Session Picks is a guitar instrument plugin that includes 50 unique guitar sounds recorded by our team. Mostly there are electric guitar sounds, but you will also find classical guitar sounds.
The plugin is equipped with a set of effects such as reverb, delay, chorus, equalizer and even guitar amp emulation. We have recorded as many as 10 different amplifiers so everyone will find something for themselves.
Additionally, each note will sound different with a different velocity.
This plugin is perfect to create guitar beats types like Juice Wrld, Trippie Red od Post Malone.
TwistedWave is a very easy to use and powerful audio editor.
It supports Audio Unit plug-ins and many file formats, including WAV, AIFF, CAF, MP3, MP4, FLAC, Ogg/Vorbis, and Ambisonic sound files.
Good multichannel support. TwistedWave lets you easily add, remove or reorder channels. You can also apply Audio Units to multichannel files, or to a selection of channels.
Unlimited undo and redo which works instantly.
Zooming in and out of the waveform is very fast. Option-click and drag the mouse to zoom very accurately, while the waveform is being refreshed more than 100 times per second, even when the files are several hours long, or when the file has not finished loading, or when an effect is being applied.
When TwistedWave is busy loading a large file, or applying a complex effect, all the work happens in the background, and you can continue working with your document, applying new effects. With TwistedWave, you never have to wait for the end of a long computation.
Working at a resolution up to 24-bit and 192 kHz sampling rate, TwistedWave enables you to work at a professional quality.
What’s New:
Version 24: New features:
Added a noise reduction effect
Automatically detect glitches caused by missed buffers when recording
Show an error instead of falling back to the built-in microphone when the selected audio interface is not available for recording
Added an Analyze action to the batch processor
You can now opt to automatically get beta versions of TwistedWave through the automatic update system
When a punch-in recording is initiated while the selection is active, the contents of the selection will be replaced, and the recorder will stop when it reaches the end of the selection
Added the “Open Recent Document” item in the “File” menu to re-open the last viewed file
Added an option to format the times like H:M:S in the toolbar, to show the number of hours
Added a button to clear the metadata
The toolbar can be customized with a big version of the cursor position
Added an option to close all the document windows at once
The lambda and quality parameters were swapped and didn’t work as expected in the “Change Pitch and Speed” effect in the batch processor
When saving a file while recording, the document wouldn’t be marked as dirty, and you would not be offered to save it again after the recorder was stopped
Change:
Dropped the “1.” from the version number. Versions with three digits, like 24.0.1 will be beta versions
When moving the cursor to the beginning or end of the file, the selection is now discarded
Fixes:
Saving color schemes was broken
Video files shouldn’t open with TwistedWave by default
TwistedWave would crash when asked to generate a tone with a negative frequency
REFLEX-PRO-X is the flagship of stw-audio delay modules. It’s designed as a true stereo multi delay/fx unit with enhanced modulation and effect combination features and therefore one of the most versatile delay plug ins on the market.
Features: 4 true stereo delay channels with inter feedback and input routings 3 effect slots for each channel 4 delay modes featuring enhanced feedback options and extended tap mode 4×4 feedback matrix 21 selected customizable effects with countless combination possibilities Extensive modulation options 10 modulation sources of three different types Modulation logic Master FX section
4 Independent True Stereo Delay Slots Each delay slot offers extensive variations of input, effect, delay mode, feedback routing… and varioius individual slot settings. All slots operate as true stereo channels which means that left and right input are processed independently through all signal stages.
4 delay modes with multiple feedback options REFLEX-PRO-X provides forward, backward, grain and tap delay modes with various feedback or triggering options. Either mode includes individual options for further settings and delay and feedback signal control. Simply changing the feedback mode let you easily switch between stereo, ping-pong, or multi feedback delays.
Enhanced TAP Delay Mode The TAP Delay Mode offers individual Time, Level, and Pan Control for each of the 16 delay tap pairs. Beyond that you can control and modulate two parameter offered by a selected post delay effect by choice. If chained this could result to a 64 TAP full stereo delay pattern.
3 Semi Modular FX Racks REFLEX-PRO-X offers three effect racks which could hold one of up to 21 different DSP effects for each delay slot . Select one of various filter, shaping and modulation modules as Pre-delay, Feedback, or Post-delay effect. All effect modules provide multiple modulation options which bring your sounds to life.
Master FX Section Additional to the individual slot effects a master effect section offers final sound shaping opportunities. A selection of different ambient and reverb algorithms, as well as diverse EQ or filter options are available. The master effects output can also be routed to the delay slot inputs and therefore used as a source for sound colouring itself.
Modulation Sources REFLEX-PRO-X provides 2 Envelope follower, 4 LFO and 4 Trance Gate modules which could be assigned to most of all available effect, slot and delay parameters. Additionally a logic section allows to chain and alter these sources to complete new interacting modulation signals.
Feedback Matrix Each delay slot contains a feedback matrix to allow interconnecting delay outputs between the discrete channels. That allows all sorts of Feedback Delay Networks, well known from various reverb algorithms. Therefore REFLEX-PRO-X is more than just ‘another’ delay but more of a enhanced ambient machine.
Master Section The master section offers direct access to diverse settings applying to all slots or the main output. Delay time and feedback as well as overall delay modulation could changed with one knob. A master limiter/booster as well as output levels including easy switch between send/insert mode are available here.
Changes from 1.0.1: ⁃ Fixed: Occasional reg validation failures. ⁃ Fixed: Output of false ENV monitor signal. ⁃ Changed: Presets can only be saved into User Preset folder.
Padshop Pro is an enhanced version of Steinberg’s state-of-the-art VST synthesizer and offers several new effects and features to meet the demands of professional sound engineers and seasoned creatives. The Pro version offers import and processing of custom samples in a way that will forever affect your sound experience.
Padshop Pro exclusive features : Drag and drop sample import for advanced sound design projects and custom presets. 3-band parametric EQ per layer for clarity and smoothness in the mix. Algorithmic reverb to enrich your sound with fullness and ambience. 50 new presets with atmospheric pads and evolving sounds.
Samples: With Padshop Pro, sound designers and creatives can use their own samples and recordings to power Padshop’s granular synthesis engine. Record new sounds in Cubase and drag and drop the file directly into Padshop Pro to create custom sound settings. Custom samples can also be imported from MediaBay or via the user-friendly browser in Padshop Pro. Supports WAV and AIF up to ten minutes.
Effects Expert: With two additional effects, Padshop Pro covers everything you need to create your own impressive granular synthetic presets. The Pro version comes with a 3-band parametric EQ for each level. With a frequency range of 20Hz to 20,000Hz, the equalizer increases the clarity and smoothness of your custom presets and gives you the ability to edit sounds from the first step.
What’s New •Fixed tuning issues. For imported samples, the root key setting was not saved. •Improved loading times for longer samples. •Fixed: Possible crash when switching presets. •Fixed: Missing “Enable Mod Wheel” setting. •Fixed: Interrupted audio playback with 32-bit float samples. •Fixed: Presets were unintentionally copied, when loaded via drag an drop onto the preset loader.
Ample Guitar LP III aim to bring a Gibson Les Paul 1958 Reissue guitar sound to your studio.
Sampling: Size:7.5 GB Neck, Bridge, Both pickup three sample libraries. Stereo and Mono Modes. Sustain, Hammer On & Pull Off, Legato Slide, Slide in & out, Palm Mute, Pop, Natural Harmonic, Pinch Harmonic, Slide Guitar 11 articulations, Legato at random length & pitch & poly.
Technology: CPC (Customized Parameters Control) – any controller can be controlled by MIDI CC or Automation. Double Guitar. Poly Legato and Slide Smoother. Alternate Tuner. Multiple Capo Logics – providing various options of automatic fingering logic to cover different performance such as solo, chorus, and so on. Grainy – Enhance grainy of attack and produce the random humanization.
AMP Simulator: Built-in AMP system, including 5 classic AMP models: Metal Treble (modeled on Mesa Boogie Triple), Lead 800 (modeled on Marshall JCM800), Jazz 120 (modeled on Roland JC120), 65 Twang (modeled on Fender 65 Twin Reverb) and 57 Delight (modeled on Fender 57 Deluxe). 7 matching cabinets：1×12 57D, 2×12 65T, 2×12 120, 4×12 60A, 4×12 60B, 4×12 Ro and 4×12 Ri. Each Cabinet has 8 mic options: U87, C414, MD421, SM57, E609, C414 XLS, R121 and M160. Room Mics. Hundreds presets, each preset featured a riff(with 1 – 8 measure) which use can turn to Riffer panel and have a preview.
