Amadeus Pro lets you use your Mac computer for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. The handling of large sounds is furthermore facilitated by the extensive support of markers. Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD.
Features
Simple and elegant OS X-like user interface
Multitrack editing an recording.
Batch processing and conversion.
Sound denoising and repairing.
Supports a variety of sound formats, including AIFF, Multichannel Wave, MP3, MP4, Ogg Vorbis, FLAC, SoundDesigner II, QuickTime, Apple CAF, etc.
Support for VST and Audio Unit plug-ins.
A “favourite actions” palette allows to have your most commonly used effects only a mouse click away.
A wide range of powerful audio analysis tools.
Audio CDs with CD-TEXT data can be burned directly from within Amadeus Pro.
What’s New:
Version 2.8.4.2523
Release notes were unavailable when this listing was updated.
n-Track Studio 9 turns your PC into an easy to use multitrack audio recording studio. It is the perfect tool for professional quality audio recording, encoding, mixing and editing. Record, edit, overdub your audio tracks, apply effects, process audio live input, mix and then burn audio CDs or create mp3 files.
n-Track Studio is an Audio and MIDI Digital Multitrack Recorder that transforms your computer into a powerful audio recording studio. You can record, playback, overdub your audio tracks exploiting the flexibility and power of today’s PCs for applying effects, realtime input processing, automated aux channels sends and returns, destructive and non-destructive wave editing. The program supports 24bit-192 khz recording, 64 bit mixing, multiple channels soundcards, live input processing, CD burning, mp3 encoding and more.
Main n-Track Studio features: • Records and plays back a virtually unlimited number of audio and MIDI tracks • DirectX, VST and ReWire effects can be added to each channel/track • Built-in effects include Reverb, Compression, Parametric and Graphic EQ, Echo, Auto-volume, Pitch Shift, Chorus, Multiband Compression, Spectrum analyzer • Supports 16 and 24 bit single and multichannel soundcards at sampling frequencies up to 192 Khz using Asio, WaveRT, WDM, MME and DirectSound • Is compatible with multichannel Asio, WaveRT, WDM and MME audio drivers, which means that n-Track can work with almost any soundcard available today with the lowest possible latency • Supports VST Instruments and DirectX Instruments synth plug-ins. Sample-accurate MIDI tracks can be sent to VSTi/DXi software MIDI synths, without the need of expensive hardware MIDI synths. • Adjust the effect settings and listen to the result in real time. • Built-in effects include Reverb, Compression, Parametric and Graphic EQ, Echo, Auto-volume, Pitch Shift, Chorus, Multiband Compression, Spectrum analyzer. • Supports third party DirectX, VST 2.0 and ReWire plug-ins. • Realtime Audio effects can be added to each channel. • Supports 16 and 24 bit single and multichannel soundcards at sampling frequencies up to 192 Khz using Asio, WaveRT, WDM, MME and DirectSound. • Input processing allows to process with plug-ins live signals. Record the ‘dry’ (unprocessed) signal while processing and reprocess the recording later – i.e. Play a guitar through a distortion plug-in then change the distortion after the recording!
More Features: • Supports surround mixing for creating DVD audio projects using 5.1, 6.1 and 7.1 channels surround formats • Each audio track includes a 20 bands parametric EQ with graphical frequency response view, a full spectrum analyzer and an automatic instrument tuner. Up to 32 aux channels with fully automated sends and returns. • Supports multiple input and output soundcards or more than one soundcard. You can record multiple tracks at a time and output to more than one stereo output. Each output channels has its own master channel effects and volume control. • Supports technology by Propellerhead Software AB. Mix signals in realtime with n-Track’s own channels from other programs (such as Reason, Ableton Live, Fruityloops and many others). • Import and export .wav, .mp3, .wma, .mid, .ogg, .flac, .aiff, .cda, .sng, .sgw audio files • Import and export EDL multitrack song files for exchanging songs with other multitrack programs • Sync to other programs or external devices using SMPTE/MTC or MIDI Clock sync, acting either as master or slave • Loads and saves MIDI tracks to standard MIDI files • Play Videos (AVI, MPEG) in sync with the song in a dedicated video playback window • Automated volume, pan, aux sends and returns and effects parameters. You can “program” fade-in/outs, cross fades, boost the volume of a track when there is a solo etc.
Amadeus Pro lets you use your Mac computer for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. The handling of large sounds is furthermore facilitated by the extensive support of markers. Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD.
Features
Simple and elegant OS X-like user interface
Multitrack editing an recording.
Batch processing and conversion.
Sound denoising and repairing.
Supports a variety of sound formats, including AIFF, Multichannel Wave, MP3, MP4, Ogg Vorbis, FLAC, SoundDesigner II, QuickTime, Apple CAF, etc.
Support for VST and Audio Unit plug-ins.
A “favourite actions” palette allows to have your most commonly used effects only a mouse click away.
A wide range of powerful audio analysis tools.
Audio CDs with CD-TEXT data can be burned directly from within Amadeus Pro.
What’s New:
Version 2.8.4.2518
Release notes were unavailable when this listing was updated.
Export for iTunes lets you export your playlists and albums from iTunes to any local folder, external storage, SD card or USB drive! With Export for iTunes you can transfer easily your playlists to your car stereo or any other media player. Convert aac/m4a files to mp3 for best compatibility with most sound systems.
The app converts, copies and organizes your playlists’ and albums’ music files into folders, and creates the .m3u file that lets you play your playlist on any media player. For every album, you can include an image file with album artwork. You can browse and select which of your playlists or albums you want to export. See all playlist/album tracks with their metadata without opening the iTunes app. You can also export the track list from any album or playlist to Excel, so you can create a file with info about all your iTunes music. This iTunes export app let you preview and export metadata like: Title, Artist, Time, Album, Genre, File path, Kind, and Bitrate. The app does not modify your iTunes library.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Future-Proof Your Sessions At Waves, we devote much of our time and software development resources to ensure that the plugins you invested in will always remain compatible with all the latest major DAWs and operating systems. V11 is the latest in our ongoing updates, so you can always keep focusing on what’s important—creating the best music and audio you possibly can, now and in the future.
What You Get in Waves V11 Full ongoing compatibility with the latest major DAWs & operating systems (including macOS 10.15 Catalina).
New updated versions of all eight Renaissance plugins, including: •Freshly designed interfaces with three skin choices: Light, Dark, and Legacy •Real-time frequency analyzers added to the R-EQ and R-Channel plugins •Complete revision of the R-Channel user interface for more intuitive usage of the channel strip plugin •700+ new presets by leading artists
June 24th, 2020 Updated: StudioRack 11.0.65.145 Added: Over 50 new StudioRack chain presets by top producers and mix engineers: Ken Andrews, Cam Blackwood, Lu Diaz, Lampadinha (Lamps), Damien Lewis, Matt Schaefer, Chris Tabron.
General bug fixes: Fixed: Sessions saved with V10 plugins within StudioRack loading with default preset. Fixed: Plugins in chain deactivated when inserting a missing V10 plugin into a split rack. Fixed: Macro assignments lost when moving plugins between splits and the main chain. Fixed: Undo/Redo’s not reflected graphically on macro controls. Fixed: Red frame still visible on a plugin control after macro assignment from the control. Fixed: Macro range not updated when copy-pasting presets. Fixed: Macros assigned to parameters in the inserted plugin when a disabled plugin assigned to macros is hot-swapped. Fixed: StudioRack Input gain automation not read in Ableton Live. Fixed: Corrected automation labels for Panning and Width controls. Fixed: Some DAWs crashing when the StudioRack GUI is opened or closed with the EDIT window open. Fixed: Split chain within a split chain displaying an active sidechain by default. Fixed: Rack identifier added to floating plugin frame.
SoundGrid Processing Mode bug fixes: Fixed: Low Latency Input selection reset when loading a preset. Fixed: New automation lanes open Cubase when switching processing mode. Fixed: Constant noise when turning off StudioRack while in Input mode. Fixed: Noise when hot-swapping StudioRack Stereo to Mono in Cubase. Fixed: Short noise when closing a DAW session.
Subzero II: an All-In-One VST Instrument and Player, handcrafted by the 3X Grammy Award Winning J.U.S.T.I.C.E. League Squad. The 500+ included presets were designed with experienced details, making it our Trap go-to plugin.
Coming with more than 500 premium presets, these sounds were designed with experienced details, making it our Trap go-to plugin.
This plugin contains many assets including a large arsenal of 808s & Basses, Drums, FXs, Strings, Synths, and more. These included sounds delivers a truly high-quality sonics, ready to evolve your Trap production game.
