This tool was designed to make gain matching easy and fast!
Have you ever seen a plugin that sounds so much better when you put it on? And later discovered that it just adds 1 dB of gain on everything?

Or maybe a new compressor, that has a fixed 2dB steps output knob? So that comparing before and after is a pain?

Or maybe a saturation plugin with no output gain, so that it’s almost unusable?

Decide if it’s better, not louder, in a moment!

GainMatch is an affordable and easy to use tool that we think
everyone should have in their arsenal.

Usage Scenarios:
Use this tool to get rid of plugins that do not improve your sound.
Use it as an auto-leveling tool.
Use it as a meter to adjust your plugin’s output.
Use it in “Left””Right” mode to get a perfect balance of hard-panned tracks.
Use it in “target loudness” mode to set your tracks to the desired loudness (for.
example, process guitars and basses with the same level across the album) or to the desired peak level (for drums).
Use it for testing compressors, saturation effects, etc. maintaining the same perceived output level.

Cool Features Like:
controlling “before” input gain reverse linked with “after”.
mixing “before” and “after” signals.
one-click auto delay compensation.
variable RMS time and filtering.
adjustable auto-gain with gain tolerance ignoring minor level changes.
match “after” to “before” or vice-versa (while listening).
Stereo, Left, Right, Mid and Side modes (compare your right channel to left, control mid/side balance).
Neutral mode to use it as a regular gain knob with +-40 db range.
trim control lets you make adjustments in +-150 dB range.
optimized CPU usage.
auto-selection of group and mode upon inserting.
target loudness mode to match with a reference loudness or peak level.

Homepage https://letimix.com/products/gainmatch

Legendary passive equalizers have long been a top choice of leading recording and mastering engineers since it was released in 1951. With tons of research and hard work; we are proud to present extremely accurate models of these legendary equalizer units, Rule Tec® Collection. Legendary tone is here with all of the legendary signature features including “Pultec EQ trick”. Rule Tec Heritage Pro, EQ1A and EQ5M plugins are included in this Rule Tec All Collection pack.

EQ1A
Classic mixing and mastering equalizer.

EQ5M
EQ5M is a classic mid-range mixing and mastering equalizer. On top of the EQ5M, F3C model was added in order to complete the purpose with unique taming sharp high pass – low pass filters.

HERITAGE PRO
FC3C + EQ1A + EQ5M… All three models in one single plugin. Very powerful unit which combines All of The Rule Tec Models.

Homepage https://www.noiseash.com/rule-tec-all-collection/

Palmary Collection is an elite production tool series for producers / musicians / mixing & mastering engineers. There are lots of great and useful plugins in this bundle set. Effortless professional mixing and mastering with having fun, is so easy now!

ADVANCED TOOLS FOR MUSIC PRODUCTION
With the latest DSP technology, there are endless possibilities to get the highest sound quality. You will find lots of true high quality, intelligent, fast and analog reality solutions in this serries.

Homepage https://www.noiseash.com/palmary-collection/

The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!

PRODUCT SPECIFICATIONS
– Truly accurate circuit reproduction of the famous classic console eq / preamp unit
– Second mid band enhancement
– Original Mic Pre-Amp model with Drive Mode in 30 dB range (From –20 dB to +10 dB)
– Complex signature interaction between filters with legendary smooth and musical curves
– Anti-Aliasing Engine with Oversampling option
– Mid / Side, Stereo, Mono-Sum, Left and Right channel procesing matrix
– Friend of CPU
– Built-in Tutorials
– Effective Resizable GUI workflow

Homepage https://www.noiseash.com/need-31102-console-eq/

The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.

FEATURES
Authentic emulation of the 80’s hardware synthesizer.
Use the calibration section for extreme resonance and filter overdrive.
VCO based UNISON with stereo spread option and a full stereo signal path.
MPE support.
More than 200 factory presets by solidtrax, emptyvessel and others.

Calibrated after our hardware device.

A serial generated by our keygen can be invalidated at next startup. This is
not our fault but bug. Try generating another one.

The authorization function of TAL-J-8 is broken. It uses different process
between some functions.

When you input serial :
1. Conver to ascii serial to binary by Base32.
2. Decrypt by Blowfish and get ascii decimal value.
3. Convert asii decimal value to number (Atoi).
4. Validate that number.

When startup :
1. Convert ascii serial to number (Atoi). The number will be broken because
serial isn’t processed by Base32 decoding and Blowfish decryption.
2. Validate that broken number.

As a result, some legit serial can be invalidated in next startup. In
addition, both serial validation has vulnerablity that invalid serial can
be recognized as legit serial. Actually, previous one shared in P2P contains
wrong serial number. This happens because Atoi (ascii to int) function can
convert broken data to valid int value. After the Blowfish decryption, some
more validation should be done before Atoi to avoid broken data.