Riffer: String Roll Editor: can clearly show fingering, articulation, expression and even playing noise. Every note has 8 attributes – pitch, velocity, length, off velocity, articulation, legato, vibrato and bend, with which you can make a delicate lick. Dice – Random Riff Generator: A click will create a new inspiration because it is not simply a random algorithm. Rather, it summarizes the rules through analyzing a bunch of music scores. Multiple selection and operation, undo and redo etc. multiple MIDI tools, including fixed velocity, length legato and restrict, select, move, draw, erase, split, glue etc.
Strummer: 14 Strum notes + 28 ways to play for every chord. Strum Legato – legato articulations can be played while strumming. 4 humanization settings. Select and Detect 2 chord modes, any chords could be customized. Strum SEQ with customized rhythm. Delicate presets with MIDI export.
FX: High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band.. 2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup. 6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc. IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.
Tab Reader: The Tab Player can load and play several prevalent guitar tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
Ample Bass P aim to bring the Fender Precision Bass sound to your studio.
System Requirements: Windows: Windows 7/8/10, 64-bit only (32-bit not supported). Mac: From 10.9 to 10.14. VST2, VST3, AU, AAX and Standalone host. 8GB Hard Disk, Intel i5 or higher.
Sampling: Size: 3.60 GB DFD(Direct from disk) Rich Fingering Noise Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slap, Pop, Tap, Accentuated, Repeat Note, Dead Note 12 articulations, Legato at random length & pitch & poly.
Technology: CPC(Customized Parameters Control), any button knob etc can be controlled by MIDI CC or Automation. Poly Legato and Slide Smoother. Alternate Tuner & lowest to B. Multiple Capo Logics – providing various options of automatic fingering logic to cover different performance such as solo, chorus, and so on. Stereo DI Signal. Automatic and manual Buzzing system.
AMP system: Built-in AMP system, including three classic AMP models: Vintage-15, Bass-500, Bass-Pro. 1×15, 2×10, 4×10, 8×10 Four cabinets. Each Cabinet has 4 mic options: U87, C414, MD421 and SM57. Room Mics.
Riffer 2: String Roll Editor: can clearly show fingering, articulation, expression, and even playing noise. Every note has 8 attributes – pitch, velocity, length, off velocity, articulation, legato, vibrato and bend, with which you can make a delicate lick. Dice – Random Riff Generator: A click will create a new inspiration because it is not simply a random algorithm. Rather, it summarizes the rules through analyzing a bunch of music scores. Multiple selection and operation, undo and redo etc. multiple MIDI tools, including fixed velocity, length legato and restrict, select, move, draw, erase, split, glue etc.
FX: High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band.. 2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup. 6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc. IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.
Tab Player: The Tab Player can load and play several prevalent guitarbass tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
A comprehensive vocal production plug-in based on analog processors. VOICE is the new Gem plug-in designed for vocal processing. VOICE offers a comprehensive and streamlined vocal production workflow, based on analog processors.
a Mic Preamplifier (4 models) a Tape Simulator (3 tapes + 3 special modes) a Vocal Enhancer a De-Boxer and a De-Esser a Dynamic Processor with compressors (5 models) and an expander-gate an Equalizer (5 models) a Space Processor / Reverb Unit an Analog Delay a Master Section with an optional Limiter an inteactive Dynamic Display an interactive EQ Display
apQualizr2 is an audio plugin based on a multiband equalizer layered on top of a frequency analyzer with elements of a modular effects system.
It features graphical editing of top quality low latency filters and modular modulation of various filter parameters. It can be used for all standard EQ applications and can produce many modulation/dynamics effects thanks to the dynamics and LFO modules included.
Main features: High-quality minimal latency variable poles filters modeled perfectly over the full frequency spectrum. Graphical editing of filter parameters. Unlimited number of filter bands. Zoomable FFT-based frequency analyzer displayed beneath the filter curves. Undo/Redo support for all actions. Frequency band solo feature: hold Alt to solo frequencies in mouse proximity at any time. Filter parameters can be modulated by a configurable network of modules. Current module selection: LFO, Dynamics Detector, Signal Scope, Mix, Split, Knobs. Mid-Side / Left-Right processing per filter band. Comb filter. Spectral tilt filter with freely adjustable slope. Variable slope high- and low pass filters. Output clipper with gain reduction graph and antialias algorithm. Interactive piano ruler.
• Version 2.3.0 – New harmonic filter types. – High frequencies displayed in kHz + support for entering values like ”2k”. – Frequencies can be entered using pitch names like ”a4” or ”bb-1”. – BUGFIX: Crash when quitting WaveLab on OS X with multiple VST3 instances of apQualizr2 open. – BUGFIX: High samplerate projects did not reopen correctly when using the VST3 version in Cubase. – BUGFIX: Crash in FL Studio when bypassing apQualizr2 in the fx rack. – BUGFIX: Audio stutters with clipper antialiasing enabled in some VST3 hosts
Fusion Field is a smooth reverb designed to sit well in a mix – its clean, unobtrusive, sound has a natural falloff that floats behind, and complements, the source material. Fusion Field is very easy to use, and the main display shows the effects of the dampening and EQ in a plain natural way. The reverberation can be dampened in the upper and lower frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Field’s usefulness. The dial ranges have been sloped to give the best sensitivity in useful regions, and the whole unit can create short snappy rooms, or vast time-suspended spaces, and anything in between.
Features / overview: A clean stereo reverb, with an even decay. High quality standards, with low CPU resources. Fast editing, for that quick grab effect. A single impulse source quickly gathers a complex diffusion. Intuitively linked Decay and Spread dials. Clear reflected sound, with a fast diffusion build up. Great for adding sheen to vocals, strings and ambiences. Plain visual feedback of filters. Zero latency. Completely reworked and enhanced diffusion reverb, based on RaySpace and Glass Viper.
Quikquak has updated Fusion Field to version 4. Changes: Now includes VST, VST3, AU and AAX formats. Redesigned with single threaded engine, now uses much less CPU than before. New pitch shifting feature and a BPM timed echo effect. Scalable interface. Uses the same registration key codes as the previous version.
This plug-in uses unique technology for stereo enhancement. Unlike traditional techniques that can introduce phasing and inversion artefacts.
UpStereo Pro uses spectral processing and is engineered to shift actual pan locations of sound around the stereo field.
The punch and sizzle parameters finely control the transient attack and intensity of bass and top end.
The equaliser fine tunes your mix with easy to control spline editing, and uses linear processing to ensure the sharpest and cleanest results.
The shape control replaces the ‘Loud’ button of the old UpStereo with smooth adjustments from subtle to exteme and distorted.
* Stretches stereo width without using a new FHT linear phase design. * Unique technology that stretches sound locations toward the stereo extremes, keeping central sounds intact. * Fully resizeable. * Punch control for enhancing or dampening initial bass or kick sounds. * Sizzle parameter for giving high end transients a fizz and sparkle. * Linear equaliser with 16 point spline editing. * Waveshaper with extreme settings. * Full linear processing. * On screen information panels for each of the controls. * 64 bit versions in VST, VST3, AU and AAX formats.
djay Pro provides a complete toolkit for performing DJs. Its unique modern interface is built around a sophisticated integration with iTunes and Spotify, giving you instant access to millions of tracks. Pristine sound quality and a powerful set of features including high-definition waveforms, four decks, audio effects, and hardware integration give you endless creative flexibility to take your sets to new heights.
At the heart of djay Pro is an innovative, modern user interface that provides flexible layers of functionality alongside a powerful music library into a single window interface. It combines djay’s Apple Design Award winning turntable view that renders true record grooves on the virtual vinyl with more advanced modes including horizontal and vertical colored waveforms, live sampler and drum pads, FX racks, as well as a powerful four deck view that allows DJs to play, mix and synchronize up to four tracks simultaneously.
Instant access to over 20 million songs The all-new music library in djay Pro enables you to seamlessly combine Spotify tracks from the cloud along with your local iTunes tracks into a single library. This provides unprecedented flexibility for song selection no matter where your music is located.
