Name	Isotropix Clarisse iFX v4 0b MACOSX-AMPED.zip
Size	504.8 MB
Created on	2019-02-20 20:29:24
Hash	a1c44fc57ad4e2385e1847d2b40cf4ea182f35ce
Files	Isotropix Clarisse iFX v4 0b MACOSX-AMPED.zip (504.8 MB)

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Isotropix Clarisse iFX 4.0b macOS

A fully interactive CG toolset for set-dressing, look development, lighting and rendering. Clarisse iFX is a powerful CG toolset trusted by internationally renowned creative studios. Built by artists for artists, it is designed to simplify today’s complex creative workflows, empowering users with interactivity, speed and power over datasets containing bazillions of polygons.

Created in response to feedback from today’s front-line CG creatives, Clarisse iFX unifies powerful rendering, lighting and look development tools under a single, accessible package. Thanks to its integrated CPU based rendering engine, based on unidirectional path-tracing users can work interactively on rich, data-heavy environments, scenes and assets, with full visibility over their creative decision-making. Clarisse iFX fits seamlessly into the core of any modern production pipeline. It’s an intuitive, flexible and comprehensive toolset tailored to the needs of studios and production teams working in CG today – not ten years ago.

Work interactively on final rendered imagery

Shed light on the creative process via a state-of-the-art, lightning-fast CPU rendering engine. Creatives no longer need to work blind – they can interactively manipulate final imagery, seeing real-time updates directly in the viewport.
This means up to nine times more creative iterations and a more flexible, unhindered approach to content creation.

• Manipulate hero assets interactively
• Work at speed with unidirectional pathtracing and PBR
• Iterate faster on creative work

Deeper collaboration founded in powerful referencing

Automatically synchronize all assets existing in a scene with a single click. Clarisse iFX’s powerful hierarchical referencing workflow empowers a consistent, collaborative creative process: dozens of creatives can work simultaneously and seamlessly on a single environment while ensuring artists, technical directors and wider teams don’t become lost in the noise. This also enables freelancers to easily jump into a project and get to work, without any headaches.

• From freelancers to large teams: collaborate on scenes with total transparency
• Synchronize internal and external assets instantly
• A streamlined process from scene assembly to final render

Burst through the polygon barrier

Extreme complexity made manageable via a memory-efficient procedural evaluation engine. Clarisse iFX lets artists work with bazillions of polygons while it handles data behind the scenes. Users experience fast, flexible creativity even when manipulating environments containing vast complexity, thanks to an advanced PBR and path-tracing renderer that won’t break a sweat.

• Bazillions of polygons at your fingertips
• Remarkable flexibility in scene setup
• Tackle today’s complex CG workflows with ease

Multiple workflows, one application

Experience a tool created in response to the challenges of modern-day post-production. Clarisse iFX consolidates set-dressing, look development, lighting, rendering and layered-based pre-comp into a single, unified package. Archaic workflows defined by application hopping are a thing of the past; instead, users can focus on the singular task of creating incredible art.

• No more applicationhopping: access a unified,
• artistfriendly toolset
• Intuitive tools designed specifically for today’s
• postproduction environment
• No more archaic 90s workflows

Created for you, by you

For artists, by artists. Every Clarisse iFX feature and update is born out of feedback and collaboration with our user community. We constantly engage with front-line artists and technical directors to learn what new challenges they’re facing and how they could increase productivity. Clarisse iFX is built, updated, and continually improved in response to these relationships.

• Constantly updated to address today’s workflow challenges
• Intuitively designed enjoy an easy learning curve
• Features developed to increase productivity

Hassle-free pipeline integration

Built for seamless integration into any modern production pipeline. Clarisse iFX works with major 2D and 3D applications and doesn’t require custom tools or third-party plugins to get started. It’s also comes with support for major CG frameworks, integrated color management based on OpenColorIO, a pipeline-friendly ASCII file format, and much more.

• Outofthebox Alembic, OpenVDB, UDIM and UV Tiles support
• Support for every image file format
• Extensive Python customization

Web Site: http://www.isotropix.com/clarisse3

What’s New in Isotropix Clarisse iFX 4.0b

• Release notes not available at the time of this post.

