1 Effects 2019.7 v13.7.0.8098 [TNT] mac-torrents.net.rar |
|---|---|
| Size | 1.22 GB |
| Created on | 2019-11-27 22:42:56 |
| Hash | 973c5f957d60c62cd2cdabbc88dd7c9b4f7a99ed |
| Files | ON1 Effects 2019.7 v13.7.0.8098 [TNT] mac-torrents.net.rar (1.22 GB) |
50 fun and creative templates all in one pack!
The Slide Zone Volume 2 pack includes 50 unique and modern opening titles and templates complete with animated transitions. Using the content browser, you can simply scroll through and select your template that is perfect for your project.
After Effects project file, 50 template animations, 50 slide compositions, Easy navigation content browser & Easy to follow video tutorial.
This Titles Pack is designed for Adobe After Effects, 4K and complete control of color, size, position and duration.
Download this slide template pack and start adding modern titles and templates to your videos.
| Name | FlatPackFx Slides Zone V2 After Effects mac-torrents.net.rar |
|---|---|
| Size | 56.02 MB |
| Created on | 2019-11-24 23:18:22 |
| Hash | f42b06ba8426ce0c09470f7b7fd0af0578519fb2 |
| Files | FlatPackFx Slides Zone V2 After Effects mac-torrents.net.rar (56.02 MB) |
| Name | liquivid Video Exposure and Effects 1.2.3 MAS [TNT] mac-torrents.net.zip |
|---|---|
| Size | 129.1 MB |
| Created on | 2019-11-24 05:07:53 |
| Hash | a6df51983e4bef5c0a1ac34f76c85a417f940b93 |
| Files | liquivid Video Exposure and Effects 1.2.3 MAS [TNT] mac-torrents.net.zip (129.1 MB) |
Liquivid Video Exposure and Effects is an easy-to-use app that allows you to change a clip’s exposure, saturation and white balance and apply different visual effects (also known as filters).
Imports all common video formats and codecs in any resolution (including HD, 2K, 4K).
Exports videos as MP4 files with H.264 codec.
Create organic 3D particle effects and complex motion graphics elements in After Effects. Now with Fluid Dynamics.
Trapcode Particular is a plugin for After Effects that lets you add particles to your compositions to bring your motion graphics work to life. Use 3D objects for even more beauty and complexity.
Create fire, water, smoke, snow and other organic effects. Combine multiple particle systems into one unified 3D space for visually stunning results.
For the first time ever, run realistic fluid simulations with the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.
Trapcode Particular has been redesigned to include lots of new features and enhancements.
Creating particle effects is easier than ever before, in the updated Designer. Add adjustable blocks with preset behaviors and styles for emitters, particles, physics and aux particles. Or add complete, customizable particle effects with a single click.
Create dynamic, swirling effects with the new Dynamic Fluids physics engine, which allows particles to behave as if they are moving through real fluids. Choose from 4 customizable fluidic behaviors.
Get fast feedback with Trapcode Particular’s new GPU Acceleration through OpenGL. Depending on your system and setup, you could see speed boosts of up to 4X or more over previous versions.
Particular uses After Effects’ 3D Camera and Lights so you can fully integrate your particle Effects with your motion graphics and live-action vfx shots.
The designer gives instant visual feedback, making the building and previewing of effects an intuitive and creative experience. New in Particular 3, the Designer respects the AE comp size, bringing in the composition and camera info. Preview your particle layout with camera and emitter position controls
For the first time ever, explore endless creative possibilities when you combine multiple particle systems in the same 3D space. Create beautiful, complex effects through the interaction of different systems, all within one instance of Particular. Emitters in Multi-system setups can share parameter settings (such as turbulence, gravity and more), and can be saved as a single preset.
Give your particle systems a new dimension by using 3D models and animated OBJ sequences as particle emitters. For added flexibility, you can choose to emit particles from the vertices, edges, faces or volume of your OBJ file. Choose from Particular’s library of over 60 OBJs, or easily load your own models using the new OBJ Loading Panel directly in After Effects or within the Designer.
Use any image in your composition as a particle by assigning it to a 2D sprite or textured polygon. Particular 3 now includes over 270 still and animated sprite images, easily loaded directly within After Effects or in the Designer via the new Sprite Loading Panel.
Shade all particle types from lights in After Effects. Shading can emulate light falloff, and Shadowlet rendering can cast shadows on both main and aux particles.