Spotify djay Pro is the first professional DJ software that integrates with Spotify, giving you instant access to millions of tracks. Spotify integration in djay includes all of your existing playlists, starred and saved songs, powerful search capabilities, charts, browse, and Match for intelligent song recommendations.
iTunes The music library in djay Pro provides a sophisticated integration with iTunes. You can browse your music library by Playlist, Artist, Album, Genre, Key, History, and more. The powerful inline search allows you to efficiently find tracks and simultaneously browse your library.
Powerful Audio Streaming djay Pro’s cutting-edge audio streaming technology delivers ultra-low latency, advanced effects, on-the-fly analysis (key, BPM, beat grids, colored waveforms), all processed and streamed from the cloud, with no difference to local files.
Match Match, powered by The Echo Nest’s analysis of all the music on Spotify, is an innovative, first-of-its-kind feature which recommends tracks that go well with what you are currently playing. It helps you discover new music that matches your musical taste and style. Powerful tools. Cutting edge technology. Built exclusively for OS X, djay Pro takes full advantage of the desktop’s computing power including 64-bit processing, multi-core track analysis, support for Retina and 5K displays, graphics rendering at 60 frames per second, and pristine sound quality. djay Pro combines rock-solid stability with unrivalled performance, delivering a powerful, dependable solution for performing DJs.
Loops and Cue Points djay Pro offers you a range of advanced DJ tools. Manually set loop in and out points, use Auto-Loop to continuously loop part of a song, or remix live using Bounce-Loop, all in perfect sync with the beat. Multiple Cue Points allow you to set and jump to markers within the waveform.
Recording djay Pro allows you to capture the mixed output in real-time so you can share it with the rest of the world. Recordings are saved as a high-quality WAV file or in compressed format. The built-in recordings panel allows you to preview, save, and export your files to iTunes.
Key Matching djay Pro automatically detects a song’s key and allows to match it to songs of the same key within your music library. It allows you transpose songs into different keys, and sort your entire music library by key, perfect for creating studio quality mixes.
Audio FX A host of professional real-time audio effects are available. Pre-installed Audio FX include: Flanger, Phaser, Echo, Gate, Bit Crusher, Filter (High Pass, Low Pass), as well as six preconfigured instant effects: Absorb, Drift, Sway, Crush, Punch, Twist. Over 30 additional state-of-the-art audio effects by Sugar Bytes are available via In-App Purchase. You can beat-synchronize and chain multiple effect units on up to four decks simultaneously allowing for unprecedented creative expression.
Sampler The all-new built-in sampler adds another layer of creativity that allows you to trigger sounds and create drum beats on top of your music. In addition to the extensive pre-bundled content ranging from “Sound FX” to “Dubstep”, you can sample from your local tracks in real-time to create and save your own sample banks that can be quickly loaded during a performance.
BPM Sync and Beat-Matching The sophisticated beat and tempo detection in djay Pro allows you to instantly synchronize two tracks. Flexible beat grids support dynamic tempo and accurately render precise beat location on top of the waveforms.
Multi-channel USB audio interfaces djay Pro offers native support for USB audio interfaces, allowing you to preview your mix through headphones while delivering pristine sound quality through the main output.
MIDI Control djay Pro integrates seamlessly with existing professional DJ hardware. In addition to supporting over 50 MIDI controllers by Pioneer, Numark, Reloop, and other manufacturers out of the box, djay Pro also includes an advanced MIDI Learn system. It enables you to map each hardware control on your device to individual actions in djay Pro and customize your setup to match your style and performance needs.
Empower the Composer Within Scaler 2 is an inspirational and powerful music theory workstation that gives you access to a world of new ideas, expressions and melodies. With powerful detection of MIDI and audio, Scaler 2 can determine what key and scale you’re in and suggest chords that match your music. The plugin helps you discover the perfect melody with performance expressions, and can even suggest ways to change from one key to another.
Scaler 2 makes finding chords and progressions intuitive and fun! It’s a comprehensive but easy to use toolbox that will help anyone make better music.
Benefits Discover your music’s key and explore alternative scales and chord sets Choose from hundreds of keys, quickly build progressions in the sequencer Over 200 artist chord sets from the likes of Carl Cox, MJ Cole, The Temper Trap, Mitekiss, CeCe Rogers and Mike Huckaby Over 200 genre and mood-based chord sets such as Chill, Drum & Bass, Jazz, Cinematic, EDM, Progressive… Browse chord variations to get suspended chords, extended chords, dominant sevenths and jazz chords Use the arpeggio or strum features to perform in real-time and synced to your DAW Discover chord substitutions that lend variety to your progressions Experiment with different chord voicings to spread notes across the keyboard Export MIDI to your DAW simply by dragging and dropping Assign any VST / AU instrument to Scaler 2 to control your favourite synths Play and record one-finger chords and melodies using Scaler 2’s Bind MIDI function
New for Version 2 Redesigned from the ground up with over 200 new chord sets, hundreds of new scales, and 30 new instruments Play melodic expressions with over 200 phrases, performances and rhythms by professional musicians Establish your scale with audio detection as well as MIDI detection Keys Lock helps you create emotive melodies by locking keys to your chords MIDI Capture lets you perform inside Scaler 2 and then export the results as MIDI Modulation suggestions give you new ways to reach musical destinations Get more natural-sounding melodies and expressions with the humanise function Edit Mode for adjusting length, inversion, octave and more per chord in a pattern Pad View helps you to arrange multiple patterns and key switch between them Audition new progressions in context with DAW Sync playback Voice Grouping can keep your chords within a certain range for voice leading Chord editing and moving tools include lasso, drag n drop, replace and insert
Farrago provides the best way to quickly play sound bites, audio effects, and music clips on your Mac. Podcasters can use Farrago to include musical accompaniment and sound effects during recording sessions, while theater techs can run the audio for live shows. Whether it’s providing quick access to a large library of sounds or running through a defined list of audio, Farrago is ready to assist!
Powerful Tile Interface: Farrago’s tile grid lets you lay out your audio exactly how you want it. Put your sounds at your fingertips and work the way you want.
Customize With the Inspector: Use the inspector to tailor each sound’s settings to your needs. Set the tile name and color, tweak in/out points, alter fade settings and more.
Organize With Sets: Create distinct groups of audio based on mood, show, or any other critera you like. Using sets makes managing audio a breeze.
Sound Sets: Farrago’s default sound set is useful, but you can create your own sets based on show, mood, or anything else you like.
A Thoughtful Interface: Farrago’s tile-based layout provides an easily understood way to play your audio via the keyboard or mouse.
Global Access via Hotkeys: With Farrago’s user-definable Global Hotkey, you can pull the app forward, then use the in-app shortcuts to instantly trigger your desired audio.
JKST | 14 September 2020 | VST VST3 AAX AU Whether you need to replace sub-par guitar tracks, produce a guitar-heavy song or just want to create demo’s with a professional sound, The Odin ll will allow you to program your own riffs and chord progressions in the blink of an eye.
– Sampled with a custom ESP LTD – Tracked through a world class recording chain – Creates clean DI for you to re-amp – No Kontakt or 3rd party sampler required – Access 17 different articulations
STUNNING INTONATION Odin 2 was recorded with an Evertune bridge, which means you never need to worry about out-of-tune guitars again!
ACCESS ALL DROP TUNINGS Tunes down to double drop C so you can access all relevant drop tunings. No more wobbly strings for you!
PRODUCE ON-THE-GO Write new guitar parts or replace sub-par guitar tracks from the comfort of your desk (or tour bus). No more wasted time!
Bit Machine is a virtual instrument inspired by classic retro 8bit video game music. Inside you get over 200+ stabs, sound fx and more. Inspired by games like Mario, Donkey kong and Galaga. Compatible for both Mac and Pc.
Noize 2 brings user requested features such as new noise types and loading and editing of user noise profiles. The Noize 2.0 introduces three new noise types and the option to load and edit your own noise profiles – features that have often been requested by the community. When Denise actually tested the plugin, it turned out even more creative and versatile than they could anticipate. For example, they found out using a reversed vocal sample on drums and rhythmical synths has a surprisingly great effect.
Noize 2 features A switch to generate noise that adapts to the volume of your track, in real time. Load and edit your own noise samples. Choose between 8 types of noise and apply additional filtering. Mute the original audio to isolate the noise signal and apply additional effects. Optimize the behaviour of the noise by tweaking the rise and fall time. Additional plugins that compliment the Noize: Bite and Space Invader. Low CPU usage.
denise audio has updated Noize 2 to version 1.1.1 Version: 1.1.1 Changed: Fix: Put HPF and LPF filters in the right order
Ample Metal Ray5 aim to bring the Stingray 5 Classic 5-string bass sound to your studio.