Name	FilmConvertPro-AE-PP_v2.40.zip
Size	90.21 MB
Created on	2019-02-18 02:21:16
Hash	829a935acddc06ba30bdf17f4dd9e20e639d06c5
Files	FilmConvertPro-AE-PP_v2.40.zip (90.21 MB)

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FilmConvert Pro 2.40b for After Effects & Premiere Pro MacOS

FilmConvert Pro – is a film stock emulation plugin for After Effects, Premiere Pro. Give Digital camera footage the color and grain of your favorite film stocks. We’ve said a lot about the digital versus film debate, and a lot of people have a lot of different opinions. Film still had a technological advantage over digital until really the last few years or so, and now we have digital sensors which can match or exceed film stocks with dynamic range.

First open up After Effects or Premiere.

Create a new project, or open up an existing project.
In the case of a new project, import some media, and drag it onto the timeline (Premiere) or a composition (After Effects).
If in Premiere find the Effects tab. In After Effects, find the Effects menu item.
Go the Film Emulation category, which currently has just one item FilmConvert. Drag the effect onto your media.

You will now see some color changes, grain and FilmConvert water marks on your media!

NOTE: If the Film Emulation category is not visible in Premiere, close Premiere, then re-launch with the Shift and Alt keys held down until the welcome screen appears. This will clear the plugin cache.

Camera Controls

• Source Camera Selects the camera (or camera type) used to shoot your footage. This setting is required in order to apply the correct color correction.
• Exposure Performs an adjustment prior to the film emulation being applied.
• Temp Adjusts the color temperature. This assumes that the clip temp is 5600 (daylight). Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer.

Film Controls

• Convert To drop down Selects the particular film stock to be emulated.
• Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain. Larger values have smaller grain.
• Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Typically you would leave this at 100% film
• Grain slider Adjusts the amount of grain applied to the image. The default is 100%, which is an accurate representation of the grain for the selected film stocks. Some stocks have more grain such as D3200.
• Blur Slider Adjusts the amount of blur applied to the image when either an 8mm or 16mm negative size is chosen. The default is 100%, which is an accurate representation of the amount of fuzziness that will be present with the selected negative size. The blur is applied before the grain.

Web Site: https://www.filmconvert.com/plugin/adobe

What’s New in FilmConvert Pro 2.40b for After Effects & Premiere Pro

• Fixed race condition in OpenCL renderer (Premiere Pro only).

Screenshots

Name	FilmConvertPro-FCPX_v2.5.zip
Size	91.63 MB
Created on	2019-02-18 02:21:09
Hash	3fb1ea60d0d67dcde097815e7767cfec8d84e80f
Files	FilmConvertPro-FCPX_v2.5.zip (91.63 MB)

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FilmConvert Pro 2.5 for Final Cut Pro MacOS

Instantly create the look of film on your next digital video using our FilmConvert plugin for Final Cut Pro. Our software seamlessly fits into your current FCPX workflow, helping you to achieve professional results quickly and easily. Simple software, beautiful & professional results.

Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak to FujiFilm.

Web Site: Web Site: https://www.filmconvert.com

What’s New in FilmConvert Pro 2.5 for Final Cut Pro

• Replaced the on screen controls with a popup GUI.

Screenshots

Name	Boris Continuum Complete 2019 v12.0.1 for After Effects Premiere macOS.zip
Size	243.8 MB
Created on	2019-02-16 03:17:35
Hash	d60b5365bef7a82888a7a830f9b88cd53fa596df
Files	Boris Continuum Complete 2019 v12.0.1 for After Effects Premiere macOS.zip (243.8 MB)

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Boris Continuum Complete 2019 v12.0.1 for After Effects & Premiere macOS

Continuum 2019 is the latest major upgrade for the most comprehensive plug-in collection on the market. Key features include the rebirth of Particle Illusion, the famed motion graphics generator, new Title Studio image-processing shaders such as glows, rays, and blurs for visually-stunning titles and lower thirds, new Mocha Essentials workspace with 4 new spline tools like magnetic edge snapping and geometric shapes for faster tracking and masking, new point-driven parameter tracking powered by Mocha, and overall GPU-acceleration.

PARTICLE ILLUSION

It’s back! Renowned Particle Illusion (formerly particleIllusion) gets a total overhaul in Continuum 2019. Redesigned from the ground up as a 64-bit application, Particle Illusion gives editors and artists access to an easy-to-use, powerful, high-end particle and motion graphics generator. Instantly create preset-driven photorealistic motion-tracked particle effects for titles, lower thirds, and background graphics.

MOCHA ESSENTIALS WITH NEW TRACKING TOOLS

Users already know and love the Academy Award-winning Mocha planar tracking tools integrated directly inside Continuum. The Continuum 2019 release provides some major updates. Say yes to faster effects masking and rotoscoping.