ADSR, Pitchbend & Glide are also controllable from the VST, and each extension can include infinity of effects.
Product Details: Includes: Drums, Snares, FX, Kicks, 808s, Basses, Strings, Synths and tons more. Designed by 3X Grammy Award Winning J.U.S.T.I.C.E. LEAGUE OS X & Windows Compatible (AU & VST 32/64-bit versions) 2GB to install the plugin and factory content
MAC MINIMUM SYSTEM REQUIREMENTS AudioUnit, VST, host software Intel 1.5 GHz processor 2GB of RAM (8GB or more highly recommended) Display with 1024-by-768 or higher resolution Mac OSX 10.8, 10.9, 10.10, 10.11 and macOS Sierra
Metadatics is a powerful and advanced audio metadata editor. It supports batch editing of most common audio file types including MP3, M4A, AIFF, WAV, FLAC, APE, OGG, WMA, and more. Lookup metadata from online sources, rename files based on metadata, or manipulate metadata using one of the many built in functions. Metadatics provides all you need to edit metadata with ease and flexibility.
Metadatics Main Features
Batch Editing – Edit multiple files at once quickly and easily.
Functions – Metadatics has a number of built in function to quickly manipulate data. Replace text, remove characters from the beginning or end of a tag, generate number sequences, copy from tag-to-tag, and much more!
Online Sources – Search for tags on MusicBrainz and album artwork on Google.
Album Artwork – Metadatics supports reading and writing multiple images per file. Artwork can be extracted or resized either in a batch or individually.
File Rename – Generate directory structures and rename files based on metadata.
Support For Many Metadata Formats – Metadatics supports reading and writing ID3v1, ID3v2, MP4, Vorbis, APE, and ASF tags all from a variety of audio file types.
What’s New:
Version 1.6.3
Fix an issue where the wrong global frame size could be written to WAV files.
Version 1.6
Add support for dark mode.
Add support for iTunes’ new Movement/Work tags.
Allow “0” to be used in the batch album artwork width or height field to dynamically calculate the size.
Performance improvements when adding a large amount of files at once.
Updated Google Images album artwork search.
Fixed an issue with sorting track numbers after getting tags from MusicBrainz.
Fixed a possible data corruption issue when saving after every change is enabled.
Fixed a possible crashing issue when the window size launches too small.
Max is a visual programming language for the specialized needs of artists, educators, and researchers working with audio, visual media, and physical computing.
Discover a new landscape of sonic possibilities With MC, objects and patch cords contain multiple audio channels. MC will transform how you imagine sound design, effects processing, and mixing. It might be the closest thing to a mind-expanding drug Max has ever had.
Experience noticeably faster performance For Max 8, we profiled real-world, messy patches to discover what we could optimize. You’ll notice the difference the moment you launch the application.
Control your patch with hardware — no patching required
We are pleased to announce the release of Max 8.1. This update brings initial Mac OS 10.15 Catalina support and “darkmode” window toolbars on Mac. We’ve also decided to include jit.mo in the distribution as a “factory” package (it has a few improvements as well). Additionally, the Inspector has been improved to have a “per-object” view (among other things). Be sure to take a look at the change log below for the complete details of improvements in this release.
Max 8.1.5 Release Notes Fixed Bugs: BEAP: Bugfix update to v1.0.3 (see BEAP Github for changes) install: improved Mac startup time (don’t check validity on externals in Max’s resources folder) jit.gl.slab: fixed read message jit.grab (AVF): fixed crash when device removed and getformatlist queried jit.playlist: fixed issues when reloading patches with texture output and implicit drawto jit.world: maintain connection to matrix only object on patcher load Jitter: setting attributes with attrui does not crash jsmaxobjlistener, jsparameterlistener, jsparaminfoprovider: added to Windows installer jsparaminfoprovider: improve getinfo dictionary live.banks: add/remove buttons work Parameter: ensure dictionary ordering in patcher JSON Parameter: fixed undo issues with stored only pattr objects Patcher Windows popup in Toolbar: fixed crash when selecting some patchers Patcher: transparent notitle windows work even when enabletransparentbgwithtitlebar is off pattrstorage: ensure savemode respected when object is freed Snapshots: fixed restore issues with some patches VIDDLL jit.movie: fixed non-HAP texture alpha channel usage VIDDLL jit.movie: position attribute does not trigger playback
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
Whats new in this version: 1.30b1 (May 25 2020) Fix: preference: Limit Polyphony to one of any note number was causing a filter click on new/stolen note Fix: SerumFX was latching on stop which could cause LFOs to become offset Fix: Some on-screen help tooltips were displaying the wrong tip information Fix: Flip Vertical was moving LFO Bus modulation assignments Fix: Remove Modulations context menu item was not removing LFO Points on Windows Fix: Alt key was not reacting on AAX Windows Fix: In 1.29b9, graph curve handles were not drawing on X-Shaper / Remap graphs Fix: Adjusting LFO 5-8 rate with notes playing was not reacting until new note Fix: Updated Mix/Level image artwork
System Requirements Windows 7 SP1, or Mac OS X 10.8 or greater 64 bit VST2.4 , AU or AAX compatible host software.
Amadeus Pro lets you use your Mac computer for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. The handling of large sounds is furthermore facilitated by the extensive support of markers. Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD.
Features
Simple and elegant OS X-like user interface
Multitrack editing an recording.
Batch processing and conversion.
Sound denoising and repairing.
Supports a variety of sound formats, including AIFF, Multichannel Wave, MP3, MP4, Ogg Vorbis, FLAC, SoundDesigner II, QuickTime, Apple CAF, etc.
Support for VST and Audio Unit plug-ins.
A “favourite actions” palette allows to have your most commonly used effects only a mouse click away.
A wide range of powerful audio analysis tools.
Audio CDs with CD-TEXT data can be burned directly from within Amadeus Pro.
What’s New:
Version 2.8.4.2501
Release notes were unavailable when this listing was updated.
SDRR was built to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal.
Each mode has its unique crosstalk behavior, which can be switched off or exaggerated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bit-crusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR. Don’t forget to check out the free IVGI, which can be seen as the little brother of SDRR. It is based on the DESK mode in SDRR. Since IVGI is comparable to SDRR quality-wise, CPU-consumption wise and regarding aliasing (or better the absence of aliasing artifacts), it’s a good way to also get an impression of how SDRR would perform on your system. SDRR is available in the following formats (all included in one single license):
06/10/20 version 2.3.0 – GUI performance improvements – added option to use OpenGL rendering for the GUI to the global settings (experimental) – more robust Mac-installer – updated manual
MJUC is the most effortful Klanghelm plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor.
In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.
06/10/20 version 1.5.0 – FIX: when updating the knob sensitivity in the global settings, the changes weren’t applied properly to new loaded instances in the same session. – GUI performance improvements – added option to use OpenGL rendering for the GUI to the global settings (experimental) – more robust Mac-installer – updated manual
DC8C is one of the most flexible compressors around. While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.
The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost inevitable artifacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration.
If you aim for color you can choose between two saturation models. From opto-style, peak compression, external side-chaining, RMS compression, Feedback, Feedforward compression (and everything in-between) to negative ratios, zero latency brick-wall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.
06/10/20 version 3.3.0 – GUI performance improvements – added option to use OpenGL rendering for the GUI to the global settings (experimental) – more robust Mac-installer – updated manual
Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.
What’s New:
What’s New in Ableton Live Suite 10: Create with new devices Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.
Stay in the flow You’ll find improvements to Live that help you stay in the flow at every stage of your creative process, whether you’re getting ideas down, organizing your setup or editing the details of your music.
Do even more from Push Live 10 brings new functionality and new high-res visualizations to Push. Now you’ll spend even less time with the computer—whether you’re composing ideas, editing MIDI or shaping and mixing sounds.
New library of sound With new collections of Packs, Live 10 has more sounds that are ready for finished music, right out of the box. They’re set up for tweaking to your needs or taking in different directions. Plus the library has been reorganized to make it easier to find what you’re looking for.
Max for Live – no limits, built in Max technology is now fully integrated into Live 10 Suite. No additional download or set up is required to create with and customize Max For Live devices. They just work. Plus new devices and capabilities bring more possibilities for musicians and device developers.
Insight 2 is a comprehensive metering and audio analysis plug-in that is a trusted component of award-winning post production and music studios. Insight 2 offers crisp, responsive metering in a customizable interface to fit any professional audio mixing and production workflow. Metering with surgical precision.
Loudness compliance guaranteed Insight 2 comes loaded with industry-standard loudness profiles, ensuring that your final mix is broadcast-ready.