System Requirements: * Windows: Windows 7/8/10, 64-bit only (32-bit not supported). * Mac: From 10.9 to 10.14. * VST2, VST3, AU, AAX and Standalone host. * 8GB Hard Disk, Intel i5 or higher.
Sampling: * Size: 4.69 GB * DFD(Direct from disk) * Rich Fingering Noise * Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Accentuated, Repeat Note, Dead Note 9 articulations, Legato at random length & pitch & poly.
Technology: * CPC (Customized Parameters Control), any button knob etc can be controlled by MIDI CC or Automation. * Poly Legato and Slide Smoother. * Alternate Tuner & lowest to A. * Pick Attack Accentuation feature which can be adjustable to simulate the noise of pick stroke, bringing up more variations and realism. * Multiple Capo Logics – providing various options of automatic fingering logic to cover different performance such as solo, chorus, and so on. * Stereo DI Signal. * Automatic and manual Buzzing system.
AMP system: * Built-in AMP system, including three classic AMP models: Vintage-15, Bass-500, Bass-Pro. * 1×15, 2×10, 4×10, 8×10 Four cabinets. * Each Cabinet has 4 mic options: U87, C414, MD421 and SM57. * Room Mics.
Riffer 2: * String Roll Editor: can clearly show fingering, articulation, expression, and even playing noise. Every note has 8 attributes – pitch, velocity, length, off velocity, articulation, legato, vibrato and bend, with which you can make a delicate lick. * Dice – Random Riff Generator: A click will create a new inspiration because it is not simply a random algorithm. Rather, it summarizes the rules through analyzing a bunch of music scores. * Multiple selection and operation, undo and redo etc. multiple MIDI tools, including fixed velocity, length legato and restrict, select, move, draw, erase, split, glue etc.
FX: * High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band.. * 2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup. * 6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc. * IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.
Tab Player: * The Tab Player can load and play several prevalent guitarbass tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Future-Proof Your Sessions At Waves, we devote much of our time and software development resources to ensure that the plugins you invested in will always remain compatible with all the latest major DAWs and operating systems. V11 is the latest in our ongoing updates, so you can always keep focusing on what’s important—creating the best music and audio you possibly can, now and in the future.
What’s New:
What You Get in Waves V11 Full ongoing compatibility with the latest major DAWs & operating systems (including macOS 10.15 Catalina). New updated versions of all eight Renaissance plugins, including:
Freshly designed interfaces with three skin choices: Light, Dark, and Legacy
Real-time frequency analyzers added to the R-EQ and R-Channel plugins
Complete revision of the R-Channel user interface for more intuitive usage of the channel strip plugin
700+ new presets by leading artists
July 30th, 2020 Updated: StudioRack 11.0.68.183 Added: 47 new StudioRack chain presets, including presets by top producers and mix engineers Kori Anders, Chris Baseford, Billy Bush, Richard Chycki, Adair Daufembach, Jacquire King, Tom Lord-Alge, Malay and David Wrench.
General bug fixes:
Fixed: General improvement in preset loading time.
Fixed: General improvement in expand/collapse graphics in all hosts.
Fixed: GUI corruption in Logic when loading a Split chain within a Split chain.
Fixed: Incorrect macro transition between mono and stereo in the multiband split section.
Fixed: Bug causing Pro Tools gain reduction meter not to function when the GUI is minimized.
Fixed: Bug causing Macro assignments to remain after racks are removed.
Fixed: Bug causing Undo/Redo not to affect the On/Off button in inserts.
Fixed: Bug causing plugin window location to be saved outside the screen.
Fixed: Bug causing Setup A/B to change views in certain scenarios.
Fixed: Bug causing the sidechain indicator to flip after plugins are copied from another insert.
SoundGrid Processing Mode bug fixes:
Fixed: Improved integration for DAW offline bounce and freeze, fixing possible hangs or unexpected behavior.
Fixed: Possible audio corruption when using StudioRack alongside third-party plugins within Pro Tools (96 kHz sessions, Mac).
Fixed: Bug switching all StudioRack instances to Native within Studio One, when any audio is frozen.
Fixed: Automation lane opening randomly in Cubase when StudioRack is switched from SoundGrid to Native.
Fixed: Constant noise when disabling, bypassing or closing a session with StudioRack while Monitor Mode is set to Input.
Fixed: Bug causing StudioRack ‘Group’ setting not to be copied to a new duplicated DAW track.
Fixed: Bug causing input automation to be jittery.
Yate was developed for people who want complete control over their tagging experience. Supports audio in AIFF, DFF, DSF, FLAC, M4A, M4B, MP3, MP4, STEM.MP4 and WAV files. Supports video in M4V and MP4.
Yate has a long list of features; most importantly, an innovative scripting system called actions. Actions can be used to update all of an album’s tags with a single operation. Yate also supports integration with AcouticBrainz, AcoustID, Beatport, Discogs, iTunes and MusicBrainz. All changes can be easily reverted and individual changes can be undone in any order. Whether you want to automatically or manually tag your files, Yate can do it all!
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Future-Proof Your Sessions At Waves, we devote much of our time and software development resources to ensure that the plugins you invested in will always remain compatible with all the latest major DAWs and operating systems. V11 is the latest in our ongoing updates, so you can always keep focusing on what’s important—creating the best music and audio you possibly can, now and in the future.
What You Get in Waves V11 Full ongoing compatibility with the latest major DAWs & operating systems (including macOS 10.15 Catalina).
New updated versions of all eight Renaissance plugins, including: •Freshly designed interfaces with three skin choices: Light, Dark, and Legacy •Real-time frequency analyzers added to the R-EQ and R-Channel plugins •Complete revision of the R-Channel user interface for more intuitive usage of the channel strip plugin •700+ new presets by leading artists
Thanks R2R for updating keygen!
Releases not by R2R/RET have following issue : * SuperRack crashes. * Cannot load plugin inside SoundGrid and some channel strips. * No WPAPI support.
We are pleased to announce a new version of Waves plugins, Waves V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
Meet your new musical FX partner: Super-suite of inspiring Phaser, Flanger, Chorus and Tremolo sounds, crafted from the best analog modulation studio classics. Dual Cascade engines allow you to ‘cascade’ any two effects for magical textures. Intelligent triggers respond dynamically to your playing in real time.
Kaleidoscopes is a secret weapon to make drums, vocals, synths and guitars move and breathe—perfect to give your mixes depth, color and feel; inspirational during recording and performance.
Analog Modulation Crafted from the Classics
In creating Kaleidoscopes, we were inspired by the sounds and colors we grew up on and love. The Phaser, Flanger, Chorus and Tremolo engines all reflect the analog units, guitar pedals, and tape FX sounds we associate with vintage eras and legendary artists. We chose to include the full palette of classic analog modulation sounds, a true “best of” collection, providing you with a rich, colorful and versatile tool.
Dual Cascade Effects: Serial or Parallel
Kaleidoscopes’ Dual Cascade architecture is unique to this plugin. You get two separate effect engines which can be manipulated in tandem—one fed into the other in series for surprising results, or both activated in parallel for insanely wide textures. There are almost endless configurations to choose from, and the intuitive flexibility to A/B them with a click. Listen to how wildly you can push this thing.
Intelligent Triggering by Your Touch
With Kaleidoscopes’ Trigger section, we wanted to create a truly exceptional effect that intelligently responds to your playing. Something you can call upon in recording sessions for bouts of creativity, or on stage for extra flare. Set the envelopes and threshold based on the part you’re recording or performing—and let the character and dynamics of your playing drive the effect. Kaleidoscopes’ engines will modify and glitch in real time.
Release Notes September 8th, 2020 •New release — Kaleidoscopes: Available as a single plugin as well as in Mercury, Pro Show, and SD7 Pro Show.
Instructions 1. Go to waves folder and Install Waves Central and Run 2. Select Offline Installer and Click Install from an Offline Installer 3. Browse the Waves folder you downloaded (For Mac Users, move folder to “Users/yourname/public/”) 4. Select the plugins you like and Install! 5. Apply patch and Enjoy
Mellowmuse develops innovative audio processing plugins for digital music production. Founded in 2008, we have a growing following among discerning musicians, and audio professionals. Included: Mellowmuse EQ1A v3.2 Mellowmuse LM1V v1.6 Mellowmuse IR1A v4.1 Mellowmuse EQ3V v1.6 Mellowmuse EQ2V v2.6 Mellowmuse CS1V v2.3 Mellowmuse CP1A v2.9 Mellowmuse ATA v2.3 Mellowmuse SATV v3.0 Mellowmuse CP3V v2.0 Mellowmuse CP2V v3.0
What’s new Updates: official site does not provide any info about changes in this version.