Move particles organically through the air, or bounce off of other layers, with Particular’s physics engine. Includes wind, gravity, turbulence controls and more for simulating complex, realistic motion.
Spawn new child particles through Particular’s Aux system. Create organic trails and branching, or build splashes after a bounce. Particular 3’s updated Aux system now includes the ability to add custom particles for even more variation, as well as keyframable parameters for more control.
Hit the ground running with over 335 fully-customizable Designer presets. Particular 4 includes over 35 new presets that show off powerful features like fluid dynamics and more. Explore the library to find beautifully designed effects for creating fluids, fire, spaceflight, fireworks, muzzle flashes, explosions, smoke and more. Save your own presets, and share them across your facility.
Create dynamic color changes in your textured polygon particles by using layer as a reflection map. Add glints to particles as they rotate in 3D.
| Name | Red Giant Trapcode Particular v4.1.2 for AE mac-torrents.net.rar |
|---|---|
| Size | 798.9 MB |
| Created on | 2019-11-14 07:13:08 |
| Hash | 29d5c76de809ce35d7d30e3fcc5db0ccfa8931f1 |
| Files | Red Giant Trapcode Particular v4.1.2 for AE mac-torrents.net.rar (798.9 MB) |
RE:VisionFX RE:Flex brings intuitive morphing and warping to After Effects. Superior results are achieved using RE:Vision Effects’ proprietary and sophisticated technology. RE:Flex is especially easy to learn because it uses the host program’s own drawing and masking tools (when available) to direct the warping and morphing; as such, there is no need to learn a whole new user interface. Using our proprietary tracking software, RE:Flex is the first morphing program to combine hand feature-matching with automatic image registration.
With RE:Flex warps are made easy. Just specify “from” geometry (in red) and “to” geometry (in yellow). No meshes. No new user interface to learn. Masks can be open or closed and need not be connected in any particular way. Picture courtesy of Videometry.
RE:Flex’s automatic alignment feature works in conjunction with hand-specified correspondences. After first aligning hand-matched correspondences, RE:Flex then uses the tracking found in RE:Vision’s acclaimed Twixtor product to automatically align the non-handmatched parts of the image. The automatic alignment feature can greatly improve morphs without having to specify all features by hand!
| Name | RevisionFX RE Flex 5.4.0 for AE mac-torrents.net.zip |
|---|---|
| Size | 12.55 MB |
| Created on | 2019-11-11 04:21:13 |
| Hash | 2d0f5c081d28704b8a7d0743da115e36f76f2d8a |
| Files | RevisionFX RE Flex 5.4.0 for AE mac-torrents.net.zip (12.55 MB) |
The new, more connected After Effects CC 2019 can make the impossible possible. Get powerful new features like a Live 3D Pipeline that brings CINEMA 4D scenes in as layers – without intermediate rendering. Share work directly from within the application and get access to new features the moment they’re released. Your entire creative world, together in one place.
After Effects CC is part of Creative Cloud. That means you have access to all the latest updates and future releases the moment they’re available. Sharpen your skills and master new tools with a rich library of training videos. And Creative Cloud is integrated with Behance, so you can share your projects and get immediate feedback from creatives around the world.
When you run the installer writes “The installation cannot continue as the installer file may be damaged. Download the installer file again”.
Code:sudo spctl --master-disable
Attention! Before installing, disconnect from the Internet
chmod x ~/Desktop/Extra/Install.app/Contents/MacOS/Install
Patcher by TNT
Install the program and use the patch that is in the distribution – drag the program icon to the open patch window, and do not use the automatic function (here, all installed Adobe applications will be patched automatically, and with such actions errors may occur)
| Name | Adobe After Effects 2020 v17.0 [TNT] mac-torrents.net .rar |
|---|---|
| Size | 2.47 GB |
| Created on | 2019-11-08 21:56:59 |
| Hash | bf26a3e0be14dff12060150ccf15988fd9eb86de |
| Files | Adobe After Effects 2020 v17.0 [TNT] mac-torrents.net .rar (2.47 GB) |
Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 gpu-accelerated context-aware tools for integrating all of your elements into your final shot.
Supercomp’s dockable UI makes it easy to do complex compositing through clear visual feedback. Supercomp’s layers are easy to read at a glance, with intuitive icons for each effect. Quickly access the complete set of effects through a convenient radial menu for fast application and results.