View your sound in stunning 3D Use the detailed and responsive Spectrogram to monitor the complete spectral content of your mix.
Professional multichannel support With support from stereo to 7.1.2 Atmos, Insight 2 is equipped to handle pro music or post production sessions.
Version 2.1.1 released June 11, 2020 * Fixed a crash in Logic Pro X 10.5.0 * Fixed a crash in Cubase 10.5 * Improved installer support for macOS Catalina * Removed RTAS support
INSTALLATION: – Install IZotope.dmg – Uncheck Relay – Check All the formats Done. – Install Insight 2.pkg Done.
Operating Systems: Mac: OS X 10.9.5 Mavericks – macOS 10.15 Catalina Plugin Formats: AudioUnit, VST2, VST3
The Industry Standard for Audio Repair: Designed specifically for the demanding needs of post production professionals, RX 7 Advanced introduces brand new processing powered by machine learning, powerful AudioSuite tools, and multichannel support up to 7.1.2.
Restore the intended performance With the new Dialogue Contour module, you can reshape the intonation of dialogue to rescue or improve a performance in post production. Dialogue Contour features pitch correction processing that is tailored to speech and designed to adjust the inflection of words within a phrase of dialogue that may not match or flow correctly with the rest of the dialogue in the clip. Easily splice together natural-sounding sentences or turn statements into questions!
New plug-ins, new workflows Time is everything, and we’ve added even more AudioSuite plug-ins to RX 7 Advanced to help you get more of it back. User-favorites Dialog Isolate and De-rustle are now also available in Pro Tools AudioSuite, giving you even more flexibility in your audio repair workflow. Plus, RX 7 Advanced now lets you repair multichannel audio up to 7.1.2 Dolby Atmos.
What’s New: Version 7.0.1n released December 23, 2019 – Changes to Operating System Support: * Added support for installation on macOS 10.15 (Catalina)
Nectar 3, the most sophisticated set of tools designed for vocal production. Address every part of your vocal chain and get professional-sounding vocals in seconds with new machine learning features, stunning visualizations, and more. Get your vocals to sit in the mix with the most sophisticated set of tools for vocal production. Bring out your intended performance with everything you need for a professional sound, fast.
Tools suited for any voice, any style A comprehensive and modern toolset means you’ll have everything you need for any vocal mixing project. Responsive modules for signature color Nectar 3 modules respond to audio frequency and loudness data to produce an even, balanced performance. All-new, intuitive UI redesign Not only beautiful, the new Nectar 3 design offers stronger functionality with user-friendly parameter controls.
Version 3.1.0n released December 23, 2019 * Enhancements and Changes to Operating System Support: * Added support for installation on macOS 10.15 (Catalina). * Updated installers to include the latest version of Relay (v1.0.4).
INSTALLATION: – Install IZotope.dmg – Check All the formats Done. – Install Nectar 3.10n.pkg Done.
Operating Systems: Mac: OS X 10.9.5 Mavericks – macOS 10.15 Catalina Plugin Formats: AudioUnit, VST2, VST3
Following the acclaimed Audirvana Plus versions, specially the one including Direct Mode and Integer Mode, Audirvana Plus is now offering a full featured library manager that can scale up to more than 100,000 tracks.
Catalog all your music library and easily retrieve your albums and tracks with optimized user interface. Edit metadata with advanced tags for jazz and classical music
With the utmost sound quality with 64-bit internal processing, Direct Mode, Integer Mode, iZotope algorithms, native DSD streaming, SysOptimizer and Audio Unit plugins support
FEATURES:
Native playing of FLAC, libSndFile (WAV, AIFF, …), ALAC and other quicktime formats (AAC, MP3, …)
Direct sound path, directly to the !CoreAudio HAL for pure bit perfect sound
Audio Device exclusive access mode
HAL I/O using DAC native physical formats “Integer Mode” (instead of CoreAudio 32bit float)
Automatic sample rate switching
Up/Oversampling capability
Plays completely from memory
Tracks are loaded, decoded and sample rate converted in a memory buffer before being played
Minimizing CPU and hard drive activity to lessen sources of interference
Gapless playback by using a double buffering mechanism (playing track and next track)
Transparent split load for loading tracks of any size
INFINITE ESCAPE captures the sound of a genre that has bubbled deep under the surface of European electronic music for over two decades – characterised by trippy percussive loops, agile subs, and finely-brushed textures. Dig through hundreds of audio loops which can be sliced up and micro-sampled for classic minimal vibes. Sprinkle in tuned and glitchy kits, and fold in atmospheric pads developed through characteristic analog signal chains for label worthy, underground sounds made for open-ended, marathon dancefloor nights.
VocalSynth 2 is an immersive vocal experience that evolves with your productions. Get Vocoder, Compuvox, Polyvox, Talkbox, and the all-new Biovox with seven stomp-box style effects, all in one powerful plug-in.
Version 2.1.0 released June 11, 2020 Bugs & Fixes: * Fixed crash in Logic Pro X 10.5 * Improved support for macOS Catalina * Fixed an issue where the uninstaller would not first run when re-installing or upgrading on Windows * Update installation path to 64-bit Program Files directory on Windows * Added Japanese translation of help documentation * Performance improvements * Display enharmonic names of root notes in Pitch module
INSTALLATION: – Install IZotope.dmg – Check All the formats Done. – Install VocalSynth 2.pkg Done.
Operating Systems: Mac: OS X 10.8.5 Mountain Lion–macOS 10.15 Catalina Plugin Formats: AudioUnit, AAX, VST2, VST3 (All plug-in formats are 64-bit only)
Helper Series 2 Bundle Upgrade Note: This is an Upgrade for owners of Helper Transients, Helper Equalizer or Helper Saturator. The full version of the Helper Series 2 Bundle is also available.
Helper plugins are designed to be superb mixing tools which are vital to bringing your music mixing game to the next level. It doesn’t matter that you use it on individual channels or groups or the master channel, it guarantees to bring good results to your music.
Give your music an opportunity to stand out from the rest with these simple-to-use, versatile plug-ins as W.A Production have carefully designed them to ensure that they are worth it and bring magical results to your song.
Helper Equalizer 2 is a unique and versatile equalizer plug-in that contains special features with excellent workflow and a simple-to-use user interface. Unlike any other equalizer plug-in, you’ll get to play with 5 different EQ shapes to shape your sound better.
Features Intuitive user interface 5 different EQ shapes 5 different channel modes 10 Factory presets Responsive & CPU friendly New in Version 2
New GUI Presets manager Catalina compatible Pro Tools / AAX compatible Minor Bug Fixes
Helper Saturator 2 is an audio effect VST plugin professionally designed to apply saturation to the audio signal. Helper Saturator 2 is not just a simple saturation plug-in, it also comes with 2 filter features, 2 types of saturation modules and ability to be able to process 5 different types of audio signal.
Features Analog Saturation Simple user interface (stylish & easy to use) Clean filter modules 10 Factory presets Responsive & CPU friendly New in Version 2
New GUI Presets manager Catalina compatible Pro Tools / AAX compatible Minor Bug Fixes
Being able to control the shape of the sounds is extremely useful for musicians when they are mixing their music. But Helper Transients 2 is much more than an ordinary transient shaper plug-in because it can process 5 different kinds of audio signal from the audio source itself.
Features Attack (amount of amplification or attenuation of the transient) Sustain (amount of amplification or attenuation of the sustained sound) Clean processing 10 Factory presets Responsive & CPU friendly New in Version 2
New GUI Presets manager Catalina compatible Pro Tools / AAX compatible Minor Bug Fixes System Requirements
Mac Mac OSX 10.7 and later (32 & 64-bit) Formats: Audio Units (AU) VST VST3 AAX
Adam Monroe’s Rotary Organ was sampled from a Hammond M3 tonewheel Organ. The end goal was to simulate the sound of a Hammondnd B3 organ with rotating Leslie Speaker inside of a VST/AU/AAX plugin. Every drawbar on every note was sampled individually via the organ’s built-in speaker through a Neumann TLM 102 microphone.
The signal was re-amped though a Fender Deluxe Reverb and recorded via a Sennheiser e906. Both signals were run through Grace M101 preamps. A Hammond M3 Organ combines the last two harmonics into a single drawbar, this note was omitted. Instead, a “digital foldback” teqchnique was used to extend the harmonics of the Hammond M3 to be similar to that of a Hammond B3.
The organ’s range was augmented to be similar to that of a Hammond B3. This was accomplished by using the Organ’s pedal tones to add the lower octave notes.