HALion is the most comprehensive virtual sampling and sound design system available today and excels the present creative process for producers and sound designers in all areas.
It covers the complete creative workflow from recording and sample editing to programming advanced synthesis and modulation setups. With HALion, create customized user interfaces and export ready-to-release instrument libraries with every step streamlined to the greatest extent.
The powerful set of oscillators for seamless sample playback as well as the next-generation synthesis make HALion a versatile creative tool in simply every situation. Its broad library includes thousands of high-class and deep-sampled instruments and cutting-edge synthesizer sounds for all kinds of musical genres.
Key Features •State-of-the-art sampler and sound creation system tailored to the demands of professionals •Advanced library creation tools including Macro Page Designer, drag-and-drop Library Creator and HALion scripting •Powerful multi-timbral audio engine with disk-streaming sample playback, tone-wheel organ simulator and high-end virtual analog, granular and wavetable synthesis •AudioWarp for cutting-edge time-stretching and pitch-shifting •FlexPhraser module drives beats, arpeggios and complex tonal phrases •Outstanding library including over 3,400 synthesized sounds and breathtakingly authentic acoustic instruments •Flexible user interface with multi-monitor support allowing you to customize and save your own windows and screen sets •Wide range of high-end audio effects, including REVerence convolution reverb, VST Amp simulation and many more •Up to 192 kHz, 32 stereo outputs and 6-channel surround support •Cross-platform compatibility: Windows (VST 3, VST 2, AAX) and macOS (VST 3, AU, AAX) plug-in and standalone support
RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.
The missing bundle file for aax plugin: iZRX8AmbienceMatch.bundle iZRX8DialogueIsolate.bundle iZRX8MusicRebalance.bundle iZRX8Derustle.bundle
Istructions: Just download k’d iZotope RX8 from a [Moria] previous post. (https://www.gfxtra31.com/software/sof-mac/1490684-izotope-rx-8-audio-editor-advanced-v800-macos-fixed-moria.html) Install it. Then go in the VST3 folder (Library/Audio/Plugins/VST3), right click on every rx8 vst3s and click Show Package Contents, inside there is a file suffix *.bundle. Copy that file for each izotope vst3 and put it in the Plugins folder that contains all the AAX files. Add the bundle files from this release. That’s all, you have the k’d aax ?
n-Track Studio 9 turns your PC into an easy to use multitrack audio recording studio. It is the perfect tool for professional quality audio recording, encoding, mixing and editing. Record, edit, overdub your audio tracks, apply effects, process audio live input, mix and then burn audio CDs or create mp3 files.
n-Track Studio is an Audio and MIDI Digital Multitrack Recorder that transforms your computer into a powerful audio recording studio. You can record, playback, overdub your audio tracks exploiting the flexibility and power of today’s PCs for applying effects, realtime input processing, automated aux channels sends and returns, destructive and non-destructive wave editing. The program supports 24bit-192 khz recording, 64 bit mixing, multiple channels soundcards, live input processing, CD burning, mp3 encoding and more.
Main n-Track Studio features: • Records and plays back a virtually unlimited number of audio and MIDI tracks • DirectX, VST and ReWire effects can be added to each channel/track • Built-in effects include Reverb, Compression, Parametric and Graphic EQ, Echo, Auto-volume, Pitch Shift, Chorus, Multiband Compression, Spectrum analyzer • Supports 16 and 24 bit single and multichannel soundcards at sampling frequencies up to 192 Khz using Asio, WaveRT, WDM, MME and DirectSound • Is compatible with multichannel Asio, WaveRT, WDM and MME audio drivers, which means that n-Track can work with almost any soundcard available today with the lowest possible latency • Supports VST Instruments and DirectX Instruments synth plug-ins. Sample-accurate MIDI tracks can be sent to VSTi/DXi software MIDI synths, without the need of expensive hardware MIDI synths. • Adjust the effect settings and listen to the result in real time. • Built-in effects include Reverb, Compression, Parametric and Graphic EQ, Echo, Auto-volume, Pitch Shift, Chorus, Multiband Compression, Spectrum analyzer. • Supports third party DirectX, VST 2.0 and ReWire plug-ins. • Realtime Audio effects can be added to each channel. • Supports 16 and 24 bit single and multichannel soundcards at sampling frequencies up to 192 Khz using Asio, WaveRT, WDM, MME and DirectSound. • Input processing allows to process with plug-ins live signals. Record the ‘dry’ (unprocessed) signal while processing and reprocess the recording later – i.e. Play a guitar through a distortion plug-in then change the distortion after the recording!
More Features: • Supports surround mixing for creating DVD audio projects using 5.1, 6.1 and 7.1 channels surround formats • Each audio track includes a 20 bands parametric EQ with graphical frequency response view, a full spectrum analyzer and an automatic instrument tuner. Up to 32 aux channels with fully automated sends and returns. • Supports multiple input and output soundcards or more than one soundcard. You can record multiple tracks at a time and output to more than one stereo output. Each output channels has its own master channel effects and volume control. • Supports technology by Propellerhead Software AB. Mix signals in realtime with n-Track’s own channels from other programs (such as Reason, Ableton Live, Fruityloops and many others). • Import and export .wav, .mp3, .wma, .mid, .ogg, .flac, .aiff, .cda, .sng, .sgw audio files • Import and export EDL multitrack song files for exchanging songs with other multitrack programs • Sync to other programs or external devices using SMPTE/MTC or MIDI Clock sync, acting either as master or slave • Loads and saves MIDI tracks to standard MIDI files • Play Videos (AVI, MPEG) in sync with the song in a dedicated video playback window • Automated volume, pan, aux sends and returns and effects parameters. You can “program” fade-in/outs, cross fades, boost the volume of a track when there is a solo etc.
MediaInfo is a convenient unified display of the most relevant technical and tag data for video and audio files.
The MediaInfo data display includes:
Container: format, profile, commercial name of the format, duration, overall bit rate, writing application and library, title, author, director, album, track number, date…
Video: format, codec id, aspect, frame rate, bit rate, color space, chroma subsampling, bit depth, scan type, scan order…
Audio: format, codec id, sample rate, channels, bit depth, bit rate, language…
Subtitles: format, codec id, language of subtitle…
View information in different formats (text, tree)
Export information as text
Graphical user interface, command line interface, or library (.dylib) versions available (command line interface and library versions are available separately, free of charge, on the editor website)
Integrate with the shell (drag ‘n’ drop, and Context menu)
The WAVESTATION synthesizer appeared in 1990 with its new “advanced vector synthesis system” which produced a new sound by combining and shifting between multiple complex waveforms.
The user could operate a joystick to “mix” or “morph” between four oscillators, or create a wave sequence by placing waveforms in a specific order to create rhythmic or melodic sequence patterns. In addition to these and other unique revolutionary features, the sound section has equipped all of WAVESTATION’s PCM, and the parameters of the delicate parts have been fully reproduced in the software by analyzing the circuit map of the original design.
The software provides extensive preset programs and waveforms found on all of the series’ models: WAVESTATION, WAVESTATION EX, WAVESTATION A/D, and WAVESTATION SR. 7 types of PCM and program cards are equipped. In addition to a total of over 1,500 built-in preset sounds, an enormous amount of added PCM waveforms and wave sequences allows for even more variegated sound production.
In the further designed and refined WAVESTATION KORG Collection 2, tags have been added that allow you to filter the vast number of presets by category/sound character. A new random button has also been added to help you create evocative soundscapes with the simple press of a button.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
The programmable 6-voice polyphonic analog synthesizer released in 1981: Polysix.
Everything from Polysix has been completely reproduced: the 1VCO (with sub-oscillator) /1VCF/1VCA/1EG configuration which enables a choice of SAW/PW/PWM waveforms, the chorus/phase/ensemble effects, and performance functions such as chord memory, arpeggiator, and unison.
The software enables versatile sound creation with enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization for the modulation generator and arpeggiator, and a spread function that adjusts the spaciousness of the effects.
