Tag Archives: v1.0.5

KORG Software Multipoly Native v1.0.5

Amazing analog sounds that only digital can provide – now in your DAW.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year.

Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.

Homepage https://www.korg.com/us/products/software/multipoly_native/

Name: KORG_Software_Multipoly_Native_v1.0.5_U2B_Mactorrents.Me.rar
Size: 136 MB
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Scaler Music Scaler 3 v1.0.5

A complete redesign, Scaler 3 takes everything that made Scaler 2 the world’s favourite music theory plugin and builds on it in ways you’d never imagined. Scaler 3 will make it easier to take new directions, solve musical puzzles, and improve your works-in-progress in completely new ways.

Scaler 3 Key Features
100s of Chord Sets and Scales categorised by mood, artist and genre. Scaler 3 greatly expands the number of chord sets and makes them easier to work with.
Build Chord Progressions using the sequencer and get suggestions based on your currently selected chords.
Play your favourite instruments with VST/AU Plugin Hosting, including effects too.
With powerful Detection of MIDI and audio, Scaler can determine what key and scale you’re in and suggest chords that match your music.
Standalone mode for working on your desktop computer without needing a DAW.
Huge library of Motions lets you play chords as melodies, arpeggios, basslines and strums, and to modify them using the piano roll editor and global Note Properties..
Check the Circle of Fifths to find nearby chord substitutions and their extensions.
Solve your modulation puzzles in five ways: Progression, Secondary Scale, Modal Interchange, Mediants, Neo-Riemannian.
Experiment with Voice Grouping to keep your chords within a certain range or apply drop voicings, guitar voicing and more.
50 Internal Sounds to play your inputs, chords and progressions, or load VST/AU instrument plugins.
Use Bind to Keyboard to control chord playback with notes, for one-finger chords, arpeggios and more.
Discover new chord expressions – chord substitutions, inversions, variations, voicings and extensions – in the Colors page.
Line up seven progressions with different motions to compare in the Sketch Pad page.

Changelog: v1.0.5
• Improvements
Shift Click to Mute chords now applies to multiple selected chords
Add ‘Unselect All Chords’ to Right Click menu
Play button become Stop button on play
When in Transport Play mode all other Play buttons are disabled
Section B panel retracts to bottom
Add scroll bars on Colors page when there are more than 8 chords
Sound Editor parameters – Removed decimal place
Global/Main Track Humanize – Removed redundant ‘Off’ menu option

Fixed – Reset to Default with any browser window open keeps window open
Fixed – Can’t lasso chords on Neo-Riemannian page
Fixed – Upper/lower case activation field issue
Fixed – ‘The plugin will not open’ error for some users in Standalone
Fixed – ‘Unexpected Error’ and issues for Studio One Windows users

Updated Scaler 3 User Guide

Several general stability Improvements

Homepage https://scalermusic.com/products/scaler-3/

Name: Scaler.3.v1.0.5m_Mactorrents.Me.rar
Size: 1 GB
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KORG Software VOX Super Continental v1.0.5

MORiA | STANDALONE | AUi | VST3i

The legendary VOX Continental organ is faithfully recreated in software as the VOX Super Continental!

Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple of “British Invasion” bands. The Continental’s bright timbre and brash attitude fit perfectly with jangly guitars, and easily cut through the mix on stage and in the studio.

Production stopped around 1970, but a new generation of ska, garage, punk, and new wave bands adopted the instruments in the ‘70s and ‘80s. Weathered and worn through decades of use, and none-too-stable to begin with, the instruments tend to be charmingly out of tune. As the key contacts aged, each note started to sound slightly different. With this unique voice, a combination of electric tone and vintage character, the Vox Continental is a fixture of stage and studio – particularly in indie music.

The KORG Collection VOX Super Continental began as a careful re-creation of a number of Continental keyboards, including a beloved instrument personally owned by the primary software engineer, in order to get the best possible representation of the Super Continental sound performance. This analysis included such details as the behavior of hundreds of individual key contacts – and is the most accurate VOX Continental software instrument available anywhere!