The Leslie Speaker simulation was designed to mimic a real Leslie. The signal is split to a virtual bottom rotor and virtual upper rotor at around 600 Hz. Vibrato, chorus, and panning processing are used to simulate the rotation of the rotors. The upper rotor spins between 48/409 RPM’s and the bottom rotor spins between 40/354 RPM’s. Bottom rotor rotation can be bypassed. The Leslie simulation can also be bypassed.
B3 effects where also digitally simulated and these include percussion, vibrato, and key click. Vibrato scanner is similar to that of a B3 and includes vibrato as well as vibrato+chorus. Key click was simulated by adding random noise to the attack and release samples. Some key click can be heard in the original samples but the effect has been exaggerated. Percussion was simulated in VST as it is in real life: a higher amplitude, percussive decaying sound is added to the instrument via the 2nd or 3rd harmonic. The plugin also includes reverb, braking, variable acceleration, drive/distortion, smoothing, adjustable stereo panning, key-splitting, and preset switching. Version 2.0 also includes amplifier sims based on vacuum tube simulations and speaker EQ curves. An extra drawbar has also been added to the organ between the 4th and 5th drawbars (x), equivalent to the 5th harmonic of the sub-fundamental or a 3 1/5′ pipe length.
The instrument was equalized to sound slightly more aggressive than a typical Hammond organ and therefore has the potential to stand out more in a mix. This can be adjusted with the “smoothing” knob, which will attenuate some of the harsher frequencies, and (in version 2.0) the smooth/bright switch and angle knob. Inside the VST the amp and speaker signals go through preamp/gain staging whether or not the Leslie bypass is engaged. The plugin requires a decent CPU – at least an Intel Core I3. This is because internally each harmonic is being summed for each note – which can include things like percussion and key click – meaning that each note requires upwards of 22 voices. Internally the VST is capped at 330 voices, which is equivalent to 15 notes of polyphony. The voicelist also requires extra processing power, as unlike a piano or other percussive instrument, each note can be sustained indefinitely, and thus newer notes must work around this limitation.
The plugin also does a fair amount of internal eq and sonic shaping depending on the preset. A great deal of time was spent experimenting and finding useful drawbar settings and eq combinations, and vacuum tube sims. There are 95 built-in presets modeled after classic Hammond Organ drawbar settings and famous songs.
The memory footprint of the plugin is around 400 MB. All of the plugin’s samples are loaded into memory upon loading as the plugin is primarily comprised up of looped samples, padded out with short attack and release samples. This means that this particular plugin is not dependent on a fast hard drive as it does not need to buffer samples during execution.
The plugin is designed to work with VST AU and AAX native versions and a Kontakt version was not created. This is because the plugin relies heavily on internal programming – for everything from the Leslie simulation, to sample fold-back, to vacuum tube sims – that would be impossible to replicate with the Kontakt player’s simple scripting language.
This VST is, essentially, a hybrid between a Hammond M3 and B3 with a more aggressive sound. It is meant to sound a bit unique to already existing plugins and simulations, but with the wide range of parameter combinations, many sounds are possible.
– 60 Note Range C2 to C7 – DI and Amp Signals, Reverb, Vacuum Tube and Speaker Sims – 10 Drawbars, Leslie Sim, Percussion, Vibrato, and Key Click – 500 MB of Sample Data and 95 Presets – Supports 44.1, 48, 88.2, and 96 kHz
Release v2.0 6/13/2020 *********************** Improvements since last version: *Added amplifiers using Vacuum Tube simulations *Added speaker/EQ curves *Made the plugin less bright with a soft/bright switch and an “angle” knob that controls the directionality of the Leslie *Added many presets based on famous songs *Added separate controls for Bottom+Upper pan and volume *Added a mellow knob. *Added a chorus knob *Added a knob to control percussion boost/cut *Added an overdrive switch (toggles old distortion algorithm on/off) *Added trim+volume knobs to feed the amplifier *Added volume controls for Leslie and DI volume and panning. *Added Knobs to control Upper+Bottom rotor Depth *Added a Reverb Size Knob *Added a delay knob *Made the Leslie control Midi reassignable *Volume Swell controls (also Midi reassignable) *Added a switch to turn off lower-manual keyclick *Added a switch to toggle between Midi leslie control and velocity. *Leslie speed can also now be controlled from midi notes (AO/Bb0) *Added a “Flip Swell” switch to invert midi pedal control on volume swell *Fixed the bottom+upper rotor speeds and acceleration rampups to be more accurate *Added “whoosh” (the sound of the leslie spinning) and a switch to toggle it on/off
Bugs Fixed Plugin may be slightly more optimized now
Lo Fi comes with 153 additional presets for Heatup3 inspired by modern Hiphop and Trap genre artists such as Travis Scott, Lil Pump, Kanye West, Post Malone, Future and many more. Expand your Heatup3 library with new 808´s, basses, leads, pads, plucks, strings, synths, keys and more. In this Heatup3 Expansion pack you will also find 7 new noise samples to give your instruments that vintage feel using heatup´s layer sampler as well as 7 new Impulse Responses you can use in Heatup´s convolution reverb.
All instruments have been captured in 24Bit / 44.1kHz stereo format. This expansion is ~4GB in size, Heatup3 in VST or Audio Unit format is needed to use this expansion pack.
153 Additional Presets for Heat Up 3 4 GB Content HEAT UP 3 IS NEEDED TO USE THIS EXPANSION ! Including free Drumkit with 80 Samples worth $24.95
Bonus Drumkit
Buy Lo Fi now and get the New Wave Drumkit worth $24.95 for free !
44.1kHz/24-Bit WAV Format 80 One Shot Drum Samples 20 808´s 20 Snares/Claps 20 Percussion/Hats 04 Vox 04 Loops 15 Midis 48 MB (unzipped)
YC Audio brings you the very first VST from the label ‘Venom Drums VST’ which was influenced by the very popular drum kit ‘Venom Drums’.
With this vst it gives producers the flexibility and accessibility to produce their drums all in one place. With 5 drum kits included ready to use at your disposal, each kit is broken down into 1 kick, 1 clap, 1 snare, 1 HiHat, 1 perc and 1 open hat.
This makes life easier for the producer when creating their next hit! Easy instal to both mac and PC simply just drag and drop into your vst plugin folder and refresh once opened your DAW. This VST was inspired by producers such as !llMind, Timbaland, AraabMuzik and more.
Product details: 5 Drum Kits VST 32 Bit Au Mac Mac Easy Install Bonus – 10 Drum Loops Including MIDI & Tempo 306MB Unzipped
Each drum kit includes: 1 – Kick 1 – Clap 1 – Snare 1 – Perc 1 – HiHat 1 – Open Hat
The Dark Grand Piano breathes life into any genre of musical production! It features a full 1920 – 85 key grand piano in a virtual instrument environment!
We transformed our best selling kontakt instrument and morphed it into its own virtual instrument!
INTRODUCING THE DARK GRAND PIANO VIRTUAL INSTRUMENT!
Dark Silence Sound Design presents the Dark Grand Piano Instrument Module VST/AU!
The Dark Grand Piano breathes life into any genre of musical production! This instrument module was created to be a simple and affordable solution for all artists.
FULL ACCESS TO OUR #1 SELLING DARK GRAND PIANO The Dark Grand Piano gives you full access to our original Dark Grand Piano Kontakt instrument.
It features a full 1920 – 85 key grand piano in a virtual instrument environment!
Each key is velocity sensitive and has been recorded and processed for outstanding character.
No Kontakt is required as you only need your favorite music production software!
SIMPLIFIED NEW EFFECTS The Dark Grand Piano comes with two new FX options NOT featured on the Kontakt version; A modern room reverb and a brand new frequency distortion for added character!
The frequency distortion knob acts as an multi-band exciter; when twisted to the left it will expand that frequency range from high too low, giving the dark grand even more power!
Now you are able to adjust the amount of frequency distortion within the instrument! There are also multiple filter choices featuring low-pass and hi-pass!
LFO FOR DEPTH AND CHARACTER We have also included a brand new mesmerizing LFO and speed option that gives the Dark Grand Instrument Module its true character.
YOUR NEW FAVORITE COMPOSING TOOL Whether you are looking to upgrade your stock virtual piano, or score your next film, The Dark Grand Piano gives you all the power you need to create right away!
No matter what style of music or sounds you make, DARK SILENCE SOUND DESIGN provides the tools you need!
A WORD FROM THE CREATORS “The purpose behind the dark grand piano is to not waste any time during the creation process. Just open and start playing immediately. No tough learning curve. Quick, easy, and affordable were the main priorities. We believe the instrument team achieved there goals with the creation of Dark Grand Piano virtual instrument series”
Logic Pro X is the most advanced version of Logic ever. Sophisticated tools for professional songwriting, editing, and mixing are built around a modern interface that’s designed to get creative results quickly and also deliver more power whenever it’s needed.