TITLE STUDIO UPDATES

Title Studio is a next-gen 2D/3D titling plug-in that can be used as a custom interface plug-in or standalone application. Easily create high-quality professional 2D or 3D titles with custom bevels, fills and styles; import 3D models from Maxon C4D or Adobe Illustrator EPS files; and add OpenGL-accelerated features like 3D extrusions, materials, cameras, lights, and deformers.

OVERALL IMPROVEMENTS

• Avid Effects Simplified: The introduction of Mochabased parameter tracking renders most nonreal time blue dot filters unnecessary. Nonreal time filters have been moved into an obsolete folder to support the older legacy Continuum tracker.
• External Broadcast Monitor Support: Applications like Title Studio and Particle Illusion now support external broadcast monitors. Currently only available for Blackmagic Design, AJA coming soon.
• Deep Color 32bit Support in Premiere Pro: The 32bit float color processing option in Continuum, which has always been available in hosts such as After Effects, has been extended to include the Premiere Pro host with deep color support enabling users to generate HDR content without clipping.

Web Site: http://borisfx.com/products/continuum/

What’s New in Boris Continuum Complete 2019 v12.0.1 for After Effects & Premiere

• Release notes not available at the time of this post.

Name	Boris Continuum Complete 2019 v12.0.1 for Final Cut Pro.zip
Size	272.2 MB
Created on	2019-02-13 20:37:24
Hash	24a8d7ecdbf8f2ba19bf7a8d968fae1a7da5346b
Files	Boris Continuum Complete 2019 v12.0.1 for Final Cut Pro.zip (272.2 MB)

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Boris Continuum Complete 2019 v12.0.1 for Final Cut Pro macOS

Continuum is the VFX toolset that helped Ezra Edelman’s O.J.: Made in America win the Academy Award. A plug-in collection for Adobe, Apple, Avid and OFX host applications, Continuum features range from Image Restoration, to Extruded Text, titling and 3D Objects, to Chromakey and Compositing, Particles, and Image Stabilization. Continuum serves NLE editors and Compositors alike with the newly integrated Masking and Planar Tracking Pixel Chooser powered by Academy Award-winning Mocha technology.

New in Continuum 11:

• Primatte Studio: Academy Award nominated chroma key tech
• VR Unit: 5 powerful filters for 360/VR editing tasks
• Broadcast Safe: Instantly pass broadcast safe standards
• Title Studio: Adds 3D render options including depthoffield
• Many more presets & templates

Primatte Studio

Easily chroma key and composite using the same Academy Award nominated compositing tech (Photron’s Primatte) as major blockbusters like the Lord of the Rings series, Harry Potter films, and Spider-Man. The new Primatte Studio is the ultimate blue/green screen toolset. Exclusive features include:

• Automatic green/blue screen analysis
• Manual transparency tuning
• Adjust lighting to correct unevenly lit screens
• Foreground object detection to deliver a perfect key with a single color sample
• Integrated Academy Award winning Mocha masking and planar tracking syste

VR Unit

Editing and finishing immersive 360 video is a time consuming task. The VR Unit gives editors five new 360 optimized filters to speed up post workflows. Work inside your host timeline while avoiding the seams inherent to regular non-VR filters. Supports 180, 360, mono, and stereoscopic! Based on Mocha VR’s award-winning 360/VR tech.

Broadcast Safe

Tired of your projects failing broadcast safe standards? The new Broadcast Safe filter is the one click-solution you’ve been looking for. Simply choose the desired standard option and the filter automatically produces the final picture-perfect result — guaranteed.

and more…

Web Site: https://borisfx.com/products/continuum/

What’s New in Boris Continuum Complete 2019 v12.0.1 for Final Cut Pro

• Release notes not available at the time of this post.

Name	Boris Continuum Complete 2019 v12.0.1 for OFX.zip
Size	249.8 MB
Created on	2019-02-13 20:37:31
Hash	70eb0d5d85f0abf7a731eeac699266b2864351a7
Files	Boris Continuum Complete 2019 v12.0.1 for OFX.zip (249.8 MB)

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Boris Continuum Complete 2019 v12.0.1 for OFX macOS

Continuum is the VFX toolset that helped Ezra Edelman’s O.J.: Made in America win the Academy Award. A plug-in collection for Adobe, Apple, Avid and OFX host applications, Continuum features range from Image Restoration, to Extruded Text, titling and 3D Objects, to Chromakey and Compositing, Particles, and Image Stabilization. Continuum serves NLE editors and Compositors alike with the newly integrated Masking and Planar Tracking Pixel Chooser powered by Academy Award-winning Mocha technology.