Often, effects like Light Wrap are almost too subtle to see, especially with so many other effects applied to a layer. With the Supercomp Panel, you can view your full composite, or you can drill all the way down to a single selected effect, making it possible to see and alter small details for better results. Supercomp gives you a visual preview that delivers contextual feedback at every level.
Unlike standard After Effects layers and effects, in Supercomp, all layers and effects applied are aware of changes to the other layers in your composite. Adjustments will ripple throughout your composite, altering any pixels that should be affected by those changes. Swap out a background, or change the order of your layers, and all light wraps, diffusions, haze, etc., will automatically change with it — no need to hunt through multiple After Effects comps, layers, and effects.
Supercomp supports three different layer types: Normal, Additive, and Displacement. Each layer type has its own set of effects and presets. You can also specify the gamma (log, video, and more) of your layer, which makes it easy to combine elements from different sources and cameras.
Setting up a complex composite is now as simple as a single click. With Layer Presets, you can apply multiple Supercomp effects at once to get a starting point or even an instant final result. Audition presets with the visual preview, then apply. Tweak a setting or two to taste, and, if you like, save and share your own presets.
Most controls in Supercomp can be animated. Just right-click on a parameter and select Add Keyframe. The control then appears in the After Effects timeline, where you can keyframe it, or even add expressions.
No matter what the bit-depth of your After Effects project, Supercomp always works in 32-bit float, with proper gamma management. That means that your composites will look realistic and seamless, without any clipped highlights or color artifacts.
All 17 of the effects in Supercomp are GPU-Accelerated, giving you fast feedback and renders.
Easy Pickup and Handoff
No more having to remember what you did when opening an older project, or trying to figure out what someone else did when you inherit a project. Supercomp’s clear visual feedback makes it simple to understand a project’s makeup so you can get jump right in and tweak.
Often a difference in the color of layers is what stands between you and a good composite. Supercomp offers a powerful Color Correction effect designed specifically for VFX compositing. Once you set your black level, no subsequent adjustments will alter the black values of the layer.
| Name | Red Giant VFX Supercomp 1.0.1 mac-torrents.net.zip |
|---|---|
| Size | 254.4 MB |
| Created on | 2019-11-08 02:16:04 |
| Hash | f611590a229de1a7b92a89c6bfbe72cfbc996196 |
| Files | Red Giant VFX Supercomp 1.0.1 mac-torrents.net.zip (254.4 MB) |
| Name | Mt. Mograph BOOMBOX v15 for AE Premiere.zip |
|---|---|
| Size | 10.35 MB |
| Created on | 2019-11-08 02:16:13 |
| Hash | 928eb1d9145bd92658fb13d250cff0dee59dd404 |
| Files | Mt. Mograph BOOMBOX v15 for AE Premiere.zip (10.35 MB) |
REVisionFX ReelSmart Motion Blur Pro – automatically add more natural-looking motion blur to a sequence using ReelSmart Motion Blur. Our tracking technology is at the heart of ReelSmart Motion Blur, so there is no handwork involved. Of course you can add as little or as much blurring as you need and even remove motion blur! Finally, you can create very interesting effects by blurring one sequence by using the motion from another.
Automatic tracking of every pixel from one frame to the next
Variable amount of blur
Blur can also be removed!
Support for foreground and background separation using a specified matte. ReelSmart Motion Blur then uses proprietary filling and tracking techniques when working on the background layer, even when it is obscured by the foreground!
Ability to blur with motion vectors supplied by you… which, most likely, will come from your 3D animation system.
Up to 12 user-defined points can be specified to help guide RSMB’s motion estimation. By using the tracking points you can explicitly tell RSMB where a pixel moves from one frame to the next in order to guide RSMB’s calculation of motion vectors.
This product is GPU accelerated, and will use more than one GPU provided they are the fastest GPUs on the machine and are of the exact same type.
Note if using AE CC 2015, that you will need to use 2015.0.1 (13.5.1) or later.
| Name | RevisionFX ReelSmart Motion Blur Pro 6.2 for After Effects mac-torrents.net.zip |
|---|---|
| Size | 12.69 MB |
| Created on | 2019-11-04 01:47:47 |
| Hash | f7485804e6c2150cf4f0fdf6047583cd8a016d05 |
| Files | RevisionFX ReelSmart Motion Blur Pro 6.2 for After Effects mac-torrents.net.zip (12.69 MB) |
Easily rerender UV maps in post to save 3D rendering time! RE:Map also provides inverse UV mapping and corner pinning.