Powerful Interface
• Consolidate and control multiple tracks or create rich, layered instruments with Track Stacks
• Smart Controls allow you to manipulate multiple plug-ins and parameters with a single move
• Support for the Touch Bar on MacBook Pro provides convenient controls for creating, editing and navigating your songs
• Autosave keeps your work safe and sound
Professional Music Production
• Record and edit MIDI or audio using a comprehensive set of editors and tools
• Keep takes organized with take folders and build comps quickly with Quick Swipe Comping
• Track Alternatives let you create and switch between different playlists of regions and edits on a track
• Render any combination of effect plug-ins to a selection of audio using Selection-based Processing
• Fix out-of-tune vocals and change the melodies of recorded audio with Flex Pitch
• Manipulate the timing and tempo of any recording with ease using Flex Time
• Comprehensive mix and plug-in parameter automation can be part of a region or track
• Create and mix music from anywhere in the room using Logic Remote on iPad or iPhone
• Produce simple lead sheets or orchestral scores with built-in Score editor
Drum Production
• Create authentic acoustic, electronic, or hip hop drum tracks using Drummer, a virtual session player and beat producer
• Choose among 28 distinct drummers that can take your direction and perform millions of unique grooves
• Build your own acoustic drum kits with Drum Kit Designer using a collection of deeply sampled drums
• Customize the sound of your electronic beats using Drum Machine Designer
Keyboards and Synths
• Get inspired by collection of synths that provide analog, wavetable, FM, additive, granular, spectral, and modeling synthesis
• Quickly find sounds or create unique new ones with Alchemy, the ultimate sample manipulation synthesizer
• Play or create a wide variety of rich sampled instruments with the EXS24 Sampler
• Instantly turn a simple chord into a rich performance with the Arpeggiator
• Transform simple ideas into elaborate performances using nine MIDI plug-ins
• Play faithful models of classic organs, keyboards, and vintage synths
Guitar and Bass Gear
• Build your own guitar or bass rig with Amp Designer using vintage and modern amps, cabinets, and mics
• Design a custom Pedalboard from a collection of delay, distortion, and modulation stompboxes
• Access the Tuner with just a click to quickly get in tune
Creative and Production Effects
• Play your sounds through realistic acoustic spaces using Space Designer convolution reverb
• Use a range of multi-tap, vintage tape, and stereo delays
• Add movement to your tracks with a variety of modulation effects
Sound Library
• Over 2800 instrument and effect Patches
• 1000 meticulously sampled instruments
• More than 7000 Apple Loops in wide range of genres
Compatibility
• Expand your instrument and effects library with third-party Audio Units-compatible plug-ins
• Share to GarageBand option allows you to remotely add new tracks to your Logic project from your iPhone or iPad via iCloud
• Import and export XML to support Final Cut Pro X workflows
• Export and share your songs directly to SoundCloud
• Open projects from Logic 5 or later
The modern way to mix. From the makers of Ozone and RX, Neutron 3 will bring your mixes into the 21st century. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.
Finish your tracks, start your mix Brand new to Neutron 3, Mix Assistant studies your song and provides track level suggestions in seconds. View a complete list of your tracks containing iZotope IPC plug-ins, select a Focus element for your mix, then let Mix Assistant listen to your song to achieve an optimal starting point for your mix in less time than ever before.
Sculpt your sound The powerful new Sculptor effect uses iZotope spectral shaping tech to color the your tracks. Add fullness, polish, and punch with All-Purpose shaping, or use the included instrument profiles to enhance the natural tone of your tracks—or mix and match instrument profiles for unexpected, creative effects.
New interactive visuals Resizeable, beautiful, and significantly faster. Dive into analysis tools that enhance your mixing experience and get results with plug-in controls made for humans, not machines.
Communicate across your session Use the included Visual Mixer plug-in to adjust the gain, pan, and width of any Neutron or Relay in your session. In Neutron 3 Advanced, you can use the Mix Assistant button and get to a great starting point even faster.
Features: Sculptor module The be-all, end-all of audio goodness For sweetening, fixing and even creative applications, Sculptor is like having an army of EQs and compressors working tirelessly to shape your track. Choose from 25 unique instrument profiles to shape your instrument into a totally new version of itself.
Mix Assistant Powered by machine learning, Mix Assistant listens to your song and automatically balances the levels of each mix element based on your desired mix focus.
Visual Mixer Adjust the gain, pan, and width of any Neutron or Relay in your session. Or use Mix Assistant to get a great starting mix faster than ever before.
Improved performance Sessions with Neutron 3 load up to 3X faster than Neutron 2, so you can transform your mix with premium processing anywhere and everywhere
Meet the Neutron 3 modules
Sculptor Remove resonance and add excitement to your tracks with the ultimate hands-off audio tool.
Transient Shaper Change the contour of your sound and control attack and release with this mixing secret weapon.
Exciter Add modern character or warm, vintage grit with our Exciter module.
Gate Add impact and energy to your audio with our flexible multiband gate.
Compressor Fit your tracks perfectly in the mix with our swiss-army-knife compressor.
Equalizer Auto detect frequencies and remove masking with our intelligent EQ.
Building on a 17-year legacy, Ozone 9 brings balance to your music with the latest advances in machine learning for mastering audio. Never before seen processing for low end, real-time instrument separation, and lightning-fast workflows powered by machine learning—it’s all here in Ozone 9. Watch the video and take a tour to learn what’s new!
AI-powered mastering Master Assistant can add modern or vintage vibes and help you get the right loudness for streaming.
Match to your reference The new Match EQ module can give you a custom EQ curve taken from your favorite reference tracks.
Find your (tonal) balance Tonal Balance Control helps keep frequencies in line, letting you talk to iZotope plug-ins to fix issues accross your session.
NKS Support NKS support puts the power of Ozone into your creative process, letting you master while making music with Maschine or Komplete Kontrol. Open Ozone on the fly and easily add professional polish while making music on your hardware using hundreds of different presets and accessible parameters mapped to your hardware controls. Add loudness, width, and EQ without touching your DAW and keep the creative juices flowing.
What’s New:
Version 9.1.0:
Release notes were unavailable when this listing was updated.
Logic Pro X is the most advanced version of Logic ever. Sophisticated tools for professional songwriting, editing, and mixing are built around a modern interface that’s designed to get creative results quickly and also deliver more power whenever it’s needed. Logic Pro X includes a massive collection of instruments, effects, and loops, providing a complete toolkit to create amazing-sounding music.