New in Continuum 11:

• Primatte Studio: Academy Award nominated chroma key tech
• VR Unit: 5 powerful filters for 360/VR editing tasks
• Broadcast Safe: Instantly pass broadcast safe standards
• Title Studio: Adds 3D render options including depthoffield
• Many more presets & templates

Primatte Studio

Easily chroma key and composite using the same Academy Award nominated compositing tech (Photron’s Primatte) as major blockbusters like the Lord of the Rings series, Harry Potter films, and Spider-Man. The new Primatte Studio is the ultimate blue/green screen toolset. Exclusive features include:

• Automatic green/blue screen analysis
• Manual transparency tuning
• Adjust lighting to correct unevenly lit screens
• Foreground object detection to deliver a perfect key with a single color sample
• Integrated Academy Award winning Mocha masking and planar tracking syste

VR Unit

Editing and finishing immersive 360 video is a time consuming task. The VR Unit gives editors five new 360 optimized filters to speed up post workflows. Work inside your host timeline while avoiding the seams inherent to regular non-VR filters. Supports 180, 360, mono, and stereoscopic! Based on Mocha VR’s award-winning 360/VR tech.

Broadcast Safe

Tired of your projects failing broadcast safe standards? The new Broadcast Safe filter is the one click-solution you’ve been looking for. Simply choose the desired standard option and the filter automatically produces the final picture-perfect result — guaranteed.

and more…

Web Site: https://borisfx.com/products/continuum/

What’s New in Boris Continuum Complete 2019 v12.0.1 for OFX

• Release notes not available at the time of this post.

Name	FilmLight.Daylight.v5.2.11386.MACOSX.Incl.Keygen-AMPED.zip
Size	334.3 MB
Created on	2019-02-12 04:58:03
Hash	9878fe58f612c00f96fddf70624f10a4924edb90
Files	FilmLight.Daylight.v5.2.11386.MACOSX.Incl.Keygen-AMPED.zip (334.3 MB)

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FilmLight Daylight 5.2.11386 macOS

Daylight is designed as a compact yet powerful grading decision tool to help DoPs and directors establish looks and visualise what they have shot, on set or on location, as well as meeting all of the sophisticated deliverables requirements—in one application.

Full Baselight creativity

Grades can of course be limited to CDL values or exported as 3D LUTs for standard cross-platform workflows, but you don’t need to be constrained by the lowest common denominator. All shots can have full sophisticated Baselight looks—authored and applied using the same compact grading interface familiar to users of Baselight Editions for Avid, FCP and NUKE.

Deploy with ease

Daylight is available for purchase or quarterly rental, and the freelance licence option allows the licence to be moved from machine to machine using a simple, web-based authentication scheme.

The software will run on any Mac system equipped with OSX 10.9 or above. Using the same philosophy as Baselight Editions, Daylight uses whatever graphics card is installed without the need for special, CUDA-capable variants.

Extensive metadata support

Daylight provides comprehensive end-to-end handling of metadata. The system reads all the data it can from the headers of your camera and audio files and displays relevant metadata fields in the Sequence Browser and the Shots View—and you can also choose to display information on thumbnails in the Scene and Galleries.

Custom reporting

Daylight’s extensive metadata handling carries right on over into a sophisticated report generator that includes custom columns, colour accurate thumbnail images and cover pages. This means that you can produce a consistent, professional report at the end of every workday.

Transcoding in post

Daylight makes use of over 10 years of accumulated Baselight development to provide comprehensive support for all camera and deliverable formats—including audio and retiming capability. Support for sophisticated rescaling, filtering, masking and burn-in operations, alongside Truelight Colour Spaces for accurate colour transforms, means that all of your deliverable requirements can be met by one application.

Comprehensive codec support

Baselight is well regarded for supporting all common RAW camera formats and delivery codecs natively as soon as they are released. This is carried across to Daylight, along with user-defined formats and a sophisticated format mapping system that allows resolution, aspect ratio, frame rate and colour space to be freely mixed within a project.

Audio sync & playback

Audio can easily be synced with your camera footage—either automatically using timecode, or semi-automatically using a clap-detector, which pinpoints the exact time in the audio file that the clapper closes. Sound files that span multiple camera takes are easily handled and waveforms help you to manually adjust sound sync on a per-shot basis.
The fastest renderer never runs

Working with Baselight or Baselight Editions in post?

