Stupendous and unheard-of splendors await me below, and I shall seek them soon.
ValhallaÜberMod is a unique mutltap delay and modulation plugin.
With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod creates lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization.
Now updated to version 1.1.6! VST3, signed & notarized installers for Mac (ready for Big Sur), signed installers for Windows.
Come with uncle and hear all proper! Hear angel trumpets and devil trombones. You are invited!
ValhallaShimmer is an algorithmic reverb designed for BIG sounds, from concert halls to the Taj Mahal to the Halls of Valhalla.
All of the sliders have been designed to be tweaked in real time and have a smoothed response to avoid clicks when changing settings or automating the controls. At the same time, the algorithm has been highly optimized, so you get a huge reverb sound without straining your CPU.
Now updated to version 1.2.2! VST3, signed & notarized Mac installers (ready for Big Sur), signed Windows installers.
ValhallaPlate is our algorithmic take on the classic plate reverberation sound.
Twelve original algorithms emulate the sound and behavior of real world steel plate reverbs, and take the sound into dimensions that physical plates can’t touch.
Now updated to version 1.6.3! Adds VST3, signed & notarized installer for Mac (Big Sur ready), signed installer for Windows
ValhallaRoom is a versatile, true stereo algorithmic reverb.
It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.
ValhallaRoom has been designed from a psychoacoustic perspective. Instead of creating a simplified physical model of a simplified physical space, Room generates early and late acoustic energy that provides the spatial and phase cues needed to create an “idealized” room impression.
Now updated to version 1.6.3! Adds VST3 support, signed & notarized installers for Mac (ready for Big Sur), signed installers for Windows
Valhalla Delay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered.
ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs.
Set the controls for the heart of the sun with ValhallaDelay.
New in version 1.8.2: Two new delay modes, LoFi and PitchDuck!
Based on the vintage Pultec MEQ-5 mid-range EQ, the PTM-5A emulates the sought-after passive filter character, providing a versatile equalizer capable of subtle sonic enhancement or more obvious presence – highlighting elements of a mix without harshness or fatigue.
Smooth controls with no ‘zipper noise’ when adjusting the plug-in settings. Physically modelled rotary control modes. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A Vintage Program EQ Transformer-coupled valve / tube amplifier emulation enhances the desirable vintage tone. Innovative processing models analogue filter behaviour – without additional latency or high CPU demand. Valve / tube emulation adds subtle character even with the EQ section bypassed.* *The EQ switch bypasses the filter section, leaving the valve / tube emulation in the signal path, while the ‘power switch’ provides a completely clean bypass if required.
Inspired by the elegant simplicity of vintage Pultec style designs, renowned for their ability to simultaneously boost and cut the low frequencies using separate controls – creating powerful, tight bass boost with focus and detail. Perfect for adding that big studio sound to ‘in the box’ mixes.
Smooth controls with no ‘zipper noise’ when adjusting the plug-in settings. Physically modelled rotary control modes. Separate low frequency boost and cut to shape the signature sound. Transformer-coupled valve / tube amplifier emulation enhances the desirable vintage tone. Innovative processing models analogue filter behaviour – without additional latency or high CPU demand. Valve / tube emulation adds subtle character even with the EQ bypassed.* *The EQ switch bypasses the filter section, leaving the valve / tube emulation in the signal path, while the ‘power switch’ provides a completely clean bypass if required.
A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources.
Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive.
Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the frequency response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.
The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance.
Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds.
Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources.
More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.
The effortless control and uniquely musical character of one of the best-known vintage compressor / limiters.
Inspired by the legendary smooth, effortless control and uniquely musical character of the classic Fairchild 670 limiter, the FC70 adds the weight and authority of a high-end vintage mastering compressor / limiter – taming dynamics without robbing the mix of power and detail.
Smooth controls with no ‘zipper noise’ when adjusting the plug-in settings. Physically modelled rotary control modes. Fast attack and program dependent release settings. Progressive onset of compression / limiting as signal level increases. Lateral / Vertical, Independent and Linked stereo channel modes. State of the art processing emulates a fully balanced transformer-coupled signal path, while an innovative delay-free feedback algorithm accurately mirrors analogue sidechain behaviour.