In the further designed and refined Polysix of KORG Collection 2, there are now two additional multi-effect units, a new sound browser, and new preset programs.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
The analog monophonic synthesizer with the potential for patching that went on sale in 1978: the MS-20.
The entirety of the MS-20 is reproduced with its two oscillators (which can be ring-modulated), high-pass/low-pass self-oscillating filters with unique distortion, and a patch section with an external signal processor that can accommodate external audio input.
For the software, 32 voices of polyphony and up to 16-voice unison (with detune/spread function) were added. Flexible external modulation settings and MIDI clock synchronization have also been introduced, allowing for sound production with a high level of flexibility and freedom.
In the further designed and refined MS-20 of KORG Collection 2 there are now two additional multi-effect units, a new sound browser, and new preset programs.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
The four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers: Mono/Poly.
All of the Mono/Poly’s multi-colored features have been completely reproduced: its programming structure featuring four VCOs, each providing adjustable pitch, waveform, octave, and level, together with one VCF, one VCA, two EGs, and two MGs; advanced Chord Memory and Arpeggiator functions; and the Synchro and Cross Modulation functions which can create revolutionary tonal effects.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
MDE-X is equipped with 19 different effect programs carefully selected from KORG digital effects, including Compressor, Limiter, Overdrive, Equalizer (EQ), Talking Modulator, Flanger, Phaser, Chorus, Delay, and Reverb.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.
What’s New in RX 8 Guitar De-noise Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds. RX 8 De-hum overhaul Is that an AC unit you hear switching on in the back of your recording? Or maybe you’re frustrated that your drummer lives in an apartment where no matter what room they’re in, you can always hear their fridge humming along? Never fear! De-hum in RX 8 Elements is here. New 32-tab limit for Audio Tabs Time is precious when editing audio in post. To help you tackle more work faster, RX 8 doubles the previous 16-tab limit, now allowing you to view and edit up to 32 files within RX Audio Editor. Cover more ground in less time with greater efficiency and in-app real estate. RX 8 Wow & Flutter module Physical audio recordings—such as tape and vinyl—inevitably fall prey to the elements as time goes by. This often results in pitch fluctuations in those physical recordings. Wow & Flutter is designed to correct this symptom regardless of the intensity of the modulating pitch. Use Wow to fix longer, sustained pitch drift, and Flutter to correct pitch variances that occur at faster rates. Wow & Flutter is the key to performing pitch-perfect music restoration in record time. RX 8 Loudness Control Prepare your recordings for final delivery with the detailed level readings and loudness-management power of the all-new Loudness Control module. Load preset loudness standard targets to ensure your audio conforms to broadcast requirements, and monitor your levels using the built-in numeric and histogram readouts for integrated, short-term, and momentary loudness. Plus, resize the module to fit your display perfectly and suit your unique workflow. Spectral Recovery Restore grainy audio from live-streamed, remote audio calls to crystal clarity with Spectral Recovery. Music Rebalance With improved source separation algorithms and the ability to generate stems from a stereo recording, you can easily re-animate a mix, remove or isolate vocals for a remix, or even create and export new stems for further processing and mixing.
Nectar 3, the most sophisticated set of tools designed for vocal production. Address every part of your vocal chain and get professional-sounding vocals in seconds with new machine learning features, stunning visualizations, and more. Get your vocals to sit in the mix with the most sophisticated set of tools for vocal production. Bring out your intended performance with everything you need for a professional sound, fast.
Tools suited for any voice, any style A comprehensive and modern toolset means you’ll have everything you need for any vocal mixing project. Responsive modules for signature color Nectar 3 modules respond to audio frequency and loudness data to produce an even, balanced performance. All-new, intuitive UI redesign Not only beautiful, the new Nectar 3 design offers stronger functionality with user-friendly parameter controls.
Version Plus 3.2.0 released September 2, 2020 * Updated installers to include the latest version of Nectar 3 * Updated installers to include the latest version of Breath Control * Updated installers to include the latest version of Relay
VocalSynth 2 is an immersive vocal experience that evolves with your productions. Get Vocoder, Compuvox, Polyvox, Talkbox, and the all-new Biovox with seven stomp-box style effects, all in one powerful plug-in.
THE EVOLUTION OF VOCALS Color and shape vocals with five blendable creative must-haves and stompbox-style studio effects. A one-stop for past, present, and future vocal sounds. Groundbreaking control for creative vocal effects Get lost in layers, textures, effects, blending, and morphing in an experimental effects playground designed to help you craft your own signature vocal sound. Innovative vocal tools 5 blendable, creative modules for never-before-heard vocal timbres and effects. Versatile stompbox FX Perfect your vocal tone with the drag-and-drop, 7-module multi-effects chain. Interactive visualizations An advanced spectral display reacts to the sonic characteristic of vowels and blends fun interaction with a unique metering experience. Inter-plugin communication VocalSynth 2 works within the iZotope ecosystem to connect with other plugins like Neutron, Ozone, and Tonal Balance Control. Three distinct processing modes Auto, MIDI, and Sidechain modes allow control over vocoder-inspired effects and unique signal modulation for added creativity.
OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series.
Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically.
Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.
At Tone Empire, we are inspired by these classic devices yet yearn to bring extended functionality to today’s modern musicians, engineers & Producers working on advanced systems with a need for more flexibility and extended tones. Hence we have now started a new series of processors called
RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.
What’s New in RX 8 Guitar De-noise Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds. RX 8 De-hum overhaul Is that an AC unit you hear switching on in the back of your recording? Or maybe you’re frustrated that your drummer lives in an apartment where no matter what room they’re in, you can always hear their fridge humming along? Never fear! De-hum in RX 8 Elements is here. New 32-tab limit for Audio Tabs Time is precious when editing audio in post. To help you tackle more work faster, RX 8 doubles the previous 16-tab limit, now allowing you to view and edit up to 32 files within RX Audio Editor. Cover more ground in less time with greater efficiency and in-app real estate. RX 8 Wow & Flutter module Physical audio recordings—such as tape and vinyl—inevitably fall prey to the elements as time goes by. This often results in pitch fluctuations in those physical recordings. Wow & Flutter is designed to correct this symptom regardless of the intensity of the modulating pitch. Use Wow to fix longer, sustained pitch drift, and Flutter to correct pitch variances that occur at faster rates. Wow & Flutter is the key to performing pitch-perfect music restoration in record time. RX 8 Loudness Control Prepare your recordings for final delivery with the detailed level readings and loudness-management power of the all-new Loudness Control module. Load preset loudness standard targets to ensure your audio conforms to broadcast requirements, and monitor your levels using the built-in numeric and histogram readouts for integrated, short-term, and momentary loudness. Plus, resize the module to fit your display perfectly and suit your unique workflow. Spectral Recovery Restore grainy audio from live-streamed, remote audio calls to crystal clarity with Spectral Recovery. Music Rebalance With improved source separation algorithms and the ability to generate stems from a stereo recording, you can easily re-animate a mix, remove or isolate vocals for a remix, or even create and export new stems for further processing and mixing.
The first workstation synthesizer, released in 1988, which defined the sound of the late ’80s and early ’90s: M1.
Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. Numerous sounds available only from the M1, most notable the famous “M1 Piano” sound, were taken up by musicians and producers around the world, and are still in use today.
The software features filter resonance, VDA modulation, and master effects that have been powered up to a total of 18 systems. It provides all of the PCM, Program, and Combination data found in the original M1 and the M1EX internal PCM expansion, plus the PCM data and Program/Combination data from all nineteen optional ROM cards.What’s more, in addition to all 19 types of the PCM ROM cards for the M1, the sound of the M1EX which was released as an expansion of the M1’s built-in PCM, as well as the sounds of the T-series, which advanced the M1. It is equipped with extensive sounds, including 3,300 preset sounds and 34 cards.
APP, AAX & AU are all wrapping the VST In the system plugins folder so you only need to replace this which also allows for AAX use in legit host
Ample Metal Eclipse aim to bring a ESP Eclipse I Guitar sound to your studio.
System Requirements: * Windows: Windows 7/8/10, 64-bit only (32-bit not supported). * Mac: 10.9 or higher. * VST2, VST3, AU, AAX and Standalone host. * 10 GB Hard Disk, Intel i5 or higher.
Sampling: * Size:4.6 GB * Bridge pickup sample libraries. * Stereo and Mono Modes. * Sustain, Hammer On & Pull Off, Legato Slide, Slide in & out, Palm Mute, Pop, Natural Harmonic, Pinch Harmonic 10 articulations, Legato at random length & pitch & poly.