Powerful Interface
Consolidate and control multiple tracks or create rich, layered instruments with Track Stacks
Smart Controls allow you to manipulate multiple plug-ins and parameters with a single move
An enhanced Mixer lets you move, copy, and bypass channel inserts more efficiently
Quickly re-order song sections and try new ideas using Arrangement Markers
Autosave keeps your work safe and sound
64-bit architecture supports large projects containing hundreds of tracks and sampled instruments
Professional Music Production
Fix out-of-tune vocals and change the melodies of recorded audio with Flex Pitch
Manipulate the timing and tempo of any recording with ease using Flex Time
Record and seamlessly punch in and out of one or multiple tracks
Keep takes organized with take folders and build comps quickly with Quick Swipe Comping
Automation can be part of a region, not just the track, which makes it easier to use effects creatively
Create and mix music from anywhere in the room using Logic Remote on iPad
Produce simple lead sheets or orchestral scores with built-in Score editor
Create and edit MIDI using a comprehensive set of editors and tools
Drum Production
Create authentic acoustic, electronic, or hip hop drum tracks using Drummer, a virtual session player and beat producer
Choose among 28 distinct drummers that can take your direction and perform millions of unique grooves
Build your own acoustic drum kits with Drum Kit Designer using a diverse collection of deeply sampled, professionally mixed snares, toms, kicks, hi-hats, and cymbals
Customize the sound of your electronic beats using Drum Machine Designer
Keyboards and Synths
Get inspired by collection of synths that provide analog, wavetable, FM, additive, granular, spectral, and modeling synthesis
Quickly find sounds or create unique new ones with Alchemy, the ultimate sample manipulation synthesizer
Play or create a wide variety of rich sampled instruments with the EXS24 Sampler
Instantly turn a simple chord into a rich performance with the Arpeggiator
Transform simple ideas into elaborate performances using nine MIDI plug-ins
Create classic ’70s- and ’80s-style synthesizer tracks using Retro Synth
Play faithful models of vintage keyboards with Vintage B3, Vintage Electric Piano, and Vintage Clav
Guitar and Bass Gear
Build your own guitar or bass rig with Amp Designer using vintage and modern amps, cabinets, and mics
Design a custom Pedalboard from a collection of delay, distortion, and modulation stompboxes
Access the Tuner with just a click to quickly get in tune
Creative and Production Effects
Play your sounds through realistic acoustic spaces using Space Designer convolution reverb
Use a range of multi-tap, vintage tape, and stereo delays
Add movement to your tracks with a variety of modulation effects
Sound Library
Over 1800 instrument and effect Patches
More than 750 meticulously sampled instruments
4600 Apple Loops in modern urban and electronic genres
Compatibility
Expand your instrument and effects library with third-party Audio Units-compatible plug-ins
Import and export XML to support Final Cut Pro X workflows
Export and share your songs directly to SoundCloud
Open projects from Logic 5 or later
What’s New:
Version 10.5.1
This update contains stability improvements and bug fixes
Version 10.5 Live Loops
Compose music by arranging and triggering cells in a grid using loops, samples, and your recordings
Perform and capture freeform arrangement ideas into the tracks area
Add Remix FX to perform creative effects like filters, gates, repeaters, and bitcrusher
Use Logic Remote on your iPad or iPhone to perform Live Loops and Remix FX using Multi-Touch gestures to trigger several loops or effects simultaneously
Sampler
Create and edit sophisticated multi-sampled instruments using a drag and drop workflow
New modern design provides synthesis, mapping, and zone editing in a single window interface
Integrated zone editor offers detailed control over start, end and loop points
Mapping editor enables fast and flexible assignment of samples across the keyboard
Flex Time has been integrated into Sampler allowing sounds to be played at the same length, regardless of pitch
Auto Sampler automates the process of converting MIDI-enabled hardware and software instruments into Sampler instruments
Supports all existing EXS24 instruments
Quick Sampler
Import a single audio file to instantly build a playable sampled instrument
Quick Sampler automatically identifies the root note, optimal loop points, and matches your project tempo
Use Slice mode to chop a vocal or drum sample into multiple slices that can be triggered on a keyboard
Record live samples using a microphone, external hardware, or from any track or bus
Drum Machine Designer
Use Drum Machine Designer to build custom drum kits by dragging and organizing samples
Directly access Quick Sampler or Drum Synth controls on any pad
•asily assign any instrument or third-party plug-in to a pad
Perform any sound chromatically to create bass lines or other melodic parts
Step Sequencer
Build your own beats, melodies and effect automation using an interface inspired by classic drum machine workflows
Create and edit patterns with discrete control over velocity, repeat, chance, offset, step rate, skip and tie for each row
Use any patch as a sound source, including custom kits made with Quick Sampler and Drum Machine Designer
Includes a library of over 150 rhythmic and melodic patterns
More Content Over 2,500 new loops in a variety of instruments and genres covering modern and classic hip-hop, electro house, reggaeton, future bass, techno, and transition effects
17 Live Loops starter grids covering a range of electronic and hip-hop genres
More than 70 new Drum Machine Designer kits
Over 1,500 new patches
Original multi-track project of Billie Eilish “Ocean Eyes”
Additional Features
The Drum Synth plug-in generates synthesized kicks, snares, toms, and hi-hats with dedicated sound shaping controls
Individual or multiple audio files or software instrument regions can be dragged into an empty track header to provide instant options for creating Sampler, Quick Sampler, Drum Machine Designer, or Alchemy instruments
Multiple additional enhancements and stability improvements
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Future-Proof Your Sessions At Waves, we devote much of our time and software development resources to ensure that the plugins you invested in will always remain compatible with all the latest major DAWs and operating systems. V11 is the latest in our ongoing updates, so you can always keep focusing on what’s important—creating the best music and audio you possibly can, now and in the future.
What You Get in Waves V11 Full ongoing compatibility with the latest major DAWs & operating systems (including macOS 10.15 Catalina).
New updated versions of all eight Renaissance plugins, including: •Freshly designed interfaces with three skin choices: Light, Dark, and Legacy •Real-time frequency analyzers added to the R-EQ and R-Channel plugins •Complete revision of the R-Channel user interface for more intuitive usage of the channel strip plugin •700+ new presets by leading artists
June 11th, 2020 Fixed: StudioRack bug causing no plugins to appear in the plugin list, when StudioRack is in SG mode and in the same session as CLA MixHub and Scheps Omni Channel running independently Fixed: Scheps Omni Channel meter graphics glitch when changing presets Fixed: Brauer Motion crash in Cubase, when a track name includes Japanese characters Improved: WLM “Short Max” control range increased to -7 dB
Analog Mastering Tools ––– Mastering Redefined The Analog Mastering Tools (A.M.T.) include three processors that sets a new standard for mixing and mastering your music with a subtlety and musical character reminiscent of tube systems.
Products included in this Bundle:
A.M.T Amp Leveling The A.M.T Amp Leveling is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU con- sumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.
A.M.T Max Warm The A.M.T Max Warm is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dy- namic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This app- roach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.
A.M.T Multi Max The A.M.T Multi Max multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately split and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.
The Analog Signature Pack is a collection of 3 professional quality Plug-ins processors. The Bundle includes: Limiting Amplifier LM-662, Program Equalizer EQP-4, and the Studio Channel SC-226. Features a Channel Strip, EQ and Limiter built to be a new classics by adding that vintage warmth and realism to the most demanding studio tracks.
The LM-662 Dual Limiting Amplifier is a recreation of the classic Fairchild 660 limiter. When using the LM-662, music and instruments reacts the same as a Fairchild 660 does. The No- mad Factory LM-662 Dual Limiting Amplifier is built to be a new classic by adding that vintage warmth and realism to the most demanding studio tracks.
– Useful as a limiter or a compressor depending on the program material and control settings – Exceptional tone and musical focus – Dual channel (dual mono) – A/B with individual controls – Extremely fast attack time with variable release time from .3 seconds to 10 seconds
The Program Equalizer EQP-4 is a full range stereo channel unit, featuring low and high cut, low and high frequency boost and attenuation (shelving or peaking) as well as two overlap- ping bands of equalization. The simple beauty of these EQs is nothing else than amazing!. Intended to recreates the warmth of classic analog hardware equalizers, the Program Equalizer EQP-4 will add that magic touch to your music.
The Studio Channel SC-226 is a stereo channel recording plug-in, featuring four band equalizer, an analog “signature” optical compressor and at the heart of the shelving and bell filters, a tube simulator and Brick-Wall peak limiter designed to reproduce the warmth of vintage recordings with unrivaled quality and realism.
Analog Signature Pack Record, Mix, and Master – ASP Limiting Amplifier LM-662 – ASP Program Equalizer EQP-4 – ASP Studio Channel SC-226
Original Vintage Style Channel Strip Designed by musicians for musicians, the Blue Tubes Analog TrackBox is the latest addition to the Blue Tubes Plug-ins range, and combines all the best elements of the Tube Emulator, CP2S compressor and PEQ332 parametric equaliser to create a truly flexible and spectacular sounding valve front end for any audio system. Included in: Blue Tubes Bundle V3.
::: FEATURES ::: – Tube (12AX7) Amount variable from 0 to 100% – Tube Color variable from -10 – Tube Dual-Triode variable from single to dual – Tube bypass switch – Gate Threshold variable from 0 to -60dB – Gate Attack Time variable from 0.2 to 400 ms – Gate Release Time variable from 50 to 2000 ms – Gate bypass switch – Compressor Threshold variable from 0 to -60dB – Compressor Attack Time variable from 1 to 400 ms – Compressor Release Time variable from 50 to 2000 ms – Compressor Ratio variable from 1:1 to 10:1 – Compressor MakeUp variable from -15dB of gain – Compressor Pre/Post EQ switch – Compressor bypass switch – 2 bands shelving equalisation – 2 bands parametric equalization – 2 bands pass-filters – LF band variable from 40Hz to 600Hz – low-shelf – LMF band variable from 200Hz to 2.5kHz – low-mid-parametric – HMF band variable from 600Hz to 7.5kHz – high-mid-parametric – HF band variable from 1.5kHz to 16kHz – high-shelf – HPF variable from 20Hz to 80Hz – LPF variable from 10kHz to 18kHz – Each band offers -15dB of gain and variable Bandwidth-Q – Unique EQ bypass switch for all bands – Input and output level controls giving -15dB trim – Peak-Limiter control – Easy-to-use vintage interface with VU Meters.
Blue Tubes Dynamics ––– Dynamics with a Vintage Sound Designed by musicians for musicians, the Blue Tubes Dynamics Pack is a collection of 6 Plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic dynamic analog hardware. The sound quality of Blue Dynamics pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.