In short, current auth validation doesn’t always pass valid serial, and it
sometime passes invalid serial.

The licenses generated by many of our keygens (incl. TAL one) have watermark.
They are valid but we can still identify. Did you know that our TAL-U-NO-LX
license always starts with “599C767C”? We are wathing you!

It looks like one famous release group is loving to use R2R keygen 🙂

Homepage https://tal-software.com/products/tal-j-8

TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular SH 101.

The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.

TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular SH 101. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.

Its 24dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts, especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch where most emulations fail.

Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. TAL-BassLine-101 generates all wave-forms in real time. Filter-FM allows it to choose an oscillator waveform as modulation source for the filter cutoff. This additional feature can be used to create a wide range of new sounds.

Homepage https://tal-software.com/products/tal-bassline-101

TAL-Mod is a virtual analog synthesizer with an exceptional sound and almost unlimited modulation possiblities. Its special oscillator model is able to create a wide range of sounds, from classic mono to rich stereo leads, effects and pads.

Homepage https://tal-software.com/products/tal-mod

TAL-Sampler is not just a sample player. It’s a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.

Don’t expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.

Homepage https://tal-software.com/products/tal-sampler

Audio Hijack (formerly Audio Hijack Pro) drastically changes the way you use audio on your computer, giving you the freedom to listen to audio when you want and how you want. Record and enhance any audio with Audio Hijack – it’s the cornerstone of your digital audio experience.

Audio Hijack will allow you to record any application’s audio, from Internet streams to DVD audio and everywhere in between. If your machine can play it, Audio Hijack can record it. And that’s not all – Audio Hijack will also enhance any audio, using industry-standard VST and AudioUnit audio effects to make your music sound incredible. Record. Enhance. Enjoy!

Compatibility: OS X 10.9 or later, 64-bit processor
Homepage https://www.rogueamoeba.com/audiohijack/

Screenshots

Convert between audio formats with zero quality loss; Extract audio from video; Directly Play Media Files, Edit Audio like merge, adjust audio volume, channel, bitrates etc. Supported Audio Formats: AAC, AC3, Apple Lossless ALAC, APE, AU, AUD, AIFF, AIF, AIFC, AMR, AWB, CAF, DTS, DSS, FLAC, GSM, MP3, M4A, M4B, M4R, MKA, MPC, MP1, MP2, MID, MIDI, OGG, OGA, OPUS, PCM, QCP, RA, RAM, RAW, SHN, VOC, VOX, Vorbis, WAV, WMA, XWM, 3GA etc.

What’s new

• Release notes not available at the time of this post.

Compatibility: macOS 10.10 or later 64-bit
Homepage https://www.avdshare.com

Waves V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12.

Release Notes
NEW RS124 Compressor Feature – HF Roll-Off

Homepage https://www.waves.com/

Waves V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12.

Release Notes
January 10th, 2021
Updated: SuperRack 12.2.0.180
Fixed: Bug with auto-configure, causing application hangs.
Fixed: Bug in SuperRack Native rack routing.
Fixed: Bug causing preference corruption after power failure.

Homepage https://www.waves.com/

With seven powerful effects – TimeShaper 2, DriveShaper, CrushShaper, VolumeShaper 6, FilterShaper Core 2, PanShaper 3 & WidthShaper 2 – ShaperBox 2 creates amazing musical, rhythmic effects and helps solve complex mix problems.

Load any Shaper effect and simply draw the modulation shapes you need with our easily editable LFOs. Or use envelope followers that react to audio. Control filtering, volume, drive, width, panning, bitcrushing – even the flow of time.

Get inspired: transform loops, beats, vocals, melodies or basslines into addictive hooks to kickstart your next track. Then perfect your mix with sample-accurate sidechaining, punchy compression, multiband distortion, stereo expansion and more.

Changelog
2.3 – December 16, 2020
– New Shaper: DriveShaper. If you own it, then please download/apply your updated license file from your Cableguys user account.
– New: LFO Smooth control for all Shapers except TimeShaper.
– Fixed: FilterShaper Core 2’s Stereo Offset setting was not saved with songs.
– Fixed: If an LFO used Hertz mode, the background LFO waveforms (from other Bands/Shapers) were shown with the wrong length.
– Fixed: Dialog boxes were scaled incorrectly for Scalings other than 100% or 200%.

Tested, working on macOS Big Sur

Homepage https://www.cableguys.com/shaperbox.html

Metadatics is a powerful and advanced audio metadata editor. It supports batch editing of most common audio file types including MP3, M4A, AIFF, WAV, FLAC, APE, OGG, WMA, and more. Lookup metadata from online sources, rename files based on metadata, or manipulate metadata using one of the many built in functions. Metadatics provides all you need to edit metadata with ease and flexibility.