Technology: * CPC (Customized Parameters Control) – any controller can be controlled by MIDI CC or Automation. * Double Guitar. * Poly Legato and Slide Smoother. * Alternate Tuner. * Multiple Capo Logics – providing various options of automatic fingering logic to cover different performance such as solo, chorus, and so on. * Grainy – Enhance grainy of attack and produce the random humanization.
AMP Simulator: * Built-in AMP system, including 6 classic AMP models: Metal Double (modeled on Mesa Boogie Dual), Metal Treble (modeled on Mesa Boogie Triple), Lead 800 (modeled on Marshall JCM800), Jazz 120 (modeled on Roland JC120), 65 Twang (modeled on Fender 65 Twin Reverb) and 57 Delight (modeled on Fender 57 Deluxe). * 7 matching cabinets：1×12 57D, 2×12 65T, 2×12 120, 4×12 60A, 4×12 60B, 4×12 Ro and 4×12 Ri. * Each Cabinet has 8 mic options: U87, C414, MD421, SM57, E609, C414 XLS, R121 and M160. * Room Mics. * Hundreds presets, each preset featured a riff which users can go to Riffer panel and have a preview.
Riffer: * String Roll Editor: can clearly show fingering, articulation, expression and even playing noise. Every note has 8 attributes – pitch, velocity, length, off velocity, articulation, legato, vibrato and bend, with which you can make a delicate lick. * Dice – Random Riff Generator: A click will create a new inspiration because it is not simply a random algorithm. Rather, it summarizes the rules through analyzing a bunch of music scores. * Multiple selection and operation, undo and redo etc. multiple MIDI tools, including fixed velocity, length legato and restrict, select, move, draw, erase, split, glue etc.
Strummer: * 14 Strum notes + 28 ways to play for every chord. * Strum Legato – legato articulations can be played while strumming. * 4 humanization settings. * Select and Detect 2 chord modes, any chords could be customized. * Strum SEQ with customized rhythm. * Delicate presets with MIDI export.
FX: * High order 8-band EQ, intuitive control of frequency response, real-time visualization of input and output spectrum, support of soloing single band.. * 2-Line Compressor, real-time visualization of input and output signal, two detection modes RMS & Peak, support of soft knee, auto release and auto makeup. * 6-Tap Echo, real-time visualization of the processing of stereo signal, can tweak the parameters of 6 echo points individually: feedback, pan, volume etc. * IR Reverb, providing four types of IR: Room, Studio, Hall, and Larger Hall. 3D visualization of IR spectrum.
Tab Reader: * The Tab Player can load and play several prevalent guitar tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
future.dj pro (was FutureDecks DJ pro) is our flagship product, packed with the latest professional DJ features that answer the needs of both professional and aspiring DJs. Future.dj pro can easily be used by all manner of DJs, from bedroom DJs who enjoy creating their own mashups and mixes in the comfort of their home, to mobile DJs and club/live DJs that perform in clubs and other live performance conditions. Thanks to an impressive number of advanced and flexible features, there is nothing limiting your creative flow, other than your own creativity.
Mashup tracks, mix videos and make song transitions with the greatest of ease with this classic DJ setup (2-decks and mixer). Thanks to it’s intuitive design and powerful features, you will be able to achieve any level of mixing complexity. You can also sit back and Automix an entire party, simply by activating the powerful Automix function.
What’s New:
Version 1.8.1:
5 different ways (notations) to view the Musical Key: Standard Scale, Open Key, Open Key + Standard, Alt Key (Camelot), Alt Key + Standard
color-coded Musical Keys in the browser and decks for easy, visual key matching
The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer.
Welcome to Neural Mix™ Pro, the AI-powered music player & editor for producers, DJs, and musicians. Created by Algoriddim, winner of multiple Apple Design Awards, Neural Mix™ Pro provides an intuitive interface to isolate beats, instruments, and vocals of any song.
You can create beat-precise loops, change tempo, and transpose the key of a song, all while removing vocals, percussive, or harmonic parts in real-time. The advanced offline export allows you to extract acappellas and instrumentals in pristine sound quality, for use in your favorite DJ or music production software.
Whether you’re a professional or just someone who loves to play with music, Neural Mix™ Pro allows you to deconstruct songs into its original components providing a unique tool to your creative workflow.
Music Source Separation AI Music Player Offline Export Loop Editor Music Browser
Built for macOS – Core ML for advanced machine learning – Multi-core analysis and export – Support for Touch Bar – Multi-touch trackpad control – Accessibility through VoiceOver
Modulations Analog Sound In Motion A vibrant trio of essential modulation effects based on elusive analog classics. Bathe your mix in stunning analog chorus, rich multi-mode flanger and swirling dual phaser – dreamy textures await.
Modulation FX You’ll Actually Use Color your mix with a selection of irresistible and instantly recognisable effects. These are no ordinary modulation plugins; they’re circuit-accurate emulations of time-tested classics, meticulously engineered to capture every tonal nuance of their hardware predecessors.
Ever-changing, ever-inspiring We see modulation as a journey without a destination. You start with a dry signal. You switch the effect on and take your first step. The journey evolves, twisting and turning in interesting and enticing ways. When you switch the effect off, you’re back where you started – ready to take the journey all over again.
YC Audio & Pyrit Music have teamed up to bring you ‘Loop Box VST’. This VST brings you 40 ready-made Loops with each one having 4 Instances available to use through the VST itself. These include dry, halftime, reverse and slice.
You also have a full FX Suite including Reverb, Attack, Decay, Panning and more.
Simply set the Loop you wish to use then key in the instance you wish to use i.e dry (Cmin), halftime (Emin), reverse (Gmin) or slice (Amin), then set the tempo and begin adding your drums.
The ‘Loop Box VST’ is designed to help with melodies by having them ready made for you. With strings, pianos, bells, choirs and more you sure have a variety to choose from… then all you have to do is add your own drums and you have a hit!
Product Details: 40 Loops 4 Instances for each Loop Full Effects Suite Windows/Mac Compatible 2.63 GB Download File Size (Zipped) 31.5 GB of Content (Unzipped)
With KONTAKT 6, you can sound like a snare drum, a symphony orchestra, or anything in between, from a universe of sampled instruments. It’s a simple sampler when you want it to be, and a deep sonic scripting laboratory when you need something more. The next generation of the world’s favorite sampling platform gives you new instruments and new features under the hood – so you can layer, link, stretch, and shape your sounds any way you can imagine.
HREE NEW INSTRUMENTS KONTAKT 6 introduces the KONTAKT Play Series: Sonically rich sample libraries that combine powerful sound design with simple playability. Each offers eight intelligently mapped macro knobs giving you a wide-sweeping, intuitive range of control. They all showcase KONTAKT’s new wavetable module, each offering two blendable sound sources and a unique take on a speciality style.
ANALOG DREAMS Iconic 20th century hardware synthesizers captured with an intricate level of detail, and creatively processed with seminal outboard effects. This hybrid analog/digital instrument utilizes blendable sound sources to deliver a modern take on classic electro and synthwave, which have seen a resurgence in recent cinema.
ETHEREAL EARTH Hybrid organic/electronic instrument that takes myriad acoustic instruments from around the world, and combines it with digital synthesis, organic foley layers, and effects processing. The result fuses traditional and digital, with basses, strings (bowed and plucked), wind instruments, tuned percussion, bells/metals, pads/drones, leads, and textural ambiences.
HYBRID KEYS A contemporary, creative, and ultimately new take on keys and piano sounds. HYBRID KEYS moves away from conventional sampling processes and instead focuses on inventive techniques such as re-amping, creative mic positioning in interesting spaces, and vari-speed experiments with tape.
NEW FEATURES FOR BUILDERS KONTAKT has long since grown beyond its origins as a software sampler, and now provides a solid foundation for building advanced sample-based instruments. We’ve been supporting this platform, and the people who use it, with continuous updates to KONTAKT 5, and KONTAKT 6 builds on this strategy with some big additions for you builders out there.
NEW EFFECTS
Replika Delay: Based on the dedicated Native Instruments plug-in REPLIKA XT, it offers multiple delay modes, each with a vastly different sound character.
Room Reverb: A new high-quality algorithmic room reverb that offers options for real time modulation.
Hall Reverb: Another high-quality algorithmic reverb, tuned for hall sounds.