Calibrated character
The VOX Continental’s oscillators are based on unstable germanium transistors. The octave-divider circuits mean that octaves are always pure, but all other intervals can be at least subtly out of tune (and often much more so). This produces a distinctive chorusing effect when playing chords, and gives melodies a touch of extra flavor.

Individual notes are made by combining overtones from the drawbars. Each key has up to five key contact wires, one for each drawbar. When each wire hits its drawbar bus, that overtone sounds (often along with a tiny burst of noise). The contacts are usually worn and misaligned after all these years, and so the wires hit the drawbar buses at slightly different times. This lends every note a unique character at note-on and note-off.

All of these imperfections are lovingly modeled, and Calibration controls let you dial in as much or as little of them as you like.

Refined user experience
Smooth Sound Transitions let previously-played voices and effects continue naturally when you change sounds. KORG’s sophisticated sound browser supports categories, text search, and more. On-screen help provides information and useful tips for every drawbar, knob, and switch.

Effects
The VOX Super Continental was almost always played through an amp, so of course we include a selection of amp and cabinet models, along with a stunningly detailed rotary speaker. There are two insert effects before the amp, another insert after it, and finally a dedicated reverb slot. For the inserts you can choose between 30 effects types, including everything from vintage pedals and tape delay to modern reverse delays and shimmer reverb.

Release Notes
v1.0.5 August 23 at 04:29
– Previously, the Performance Volume parameter did not display the correct value when opening a previously-saved plug-in instance. This has now been fixed.
– Removed inapplicable items from the published automation parameters. Previously recorded automation will still play back correctly.
– Previously, when opening a pre-existing plug-in instance, some buttons showed the “Off” graphic even if they were On. This has now been fixed.
– Windows only: Previously, the text in Effect Type selectors was sometimes slightly blurred. This has now been fixed.

Homepage https://korg.shop/software/korg-collection-series/korg-collection-vox-super-continental.html

Name: KORG_Software_VOX_Super_Continental_v1.0.5_Mactorrents.Me.rar
Size: 537.2 MB
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KORG Software EP-1 v1.0.5

MORiA | STANDALONE | AUi | VST3i

EP-1 Electric piano sound engine from the KORG KRONOS/NAUTILUS. The finest vintage EP sounds now available in the KORG Collection.

The electric piano sound engine EP-1 first appeared in 2011 in KORG’s flagship workstation synthesizer, KRONOS. It adopted the newly developed MDS (Multi-Dimensional Synthesis) technology which expresses smooth and dynamic tonal changes finely corresponding to key touch, something previous sample playback methods could not achieve. In 2017, it was featured in the top-tier Korg stage piano Grandstage, and in 2021, a new electric piano model was added to the NAUTILUS workstation. This plugin version now features the latest EP-1 sound engine and has received new voicing, making it the definitive Electric Piano sound engine.

The overwhelmingly realistic sound and dynamic expression of EP-1 will stir the player’s soul and unleash deep emotional responses. Experience the latest EP-1 sound engine and expand your creative horizons.

Discover the EP-1
EP-1 superbly reproduces the sound of seven classic tine-type, reed-type electric pianos, and vintage effects with high precision. Using KORG’s carefully developed Multi-Dimensional Synthesis (MDS) technology, EP-1 delivers natural and real-time expression, unattainable with traditional sample playback methods. From pianissimo to fortissimo, EP-1 provides smooth and natural dynamic changes without noticeable transitions, this is a true musical “instrument.” By controlling noise elements, such as mechanical key-off noise with release velocity in real-time, it enables unprecedented realistic and detailed performance.

