Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

All new features and updates in Live 12:

MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.

MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.

Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.

MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.

Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.

Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.

Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.

Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.

Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.

Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.

New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.

New Pack
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.

New Pack
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.

Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.

View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.

Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.

Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.

Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.

Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.

Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.

Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.

Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.

Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.

New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode.

What’s New:

Release Notes:

Compatibility: macOS 11.0 or later, Apple Silicon or Intel Core processor
Language: English
Homepage https://www.ableton.com/

Screenshots

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.

Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable

Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

What’s New:

Release Notes:

Compatibility: macOS 10.14 or later, Apple Silicon or Intel Core processor
Language: English, Français, Deutsch, Italiano, 日本語, Español
Homepage https://www.ableton.com/

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

All new features and updates in Live 12:

MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.

MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.

Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.

MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.

Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.

Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.

Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.

Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.

Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.

Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.

New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.

New Pack
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.

New Pack
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.

Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.

View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.

Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.

Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.

Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.

Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.

Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.

Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.

Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.

Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.

New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode.

What’s New:

Release Notes:

Compatibility: macOS 11.0 or later, Apple Silicon or Intel Core processor
Language: English
Homepage https://www.ableton.com/

Screenshots

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.

Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable

Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

What’s New:

Release Notes:

Compatibility: macOS 10.14 or later • Apple Silicon
Language: English, Français, Deutsch, Italiano, 日本語, Español
Homepage https://www.ableton.com/

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

All new features and updates in Live 12:

MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.

MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.

Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.

MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.

Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.

Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.

Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.

Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.

Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.

Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.

New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.

New Pack
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.

New Pack
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.

Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.

View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.

Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.

Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.

Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.

Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.

Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.

Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.

Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.

Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.

New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode.

What’s New:

Release Notes:

Compatibility: macOS 11.0 or later, Apple Silicon or Intel Core processor
Language: English
Homepage https://www.ableton.com/

Screenshots