Products included in this Bundle:
Blue Tubes BrickWall BW2S Original Vintage Style BrickWall Limiter
Blue Tubes Compressor CP2S Original Vintage Style Compressor
Blue Tubes Deesser DS-2S Original Vintage Style DeEsser
Blue Tubes Gate Expander GX622 Original Vintage Style Noise-Gate / Expander
Blue Tubes Limiter FA770 Vintage Compressor
Blue Tubes Limiter LM2S Vintage Style Limiter & Master EQ
Blue Tubes Effects ––– Vintage Analog Style Effects The Blue Effects Pack is a collection of 6 Plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic analog hardware. The sound quality of Blue Effects pack is nothing short of amazing. Yet all 6 Plug- ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.
::: C O N T A I N S :::
BT Dual-Analog Chorus CH2S The BT Dual-Analog Chorus CH2S creates various types of classic modulation effects, such as Leslie, Chorus, and Auto-pan. In addition, this effect provides the ultimate in control over LFO’s and panning, including waveform selection. Whether you need subtle enhancement or aggressive effects on a track, the CH2S has the power you need.
FEATURES 2 LFOs with Rate and Depth and Sync 2 Delay and Pan controls Wave – Sine/Triangle/Square/Saw Down/Saw Up Low EQ – low-shelf High EQ – high-shelf 2 HP and LP filters Input and output level controls Peak-Limiter control Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
BT Tempo Delays DL3D The BT Tempo Delays DL3D is a tempo-driven delay effect with a classic analog sound. No more trial-and- error in setting tempo-based delay times. Simply sync the tempo of the song, and select the note value co- rresponding to the desired delay time. This delay provides three separate channels. Using the Pan controls, you can pan all three delay channels to the center, or spread the channels out across the stereo field (left, center, right). Gain controls set the levels for each channel individually.
FEATURES bpm Tempo sync All the 3 delays use individual Level and Pan controls Delay time selectable by notes Global Feedback control Output level controls giving 20dB trim LP and HP filters Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
BT Analog Valve Driver ADR2S The BT Analog Valve Driver ADR2S delivers that authentic saturation effect found in many vintage tube amplifiers. Not only does this model provide a tube-like Overdrive effect, but also High Pass and Low Pass filters and a Noise Gate to enable greater control of your overdriven sound. If your clean tracks call for a powerful and warm overdrive, your answer is the ADR2S.
FEATURES 8 Grungelizer-modes Each band offers 12dB of gain LP and HP filters with variable Bandwidth-Q NoiseGate with Threshold, Attack and Release controls Output level control 20dB Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
BT Analog Phaser APH2S The BT Analog Phaser APH2S is designed with all of the characteristics of a vintage analog phaser. The selectable 4-, 6-, 8- or 12-stage resonant analog filters enable this phaser to create various modulation effects. Various controls on the APH2S, such as Speed, Depth, Resonance, and Stage, all contribute to a wide range of phasing effects. Additionally, the Width control provides an adjustable stereo field and a Color control.
FEATURES LFO with Rate and Depth and Sync Wave – Sine/Triangle/Square/Saw Down/Saw Up 4-8-16-24 stage Resonance (Feedback) Width control Color control Mix and Output controls Peak-Limiter control Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
BT Stereo Imager ST2S The BT Stereo Imager ST2S provides precise control over the width of the stereo field. This graphically striking device enables you to visualize the width of the stereo sound stage. Some stereo tracks may require special treatment in terms of stereo width. The Stereo Imager gives you a simple way to manipulate the spread of the stereo tracks while receiving visual feedback on your changes.
FEATURES Input and Output controls Easy to use simple slider for Stereo Width Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
BT Vintage Oilcan Echo TLE2S The BT Vintage Oilcan Echo TLE2S delivers the classic analog sound of a tape less oilcan echo/delay. This model adds Color to your music by providing various echo/delay styles from specific time periods, namely 1964, 1977, 1989, and 1995. These styles, along with the other various controls on the TLE2S, give you a wide range of time-based effects to add to your recordings.
FEATURES Input and output level controls Slap/Delay/Echo mode Color selector (1964/1977/1989/1995) Sustain control (feedback) Flutter control (vibrato) Mix control Full Automation for all parameters PC and Mac OS X Easy-to-use vintage interface.
True Modeling of Vintage British Effects Nomad Factory digitally recreated the Equalizer and Master Bus Compressor/Limiter which were part of a well known ‘British’ mixing console. Designed to improve the quality of digital sound recordings, this plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.
Products included in this Bundle: British MCL-2269 – A Master Compressor Limiter modeled from the legendary 2254 compressor. British NEQ-1972 – A 4-Band equalizer modelled from the classic-vintage 1081 EQ module.
The British MLC-2269 Compressor Limiter The British MLC-2269 is a simple and elegant Master Compressor Limiter (MCL). The British MCL-2269 is the perfect choice for a truly “British-Style” vintage com- pression sound by adding warmth and vintage compression to your music.
FEATURES ▪ Modeled from the legendary 2254 compressor. ▪ Input and Output level controls. ▪ Vintage Compressor section. ▪ Vintage Limiter Section. ▪ Phase reverse switch. ▪ Overload ‘Clipper’ soft-knee limiter. ▪ Vintage Gain Reduction VU Meters. ▪ 24-bit / 192 kHz supported.
The British “Nomad-EQ” NEQ-1972 The British “Nomad-EQ” NEQ-1972 is a simple and elegant British-Style four-band equalizer with a lowpass and highpass ?lters. The NEQ-1972 provides 18 dB of gain and switchable High-Q settings. The British “Nomad-EQ” NEQ-1972 is the perfect choice for a truly “British-Style” vintage EQ sound by adding an exceptional tone and character to your music.
FEATURES ▪ Modeled from the classic 1081 EQ module. ▪ High Pass and Low Pass filters 24 dB/octave. ▪ 4-band equalizer with Frequency, Gain and Shapes ▪ controls Boost / Cut up to 18 dB. ▪ Phase reverse switch. ▪ Vintage switch control. ▪ Modern Light Meters. ▪ 24-bit / 192 kHz supported.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Future-Proof Your Sessions
At Waves, we devote much of our time and software development resources to ensure that the plugins you invested in will always remain compatible with all the latest major DAWs and operating systems. V11 is the latest in our ongoing updates, so you can always keep focusing on what’s important—creating the best music and audio you possibly can, now and in the future.
What’s New:
What You Get in Waves V11
Full ongoing compatibility with the latest major DAWs & operating systems (including macOS 10.15 Catalina). New updated versions of all eight Renaissance plugins, including:
Freshly designed interfaces with three skin choices: Light, Dark, and Legacy
Real-time frequency analyzers added to the R-EQ and R-Channel plugins
Complete revision of the R-Channel user interface for more intuitive usage of the channel strip plugin
700+ new presets by leading artists
June 8th, 2020
Updated: SoundGrid server firmware 11.2.63.130:
Fixed: Difficulties updating firmware on SoundGrid Server One-C models
June 4th, 2020
Updated: SoundGrid server firmware 11.2.63.126:
Fixed: Difficulties updating firmware on SoundGrid Extreme Server-C models
Amadeus Pro lets you use your Mac computer for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. The handling of large sounds is furthermore facilitated by the extensive support of markers. Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD.
Features
Simple and elegant OS X-like user interface
Multitrack editing an recording.
Batch processing and conversion.
Sound denoising and repairing.
Supports a variety of sound formats, including AIFF, Multichannel Wave, MP3, MP4, Ogg Vorbis, FLAC, SoundDesigner II, QuickTime, Apple CAF, etc.
Support for VST and Audio Unit plug-ins.
A “favourite actions” palette allows to have your most commonly used effects only a mouse click away.
A wide range of powerful audio analysis tools.
Audio CDs with CD-TEXT data can be burned directly from within Amadeus Pro.
What’s New:
Version 2.8.4.2493
Release notes were unavailable when this listing was updated.
A professional audio workstation. Create, mix, and design sound effects with the industry’s best digital audio editing software. Audition 2020 is a comprehensive toolset that includes multitrack, waveform, and spectral display for creating, mixing, editing, and restoring audio content. This powerful audio workstation is designed to accelerate video production workflows and audio finishing — and deliver a polished mix with pristine sound.
What’s New:
Version 13.0: Improved effects support:
Route multichannel effects channels with full control.
Overlapped clips support:
Audition now allows you to play or mute overlapping clips simultaneously.
Language: Multilangual Compatibility: macOS 10.12 or later, 64-bit processor Homepagehttps://www.adobe.com/
Turbo Boost is our new instrumental plugin in which we touched on the 808 bass theme.