Plate Reverb: Emulates a plate reverberator for for classic vintage metallic sounds.
Cry Wah: Wah-wah effect module, based on the most popular wah pedal of all time.
WAVETABLE MODULE The latest version of KONTAKT adds wavetable synthesis to the ever expanding KONTAKT toolset. All three of the new Play Series instruments incorporate this new module, and we’re looking forward to hearing what you create with this powerful new building block.
CREATOR TOOLS Creator Tools is a standalone application designed to improve the workflows of library builders and instrument creators. It consists of two elements: A Debugger, for identifying and fixing problems in KONTAKT script, and an Instrument Editor, which can load and run Lua scripts to automap samples, duplicate and batch rename groups, and copy settings from one part of an instrument to another.
What’s New:
Version 6.4.0
New Dynamic Effects, new Main Effects Module.
ADDED There are now two new effects for dynamic processing (SUPERCHARGER GT, Transparent Limiter)
ADDED There is now a new Main Effects signal processing module
ADDED New constants for the <generic> argument when setting and getting engine parameters ($NI_SEND_BUS, $NI_INSERT_BUS, $NI_MAIN_BUS)
IMPROVED The number of maximum MIDI object export areas has been increased to 512
ADDED KSP A new constant that defines which area should be used when dragging from a specific label ($CONTROL_PAR_MIDI_EXPORT_AREA_IDX)
ADDED KSP A new command that defines the number of MIDI object export areas mf_set_num_export_areas(<num_of_areas>)
ADDED KSP A new command mf_copy_export_area(<index>) is used to manage the usage of the new additional export areas
ADDED KSP New bindings for Inverter and Amplifier parameters for Phase Invert and L/R swap ($ENGINE_PAR_PHASE_INVERT, $ENGINE_PAR_LR_SWAP)
ADDED KSP A new constant allows up to 16 custom event parameters to be assigned ($EVENT_PAR_CUSTOM)
IMPROVED Effects can now be replaced with a right mouse click
IMPROVED Saving the name of a custom snapshot by pressing �Enter� is now supported
FIXED Since Kontakt 6.3.0 folder locations with a slash directly in the path would not be stored by Kontakt
FIXED KSP Showing and hiding a label with a drop target did not work correctly
FIXED Replika BBD Type, Diffusion Amount, Diffusion Mod and Diffusion Density did not correctly recall values
FIXED When used as a send effect, Replika return parameter did not behave correctly
FIXED Kontakt would crash in certain edge cases when manually entering values in edit fields
ADDED New factory KSP multi script Remap Keyboard
IMPROVED Tweaks to the factory KSP multi script Change Keys
ADDED Replika, Plate Reverb and Send Effects Chain additional presets
MASCHINE is the groundbreaking groove production system for tactile, creative beatmaking with an acclaimed sound library. Create and perform fast with MASCHINE – the groundbreaking groove production studio combining the power and flexibility of software with the tactile immediacy of hardware.
Its pattern-based sequencer, high-performance sampler, incredible suite of pro studio instruments and effects, exemplary drum synths, and acclaimed sound library deliver a complete system for fast, professional groove production. MASCHINE provides intuitive, tactile control for composing, sampling, slicing, performing, and more. Multi-color pads provide ultimate feel in the thick the beat.
What’s New:
Version 2.11.0:
ADDED Asynchronous background scanning for content products
Scanning of content (Kontakt and Reaktor libraries, Expansions, Presets and Samples) now occurs in the background, allowing MASCHINE to be used immediately when launched (note: VST and AU scanning still requires a re-start and presents a scan dialogue).
CHANGED In the Song View, the default for the loop state was changed from “on” to
“off”
IMPROVED MIKRO MK3, A-Series & M32 connectivity and detection on AMD-Ryzen based systems
Requires MASCHINE MIKRO MK3 Firmware 0.5.2, A-Series Firmware 0.4.0 and M32 Firmware 0.4.5, now available for download.
IMPROVED Minor aesthetic changes to the info bar on the hardware color displays
FIXED Sampling mode not working as expected
FIXED Using MASCHINE as a plug-in with missing content creates a grey rectangle when loading a project in a host application
FIXED Files with “#” in the name can’t be dragged and dropped
FIXED Incorrect behaviour of ERASE + PAD if the Pattern start is not 1:1:1
FIXED Copy / Paste not working as expected if the Pattern start is not 1:1:1
FIXED Piano Roll and note Length combinations on JAM causing the controller to become unresponsive
FIXED Mod Pack VST freezes Application
FIXED An issue where notes were placed at the 1:1:1 marker when having “Quantize” enabled and using Auto-Growing Patterns
FIXED An issue where the internal compressor of MASCHINE showed an unusual meter behaviour
FIXED An issue where the waveform color in the Sampling tab was not updated correctly when changing the color of a Sound
KOMPLETE KONTROL opens the full potential of KOMPLETE series products. Feel the most advanced software tools come to life right under your hands – a more expressive, intuitive and inspiring than ever. View and download sounds with a single click – KOMPLETE KONTROL governs the entire universe in a single plug-in KOMPLETE through browser-based tags.
Release Notes: 2.4.0 Ϡ2020-08-20 ADDED Asynchronous Content Scan Scanning of content (Kontakt & Reaktor libraries, Expansions, Presets & Samples) now occurs in the background, background, allowing KOMPLETE KONTROL to be used immediately when launched (note: VSTs still require a restart and present a dialogue when scanning) FIXED intermittent integration issues with Logic Pro 10.5 (note: requires macOS 10.15.6) FIXED S-Series MK2 & A-Series MIDI Templates are intermittently lost on macOS Important: please backup your templates before updating, or refer to the Knowledge Base article FIXED crash when launching dialogue box whilst plug-in is hidden in DAWs IMPROVED A-Series & M32 connectivity & detection on AMD-Ryzen based systems A-Series Firmware 0.4.0 & M32 Firmware 0.4.5 required
Massive X is Native Instruments’ new flagship synth, built by the same team as its predecessor. Based on a state of the art architecture, it delivers pristine sound, and huge creative flexibility for artists and sound designers alike – allowing them to create, modulate, and experiment with sound from a huge range of sources, in any way they like.
1.3.1 — 2020-08-20 MASSIVE X is only available as AAX, AU, VST Plug-ins in this version. MASSIVE X requires an AVX compatible CPU to install and run. The MASSIVE X Factory Library is a separate installation, be sure to install via NATIVE ACCESS. ADDED A scrollbar is now visible to the right when scrolling through menu categories if they exceed the menu size ADDED A scrollbar is now available for scrolling through the content result list in context menus IMPROVED Parameter Readouts: Anima Rate, Flanger Time, SVF Parallel/Serial Bandwidth, Chorus/Phaser/Flanger Rate, WT OSC Standard mode Phase control, Chorus Time L1/2 R1/2 in manual mode, Comb AP Freq/LP Freq in Fix Mode IMPROVED Smoother-looking modulation rings for big parameter knobs CHANGED User presets are now saved in a dedicated ‘Presets’ subfolder in the user content directory FIXED Dropping a preset onto the Massive X GUI loads the preset only in this instance FIXED Various issues with text input fields FIXED The Start/Phase knob on the Noise Player keeps correct values when the mode is changed while a macro is assigned to it FIXED VST Massive X GUI is displayed correctly in Maschine Plug-in Strip in Mix View when Maschine is hosted FIXED Menus with icons open when the icon is clicked FIXED Readouts for Stereo Delay’s Time parameter are displayed correctly KNOWN ISSUE FL Studio 20.5 VST: when loading a preset the interface will shrink. Fix: update to FL Studio 20.6 or higher
MediaInfo is a convenient unified display of the most relevant technical and tag data for video and audio files.
The MediaInfo data display includes:
Container: format, profile, commercial name of the format, duration, overall bit rate, writing application and library, title, author, director, album, track number, date…
Video: format, codec id, aspect, frame rate, bit rate, color space, chroma subsampling, bit depth, scan type, scan order…
Audio: format, codec id, sample rate, channels, bit depth, bit rate, language…
Subtitles: format, codec id, language of subtitle…
View information in different formats (text, tree)
Export information as text
Graphical user interface, command line interface, or library (.dylib) versions available (command line interface and library versions are available separately, free of charge, on the editor website)
Integrate with the shell (drag ‘n’ drop, and Context menu)
What’s New:
Version 20.08.3
Choice between a yearly subscription and a one time purchase for the In-App Purchase.