What is the MDS sound engine?
Multi-Dimensional Synthesis (MDS) is Korg’s proprietary sound engine system. In developing EP-1, we first meticulously sampled the tonal changes produced by electric pianos across a wide range of keystroke strengths, and selected from the finest individual electric pianos that offer excellent playability as the source instruments. By separating the pitch components and noise components such as hammer and key release and re-synthesizing them under separate control, we were able to recreate all the tonal changes of electric pianos. As a result, we achieved a sound engine system that reacts extremely naturally to player control, with sound editing performance, touch sensitivity, and temporal changes in sound that could not be expressed with normal sample playback methods.

The smooth tonal changes from soft to intense touch are naturally free of the noticeable boundaries typical of velocity switching. Temporal changes such as decay and release also achieve a natural feeling, different from those produced by envelope generators.

Diverse Electric Piano Sounds
From the ’60s to today, electric piano sounds have been an essential part of many musical styles and genres. The EP-1 delivers an extensive array of sounds, from classic electric piano tones to aggressive plucked piano sounds through a guitar amp, and hammer sounds that emphasize the attack components of tines. With 50 reinterpreted electric piano sounds utilizing the MDS engine, the EP-1 will add vibrant new colors to your sonic palette.

Release Notes
v1.0.5 August 23 at 04:29
– Previously, the Performance Volume parameter did not display the correct value when opening a previously-saved plug-in instance. This has now been fixed.
– Removed inapplicable items from the published automation parameters. Previously recorded automation will still play back correctly.
– Previously, when opening a pre-existing plug-in instance, some buttons showed the “Off” graphic even if they were On. This has now been fixed.
– Windows only: Previously, the text in Effect Type selectors was sometimes slightly blurred. This has now been fixed.

Homepage https://korg.shop/software/korg-collection-series/korg-collection-ep-1.html

Name: KORG_Software_EP-1_v1.0.5_U2B_macOS_Mactorrents.Me.rar
Size: 801.5 MB
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Puremagnetik Vanisher v1.0.5

Vanisher is a granular audio processor and spatial effect that blurs the lines between the cosmic and the worldly. It takes any sound you feed it, chops it up into microscopic particles and re-configures it in time and space. You can create phase-induced 3D audio effects, granular blurring, glitching and much more.

Homepage https://puremagnetik.com/products/vanisher-granular-sound-transcendence-machine

Name: Puremagnetik.Vanisher.v1.0.4.v1.0.5.macOS.RETAiL-ohsie_Mactorrents.Me.rar
Size: 35 MB
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Puremagnetik Timedream v1.0.5

From slow evolving choruses to springy, glitch pitch-shifting, Timedream comes packed with an array of sound manipulation tools for taking your recordings into the time sequence of dreams.

Explore recurring delays that can be modulated and echoed into one another. Add a wave shaping distortion on the front end fuzz things up before entering the dream sequence. Whether you are looking for a simple multi-tap delay, a fuzz flanger or a modulating ensemble effect, Timedream will bring some fresh inspiration to your sound recordings.

Homepage https://puremagnetik.com/products/timedream-time-recursion-shaper

Name: Puremagnetik.Timedream.v1.0.2.v1.0.5.macOS.RETAiL-ohsie_Mactorrents.Me.rar
Size: 35 MB
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Puremagnetik Swarm v1.0.5

Swarm is a sound design effect inspired by “swarm intelligence” and “particle masses” such as those employed by composer Iannis Xenakis. It clones a segment of a sample and puts those members into a “flock” that disperses in unified – sometimes stochastic – coordination.

Swarm excels in creating dense pizzicato clouds or spacey, randomized ambiences. It is a very unconventional effect with unpredictable and oftentimes wonderous results. With some experimenting, sound designers should become acquainted with the character of Swarm and how it can best be utilized in their productions.

Homepage https://puremagnetik.com/products/swarm-particle-diffusion-sampler

Name: Puremagnetik.Swarm.v1.0.5.macOS.RETAiL-ohsie_Mactorrents.Me.rar
Size: 52 MB
Files Puremagnetik.Swarm.v1.0.5.macOS.RETAiL-ohsie_Mactorrents.Me.rar[52 MB]


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