Use a UV map rendered from a 3D system to easily clean up or replace texture maps in your compositing program for without having to re-render in your 3D system.
RE:Map also allows you to use a photo, and a matching 3D object, and create the texture map you need for your 3D render system.
Includes tools for corner pinning and 2D displacement mapping.
High quality filtering
High quality filtering of images which includes supersampling and mipmapping. Advanced feature to deal with antialiased UV edges and areas where a section of an object crosses another part of the object.
Reapply new texture sequences in order to reuse animated UV maps for cool animations and transitions. Adjust, color correct, edit, then reapply your textures for your 3D animated objects without having to rerender in the 3D system.
Combine UV maps and textures in post, without having to re-render in your 3D system.
Paint or align textures in 2D to match your 3D rendered image and inversely project the image to make a texture map for use in your 3D system or with RE:Map UV
Maps or inverse maps a perspective plane defined by 4 points (also known as corner pinning).
Warps an image with a user-supplied displacement map, using many more options and advanced filtering controls than most other displacement map filters.
Ability to take a color image and automatically distort it based on the features for a caricature-like effect.
This product is GPU accelerated.
Installed plug-in will work with After Effects CS5 (and up) and Premiere Pro CS5 (and up).
The same OS and hardware requirements for the version of After Effects that you are using.
| Name | REVisionFX REMap for v3.2.0 for After Effects.zip |
|---|---|
| Size | 15.62 MB |
| Created on | 2019-11-04 01:37:16 |
| Hash | 2f39fa9e22d9b28416089d851266e4e644cce515 |
| Files | REVisionFX REMap for v3.2.0 for After Effects.zip (15.62 MB) |
REVisionFX RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots. RE:Match is a set of plugins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.
| Name | RevisionFX REMatch 2.3.1 for AE mac-torrents.net.zip |
|---|---|
| Size | 11.78 MB |
| Created on | 2019-11-02 04:52:22 |
| Hash | 015a122c964da4c3a2b5225738a27c500ce05bf5 |
| Files | RevisionFX REMatch 2.3.1 for AE mac-torrents.net.zip (11.78 MB) |
REVisionFX DE:Flicker is designed to smooth out those annoying flicker and artifacts when shooting high frame rate or timelapse video. Whether you are shooting in an arena, a stadium, a park at night, a nightclub or in a home, man-made light sources can cause havoc, especially now that cameras and smart phones are being made with the ability to shoot at higher and higher frame rates. And of course this functionality is rapidly becoming the favorite of sports enthusiasts everywhere.
Dealing with strobing and light source flicker has been very time consuming until now. Without DE:Flicker, fixing the problems usually involves creating mattes followed by hand-adjusting the elements. Fixing a short scene using frame-by-frame color correction and zone corrections could take hours, when it is even possible. RE:Vision Effects DE:Flicker handles these problems automatically while retaining image detail.
DE:Flicker is unique because it not only fixes flicker from artificial light sources but also fixes flicker on multiple objects, even when those objects flicker at different rates. DE:Flicker also minimizes problems when shooting directly at light sources, causing them to “breathe” and change size when shot at higher frame rates.
DE:Flicker will also help transform your timelapse photography so that viewers watch the footage you intended them to watch and not thennoying pops that often accompany timelapse photography. DE:Flicker handles the common problems of color shifts, exposure and other camera setting and lighting inconsistencies that may occur from frame to frame. DE:Flicker also tames the problems of clouds casting shadows at different places between frames, and performs well when objects appear or disappear from frame to frame.
| Name | RevisionFX DEFlicker 1.7.1 for AE mac-torrents.net.zip |
|---|---|
| Size | 14.42 MB |
| Created on | 2019-10-31 13:59:15 |
| Hash | ae7068b524af81aa258346599f9cc1c8e9630151 |
| Files | RevisionFX DEFlicker 1.7.1 for AE mac-torrents.net.zip (14.42 MB) |
DE:Noise handles spurious frame-to-frame defects ranging from fine digital/electronic noise to blotchy spots (e.g. dirt on the film).
DE:Noise combines motion estimation techniques with feature-sensitive, edge-preserving spatial filtering methods to reduce the visual impact of various problems such as: noisy video (that can happen with low-light capture), excessive film grain, CG renders affected by ray-tracing sampling artifacts, fingerprints and dust captured during film scan/transfer and printing, snow, drop-outs and many other defects.