Of course, the sophistication of the Daylight render queue is welcome when you have to deliver graded files; however, the fastest renderer is the one that never runs. Instead of images, it delivers grading metadata. If you are working with a post-production facility equipped with Baselight or Baselight Editions, the full grade from Daylight can be encapsulated in a completely portable, cross-platform BLG file. No amount of additional GPUs or CPUs can be as fast or as flexible as this workflow.

Professional panel support

Daylight supports for Tangent Wave and Element panels, as well as Avid Artist Color and Transport devices. However, just because you’re grading dailies and don’t have the space, it doesn’t mean you can’t have a purpose-designed control surface. Our Slate panel is an ideal size for the near-set environment.

Render Queue with multiple deliverables

No need to wait for Daylight to finish rendering before you can start the next operation. You can easily pause, re-order and resubmit tasks to the Render Queue enabling you to work more efficiently. You can even optimise the process by producing several deliverables simultaneously from the one scene; for example, producing QuickTime movies at the same time as rendered DPX files.

Specifications:

• Supported on macOS 10.1010.13

Minimum specification:

• MacBook Pro or Mac Pro
• 1GB GPU memory
• 8GB RAM

Recommended specification:

• 2013 Mac Pro
• 2GB GPU memory
• 16GB RAM
• External highperformance disk system
• AJA video monitoring

Web Site: http://www.filmlight.ltd.uk/products/daylight/overview_dl.php

What’s New in FilmLight Daylight 5.2.11386

• Release notes not available at the time of this post.

Screenshots

Name	Mask Transformer 1.0 for After Effects MacOS.zip
Size	878.3 kB
Created on	2019-02-11 01:54:30
Hash	e0cc1868d6eb521b768498d39660773099f879ab
Files	Mask Transformer 1.0 for After Effects MacOS.zip (878.3 kB)

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Mask Transformer 1.0 for After Effects MacOS

Enable masks transformations, with real values input, and motion paths.

Compatibility: After Effects CC 2019, CC 2018, CC 2017, CC 2015.3, CC 2015, CC 2014, CC, CS6

Web Site: https://aescripts.com/mask-transformer/

What’s New in Mask Transformer 1.0

Name	Nuke1132Mac.zip
Size	947.7 MB
Created on	2019-02-08 07:16:28
Hash	fede2ff1ba98137ed8a752a5ac1b26db8747e244
Files	Nuke1132Mac.zip (947.7 MB)

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The Foundry Nuke Studio 11.3v2 MacOS

The compositing power of NukeX, plus the multi-track editorial timeline of Hiero, allowing you to conform, review, edit, and even create and render compositions from the timeline. Nuke Studio gives supervisors & artists more creative control

A unique and seamless combination of visual effects, editorial timeline and review, NUKE STUDIO lets you composite, conform, edit, color-correct, add effects and playback at 4K. With this end-to-end solution, you can run a whole project from a single desktop. As a supervisor or team lead, NUKE STUDIO’s powerful collaborative controls let you distribute shots, easily manage and review versions, share comments, and make tweaks and adjustments within a single cohesive package.

Compositing and much more

With the full power of NUKEX’s advanced node-based compositing built in, NUKE STUDIO includes all the tools you need to get the job done, whether you’re working alone or as part of a team.

Full online-editing toolkit

With its multi-track editorial timeline, NUKE STUDIO’s intuitive and familiar editorial tools get the job done fast, whether you’re editing on set, conforming online, or just knocking out quick edits.

Collaborative control

Generate and share NUKE scripts, collaborate with annotations, easily manage versions, and make tweaks any time. With NUKE STUDIO, handling multiple shots across a team is a breeze.

Flexible to the core

At its core, NUKE STUDIO shares NUKE’s flexibility, with the ability to script your own tools on the timeline, a Python API, and seamless integration with the other members of the NUKE family.

Speed and efficiency

Work fast and interactively with NUKE’s cutting-edge toolkits, GPU acceleration and fluid workflows. Everything you need to get the job done fast is built in and ready to go.

Power and performance

Built to meet the needs of modern production work, NUKE STUDIO offers unparalleled levels of power and confidence whether you’re a team with a deadline or alone with a client.

Compatibility: macOS 10.12 or later

Web Site: https://www.foundry.com/products/nuke

What’s New in The Foundry Nuke Studio 11.3v2

• Release notes not available at the time of this post.

Screenshots