In this plugin which is created from a scratch, we put a set of 100 BASS created from manually created that will inspire your productions and fill with sounds that will blow your speakers.
Turbo Boost plugin are additionally built-in sounds of kicks, which are as many as 40, so you can easily add a characteristic impact to the already strong 808.
The plugin has a special Boost function for main 808 and Kick layer that will add even more power to the low tones. In addition, the plugin has a built-in equalizer and the ability to control transients.
Turbo Boost work on Windows and Mac (even with Catalina)
Granule is a granular delay processor designed to glitch, bend and tweak your audio into strange worlds of robotic sci-fi. Inspired by the Red Panda Particle guitar pedal it takes incoming signal and chops it up into tiny “grains”. After chopping your audio, these particles are routed through a looper, spectral pitch shifter and variable delay line. From there, you rearrange the grains, stretch them, morph them and create everything from marvelous shimmering pads to completely ludicrous glitch effects!
Granule works best with pre-recorded material but feel free to experiment with live input as well. You never know what you might get!
Granule Features – Granular processor – Loopback buffer – Spectral pitch shifter – Variable delay line – Wet and dry mix controls – Waveform display – A collection of factory presets
Minimum Requirements – OSX 10.8 or Windows 10 x64 – Audio Units or VST compatible audio host
Plectrik is a versatile string resonator synthesizer. It was designed to create simple, elegant tones that can be sculpted into plucked and bowed articulations. Plectrik can produce timbres ranging from harpsichord to bowed strings to mallet percussion and more.
Plectrik’s internal workings employ Karplus-Strong algorithms fed into a soft overdrive. An optional ring modulator provides augmented and chaotic tone design. The final stage of the signal passes through a Moog-style low pass filter and a fixed delay “doubling” module.
Whether you are scoring a film, creating EDM or writing experimental music, Plectrik has a unique sound palette guaranteed to inspire your productions.
Plectrik Features – Karplus-Strong Synthesis Core – Resonator “Body” Selection – Wood and Metal Physical Modeling – Soft Overdrive / Distortion – Built-in Mod Delay – Built-in Ring Modulator
Minimum Requirements – OSX 10.8 or Windows 10 x64 – Audio Units or VST compatible audio host
SI6MA is a One Channel Amp Sim based on an acclaimed high gain modern monster with a very aggressive sound, we recreated the perfect balance between low and high frequencies which gives the musicality and harmonics of the real amp.
Our new profiling method gets the dynamic you need to feel the power of a tube amp sounding in the next room, amp sims will never be the same after playing our new SI6MA.
Features •Versatile Gain (Get from clean to a lead tone with one knob) •Focus Enhancer •3 Band equalizer, Presence & Depth Controls •Master (Power Amp Saturation) •Noise Gate, In & Out Controls •Screamer Emulation •12 Wild Built-In IRs (by SeaCow Cabs) •IR loader with favorite slots
Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.
Synthesize! With two multi-mode filters (with LP, HP, BP and notch in 2-pole and 4-pole topologies), and a “sidecar” virtual-analog oscillator and noise generator that can be used in addition to, or injected into, the grain engine, Quanta is a fully capable subtractive synth in its own right, and will work as a granular or subtractive (or both) synth without any sample at all.
Modulate! Quanta has mod coming out its ears. First up are four of our new FEGs (Flexible Envelope Generator), a 99-point looping function generator with optional host tempo sync. Then add two arbitrary-waveshape LFOs, a multi-source sample-and-hold module, and fully user-controllable MIDI assignments, with nearly every control on the panel as a destination.
Control! Quanta is customizable to your taste and playing style. With full MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with your friends and collaborators, no matter what system they are using.
CHANGES IN V1.1.8
New: > We have replaced the original Quanta preset manager with the New Hotness we created for Phosphor, and subsequently added to Continua. This is a much better preset manager, and you now have three layers of folders, and are able to move things around and create your own top-level folders if you want.
> All versions now have the on-screen keyboard that was originally only in the iOS standalone.
Fixes: > The preset folder move script that was introduced in the macOS installer for v1.1.2 has been removed. It was, quite literally, far more trouble than it was worth. On macOS, Quanta’s preset folder is now in ~/Music/Audio Damage. If you see the “Download Factory Content” button on an update, you didn’t install the last two versions, so the preset folder location has been moved. You can either grab the factory content again, or physically move your original preset folder to the new location. (You can find the original in /Application Support/Audio Damage. Just move the entire /Quanta folder to ~/Music/Audio Damage.)
> Additionally, the signing problems that started cropping up in V1.1 have been entirely solved. Hopefully. We think. If you’re still experiencing Gatekeeper issues, an old certificate is hanging around, and the solution is to delete all versions of Quanta, re-scan in your host (to clear the cache if it has one), and then install this version.
> One for the Windows people, and not a “fix” as such: we have discovered a problem with HiDpi scaling in Live (and maybe other hosts). If you’re running on a HiDpi system with the auto-scaling off, the drop target is not correctly scaled. We don’t know if this is a bug in JUCE or a bug in Live. The drop target is still there. It is just much smaller than it should be, and resides in the lower right hand corner of the waveform display. The short-term solution is to either drop in the lower right hand corner (you’ll be able to tell you’re in the right place because you’ll get that lit-up surround) or to turn on auto-scaling for Quanta. Then the target will be its correct size. We’ve pinged both the JUCE people and Live for an answer on this.
> Many small bug fixes and optimizations, as usual.
Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix.
An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.
There isn’t a single knob in Continua that can’t be modulated, from those controlling the oscillators, filters and effects to the parameters of the modulators themselves. Four LFOs, two ADSR and two multi-stage envelope generators, a Sample & Hold generator, two XY pads and eight macros are freely and effortlessly assignable by right-clicking any target control. And with every LFO and envelope being fully polyphonic, the expressiveness of your performances needs know no bounds, especially when using an MPE-compatible controller.
Like the oscillators and filters, Continua’s three effects are tilted towards the production of sustained, ambient-orientated sounds. The Reverb is particularly notable, housing a custom algorithm geared up for very long, dense, heavily modulated tails; while the Chorus and Delay modules bring voice-stacked thickening and evocative spatialisation.
CHANGES IN V1.0.21
>> New Preset Manager. Due to fairly convincing evidence that the preset manager in Continua “sucked,” and also apparently “wasn’t good,” we wrote a new one. It made its first appearance in Phosphor 3, and now is in Continua.
>> Fixed: LFO activity indicator did not accurately reflect phase. Now it does.
>> Fixed: Only one LFO activity indicator appeared no matter how many voices were active. Now there is one for each voice.
>> Fixed: There was some occasional audible stepping in the filter frequency controls. Smoothers have been added. >> Fixed, Hopefully: The macOS certificate problems from the previous versions. See earlier changelog entries for this saga. If you experience any problems with Continua “disappearing” or whatever, just delete all versions (VST, VST3, AAX, and AU) and re-install and you should be back on the program. Hopefully.
Macsome iTunes Converter can easily convert DRM-protected music and various audio files to unprotected MP3, AAC formats playable on any iPod, iPod Touch, iPhone, Zune, PSP, Creative Zen, and other MP3 players at high speed and CD quality. Convert M4P to MP3, AA to MP3 or AAC in 5X-fast speed, with ID tags preserved. iTunes M4P-to-MP3 converter, Audible AA-to-MP3 or -AAC converter.
Moreover, it is also a professional Apple Music Converter, which can convert all the downloaded files from M4P to MP3, and remove DRM protections so you can play Apple Music files without limitations any more. The iTunes Converter is used to convert all the iTunes music or other audio files which could be played on iTunes. The conversion is 20X speed faster, and the output could be CD quality. It’s all-in-one tool to convert M4P to MP3, convert protected or unprotected audiobook, convert iTunes Match Music to MP3 , convert Apple Music to MP3 and convert AAC to MP3. It is a powerful, yet simple audio conversion tool to bypass DRM control with 5X recording and encoding to MP3 method. With batch conversion, the software plays protected music tracks silently in the background and records audio files with top digital quality at speeds up to 5x.
iRingg will allow you to make personalized ringtones from virtually anything you can find on the internet. Easily trim the segment of audio from songs in your iTunes library, or find them instantly on SoundCloud or YouTube. Add sound effects (called SndMoji™?) or record your own voice and use filters to create extremely personal ringtones. Push freshly created ringtones directly to an iPhone (wired or wireless connection) and it will appear in the default ringtones section.
What’s New:
Version 1.0.44:
Release notes were unavailable when this listing was updated.