DE:Noise handles spurious frame-to-frame defects ranging from fine digital/electronic noise to blotchy spots like dirt on film.
Addresses problems of low-light shoots, excessive film grain, CG renders with ray-tracing sampling artifacts, film scan artifacts, snow, drop-outs and can even handle a flash frame here and there.
Unlike many other products, DE:Noise uses smart spatial and temporal filtering to reduce noise while preserving details.
Smart spatial filtering controls that allow for the spatial smoothing of noise without smoothing over important features in the image sequence.
8 different temporal filtering methods that use optical flow motion estimation to correlate images over time in order to reduce noise and other artifacts.
Post-processing to help punch up the result, or to undo the preprocessing contrast enhancement. Post sharpening option for when the denoising process makes the result softer than desired.
Pre-processing contrast controls to help enhance the noise for easier elimination.
This product is GPU accelerated.
| Name | REVisionFX DENoise 3.3 for After Effects.zip |
|---|---|
| Size | 13.42 MB |
| Created on | 2019-10-30 19:32:21 |
| Hash | 2a5ac485319aba2fdf1f682317ec0a5f710c968c |
| Files | REVisionFX DENoise 3.3 for After Effects.zip (13.42 MB) |
Twixtor raises the bar in motion estimation. Twixtor is much more accurate, tracks objects farther, and exhibits fewer artifacts when there are objects crossing in the scene. This means less tearing and stretching of objects as they cross or go out of the frame.
| Name | Twixtor Pro 7.2.0 for Adobe After Effects Premiere Pro.zip |
|---|---|
| Size | 16.06 MB |
| Created on | 2019-10-30 19:32:28 |
| Hash | 1556bfca652a87672cd23474e61256651e23e355 |
| Files | Twixtor Pro 7.2.0 for Adobe After Effects Premiere Pro.zip (16.06 MB) |
VFX Chromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results. We designed Chromatic Displacement for creating professional VFX, such as force fields, heat ripples, light refractions, cloaking effects, and much more – but it’s also great for motion graphics.
VFX Chromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results.
VFX Chromatic Displacement is for creating professional visual effects, such as force fields, heat ripples, light refractions, cloaking effects, and much more. It’s incredibly flexible, giving you control over the strength, color spread, and softening.
VFX Chromatic Displacement aren’t just for visual effects. Use text to displace an image, or bring on a logo in a new and interesting way. Once you try Chromatic Displacement, you’ll never go back to standard displacement effects again.
VFX Chromatic Displacement has been designed to include lots of features to make it easy to displace chroma in your footage and motion graphics.
VFX Chromatic Displacement gives you the ability to introduce a rainbow spectrum of colors to the displacement effect. You control the amount of chromatic color and spread. You can even choose not to have any color spread at all.
Want more color options than just the standard rainbow? With Chroma Tint you can push your colors towards blue/yellow or green/Purple for a more unique effect.
VFX Chromatic Displacement includes options for softening both the detail in the displacement map layer and the final displacement result.
Sometimes you want a soft edged result, but sometimes you want the alpha channel of your displacement layer to be respected. VFX Chromatic Displacement offers 3 ways to handle your displacement layer’s alpha channel.
VFX Chromatic Displacement is fully GPU accelerated, and blazing fast at any quality setting. It also has a CPU render mode, in case your render farm doesn’t have GPUs.
| Name | Red Giant VFX Chromatic Displacement 1.0.1 mac-torrents.net.zip |
|---|---|
| Size | 254.6 MB |
| Created on | 2019-10-29 18:33:52 |
| Hash | 60d50b63c559e08d86fcffbf54a01ec808d88137 |
| Files | Red Giant VFX Chromatic Displacement 1.0.1 mac-torrents.net.zip (254.6 MB) |
420 Color Grading Presets for Premiere Pro, 15 VHS Looks Effects, 5 Old Film Looks
This pack will help you to make your video looks great, get cinematic proffesional look. Adjust your family or travel video in several clicks, just apply one of 420 color grading presets on your footage right in premiere pro. 12 categories of presets are for helping you to navigate, there is no nessesary to try on every 420 preset, just choose category close to your type of video and apply needed preset. Names of presets contains information about it`s color and tone, so you will find one, that looks perfect on your footage.