Metadatics Main Features

• Batch Editing – Edit multiple files at once quickly and easily.
• Functions – Metadatics has a number of built in function to quickly manipulate data. Replace text, remove characters from the beginning or end of a tag, generate number sequences, copy from tag-to-tag, and much more!
• Online Sources – Search for tags on MusicBrainz and album artwork on Google.
• Album Artwork – Metadatics supports reading and writing multiple images per file. Artwork can be extracted or resized either in a batch or individually.
• File Rename – Generate directory structures and rename files based on metadata.
• Support For Many Metadata Formats – Metadatics supports reading and writing ID3v1, ID3v2, MP4, Vorbis, APE, and ASF tags all from a variety of audio file types.

Compatibility: macOS 10.10 or later 64-bit
Homepage https://apps.apple.com/ca/app/metadatics/id554883654

Screenshots

20 DIGITAL ELECTRIC PIANOS IN ONE
Glassy is an EP module (+ pads) inspired on the lovely Digital Electric Piano sounds from the late ’80s and ’90s. Recreated by spectral modeling, offering 20 studio-quality Digital Pianos in just 35MB.

NO FM, NO SAMPLES. AN ADDITIVE APPROACH

Glassy was built using spectral modeling. In some way it’s related with additive synthesis method. We used spectral models to recreate famous sounds and to introduce new ones. With a detailed control of the harmonics over the keyboard range.

PRODUCT DETAILS
-Digital Electric Piano +pads module
-20 Factory EP Sounds included
-Chorus and Phaser FX
-HD Scalable interface.
-Pad Generator w/filter
-No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
-Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
-Win 32/64 bits and Mac VST/AU/Standalone versions included
-About ~35MB installed.
-No library installation required.
-No online activation required.

GLASSY AUDIO DEMOS
There’s no 90’s without these sounds. And we brought them back in a studio-grade virtual instrument, using a different approach.

Most of the Digital Electric Pianos were made upon FM and additive-like synthesis. We used spectral modeling to recreate a create those unique timbres and to propose some new one.

Homepage https://sampleson.com/glassy-digital-electric-pianos.html

Lethal is an incredibly powerful software synthesizer plug-in with a simple, yet comprehensive interface to suit every type of producer and genre. Easy to use, dynamic interface with impressive features and functionality.

Lethal is an incredibly powerful software synthesizer plug-in with a simple, yet comprehensive interface to suit every type of producer and genre. Easy to use, dynamic interface with impressive features and functionality.

In this modern age, your time is precious. Lethal makes your music creation process less time consuming and as simple as possible, yet offering the sophistication, complexity and quality you require.
Find the sounds you want quickly and get back to doing what matters most, creating music.

Solid. Inspiring. Professional.
Huge 5GB library of commercial quality sounds.
Over 1100 breathtaking instruments & presets.
2140 crisp percussion & drum samples.
Stunning core features and FX.

Variety is the spice of life
Solid basses, epic synths, heart-warming strings, timeless pianos, professional drums and crisp percussion is only just the beginning.
Carefully crafted banks for all genres from Commercial to House to Hip-Hop to Trance to EDM, and everything in between.
Lethal features a huge library with a total of over 3000 sounds & presets, all in lossless commercial quality.

Homepage https://www.lethalaudio.com/

Bitwig Studio is the single solution for realizing any musical idea across every stage of production.

Modern music production and performance for Windows, macOS, and Linux.

•Linear and non-linear workflows for sound design, recording, live performance, and beyond
•A complete package with 90+ instruments, effects, and other creative tools
•Modular structure and flexibility in all aspects of the software
•Enjoy over 10 GB (and counting) of world-class sound content from Bitwig and selected partners

Customized Workflow To Match Any Style
Bitwig Studio is the single solution for realizing any musical idea across every stage of production.

All The Creative Tools
Built on modern foundations, Bitwig Studio offers everything you can expect from a contemporary music creation system. And then some.

Modulation Heaven
The modulation system in Bitwig Studio allows you to use Macro controls, Note Expressions, LFOs, and Envelopes to modulate any device, VST plug-in, or hardware parameter. With 30+ modulators (and counting) the potential for creative expression is endless.

Hardware Integration
Hardware integration is a large part of what makes Bitwig Studio unique. MIDI handling, note timing, and latency compensation are aspects of this. Other prominent features include MIDI Clock Sync and Ableton LINK. But where Bitwig Studio really stands out is our collection of hardware integration devices.

Homepage https://www.bitwig.com/