Package includes 15 old video VHS styles for video and 15 noise overlay footages, you can use it separatly or combine to get new looks. VHS looks can be opened with Premiere Pro CC2017 and higher versions.
Added Premiere project file with Old film looks, applying in 1 click.
Music from preview AuraSonic – Glitch Drums Music Kit
| Project name | 420 Cinematic Color Presets, 15 VHS Video Effects, Old Film Looks |
| Specific Official Information and Features | Videohive 24589977 |
| Last Update | 16 October 19 |
|---|---|
| Created | 10 September 19 |
| Files Included | Premiere Pro Project Files, Design Files |
| Software Version | Premiere Pro CC |
| Resolution | 1920×1080 |
| File Size | 1.09 GB |
| Media Placeholders | 230 |
| Text Placeholders | 0 |
| Name | 420 Cinematic Color Presets 15 VHS Video Effects mac-torrents.net.rar |
|---|---|
| Size | 1.09 GB |
| Created on | 2019-10-16 19:49:12 |
| Hash | 3424c1155f302eb9db555eb6b9b38791d7b19add |
| Files | 420 Cinematic Color Presets 15 VHS Video Effects mac-torrents.net.rar (1.09 GB) |
The most user-friendly way to create advanced gradient ramps in After Effects! Easily create and edit linear, radial, angular and reflected ramps with the click of a button, and colorize them with one of the 30 trendy and useful color presets. Even add some special FX options like tiling, grain and turbulence !
Most of the Adobe applications come with some small icons that allow you to choose a gradient type among presets (for both shape and color) before applying it.
But, curiously, After Effects doesn’t offer such some gradient options ! AE’s gradient ramp just come as a rather limited effect, that you have to apply manually onto your layer. It only offers 2 basic modes – linear and radial (that you have to re-center each time manually), plus it always begins with black and white and doesn’t offer any angle, tiling nor special FX option…
A really nice other plugin called YY Ramp+, available here on aescripts also as a Name Your Own Price product, allows you to choose from additional shapes, like angular, reflected or diamond (and does offer some useful other options like midpoint, opacity per color, blending mode…), but you still have to apply this effect again and again on each layer, and to tweak the colors and options afterwards, in order to achieve the desired result.
Being able to just create horizontal linear ramps, simple centered radial gradients or angular ramps that you can turn with an angle parameter (useful for creating “radar” like designs for example) shouldn’t be that frustrating, so… I decided to create my own toolset !
A simple toolset that allows you to create your desired gradient type in a really fast and convenient way, by clicking the corresponding icon button, just like you would do within other Adobe Programs.
| Name | FX Gradient 1.0 for After Effects.zip |
|---|---|
| Size | 7.42 MB |
| Created on | 2019-10-12 15:10:14 |
| Hash | d18de6ff359ca3b55a7d5d97c451298b1694a7bd |
| Files | FX Gradient 1.0 for After Effects.zip (7.42 MB) |
Relinks footage automatically, even if the name and duration are slightly different. Perfect for AAF import!
This is the second class in a series of classes on budget lighting. Here we will analyze how shooting takes place on a location. The recommendations that will be given here are the most universal, they do not apply to any particular location (office, street, dimly lit premises, and so on). Here are the basic principles that apply everywhere. The task is the same: to master budget solutions for a wide variety of creative tasks.
AAF Relinker is a powerful tool that allows you to relink any footage automatically.
it has no problem dealing with name, duration and path changes done to the file by a different software.
AAF Relinker uses a smart algorithm which ensures that the files are being replaced effectively and correctly
in small and large projects alike.
AAF Relinker is perfect for relinking AAF files created with Avid Media Composer.
| Name | AAF Relinker 1.0 for After Effects.zip |
|---|---|
| Size | 6.54 MB |
| Created on | 2019-10-12 15:10:24 |
| Hash | 2a5e585af1ae3f5542ca48a8381bef907c0176d2 |
| Files | AAF Relinker 1.0 for After Effects.zip (6.54 MB) |
Advanced tool for camera projection mapping and photo parallax animation in After Effects
| Name | Projection 3D v1.05 for After Effects mac-torrents.net.zip |
|---|---|
| Size | 100.7 MB |
| Created on | 2019-10-01 20:22:51 |
| Hash | bb460764706408db18555173633078353ca8baca |
| Files | Projection 3D v1.05 for After Effects mac-torrents.net.zip (100.7 MB) |
