Name	Red Giant Universe 3.0.2 for After Effects MacOS.zip
Size	1.98 GB
Created on	2019-03-22 01:16:45
Hash	5613f62c6e1fb40192d77ff15e30b9010aca8e2a
Files	Red Giant Universe 3.0.2 for After Effects MacOS.zip (1.98 GB)

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Red Giant Universe 3.0.2 for After Effects MacOS

Over 60 GPU-accelerated effects and transitions for editors and motion graphics artists. Stylize Your Footage with Red Giant Universe. Give your footage authentic retro and modern day looks using tools like VHS, Retrograde Carousel, Glitch, Holomatrix II, and more.

Motion Graphics

Create beautiful looping backgrounds and motion graphics elements with tools like HUD components, Line, Knoll Light Factory EZ, Fractal Background, and more.

Transitions and Effects

Build fast, unique transitions with little or no work. Add glows and other effects that give you better results and more shortcuts, options and control than anything in your host app.

Open GL

All of the Universe plug-ins run on the GPU, making them incredibly fast.

Web Site: http://www.redgiant.com/universe/

What’s New in Red Giant Universe 3.0.2 for After Effects

• Release notes not available at the time of this post.

Name	Boris FX Box Set 2019 (Update 03.2019).zip
Size	1.66 GB
Created on	2019-03-18 19:18:04
Hash	4b3c80e42144f5e08b40fc02a8e3690dca5b304c
Files	Boris FX Box Set 2019 (Update 03.2019).zip (1.66 GB)

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Boris FX Box Set 2019 (Update 03.2019) MacOS

The Boris Box Set delivers the best of Boris FX and Imagineer Systems in one bundle. Includes: Boris Continuum Complete for AE & AVX, Final Effects, and Graffiti.

BCC 12 for Adobe After Effects & Premiere Pro

BCC 11 is the most significant plug-in release for professional editors and post-production artists in company history and is reaping widespread praise for the integration of Imagineer System’s Academy Award-winning mocha planar tracking technology and new features, including Beauty Studio, Title Studio, and new image restoration tools and transition effects.

BCC 12 for DaVinci Resolve and Sony Vegas

BCC 11 is the most significant plug-in release for professional editors and post-production artists in company history and is reaping widespread praise for the integration of Imagineer System’s Academy Award-winning mocha planar tracking technology and new features, including Beauty Studio, Title Studio, and new image restoration tools and transition effects.

BCC 12 for AVID

BCC 11 is the most significant plug-in release for professional editors and post-production artists in company history and is reaping widespread praise for the integration of Imagineer System’s Academy Award-winning mocha planar tracking technology and new features, including Beauty Studio, Title Studio, and new image restoration tools and transition effects.

BorisFX Sapphire 2019 for AE

Genarts PlugIns Bundle – a package of plugins for Adobe After Effects, Autodesk and other editors OFX version, designed for image processing and synthesis effects, divided into several categories: illumination, stylization, distortion, over sharpening, transition effects, etc. Each addition has a set of parameters that can be animated, so that the number of effects you can get with plug-ins, increased many times.

BorisFX Sapphire 2019 for OFX

Genarts PlugIns Bundle – a package of plugins for Adobe After Effects, Autodesk and other editors OFX version, designed for image processing and synthesis effects, divided into several categories: illumination, stylization, distortion, over sharpening, transition effects, etc. Each addition has a set of parameters that can be animated, so that the number of effects you can get with plug-ins, increased many times.

BorisFx Mocha Pro 2019

Say hello to MOCHA PRO 2019! Mocha Pro is the Academy Award-winning planar tracking tool for visual effects and post-production. With a proven record on the world’s most notable film and television projects, Mocha is valued by effects artists and editors for its unique ability to reduce the time-consuming keyframing associated with high-end VFX and finishing.

Boris FX Box Set 2019 (Update 03.2019) Includes:

• BorisFx Mocha Pro 2019 v6.0.1 Plugin for Adobe
• BorisFX Sapphire 2019.0.2 for Adobe
• Boris Continuum Complete 2019 v12.0.2 for Adobe
• Boris Continuum Complete 2019 v12.0.2 for FCPX
• Boris Continuum Complete 2019 v12.0.2 for OFX
• BorisFx Mocha Pro 2019 v6.0.2
• BorisFx Mocha Pro 2019 v6.0.2 Plugin for OFX

Web Site: http://www.borisfx.com/

What’s New in Boris FX Box Set 2019 (Update 03.2019)

• Release notes not available at the time of this post.

Password

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Name	FilmLight.Daylight.v5.2.11535.MACOSX.Incl.Keygen-AMPED.zip
Size	347.0 MB
Created on	2019-03-17 23:06:17
Hash	82f7627e3d4f76e34d894ae9137dc81902c0c0b9
Files	FilmLight.Daylight.v5.2.11535.MACOSX.Incl.Keygen-AMPED.zip (347.0 MB)

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FilmLight Daylight 5.2.11535 macOS

Daylight is designed as a compact yet powerful grading decision tool to help DoPs and directors establish looks and visualise what they have shot, on set or on location, as well as meeting all of the sophisticated deliverables requirements—in one application.

Full Baselight creativity

Grades can of course be limited to CDL values or exported as 3D LUTs for standard cross-platform workflows, but you don’t need to be constrained by the lowest common denominator. All shots can have full sophisticated Baselight looks—authored and applied using the same compact grading interface familiar to users of Baselight Editions for Avid, FCP and NUKE.

Deploy with ease

Daylight is available for purchase or quarterly rental, and the freelance licence option allows the licence to be moved from machine to machine using a simple, web-based authentication scheme.

The software will run on any Mac system equipped with OSX 10.9 or above. Using the same philosophy as Baselight Editions, Daylight uses whatever graphics card is installed without the need for special, CUDA-capable variants.

Extensive metadata support

Daylight provides comprehensive end-to-end handling of metadata. The system reads all the data it can from the headers of your camera and audio files and displays relevant metadata fields in the Sequence Browser and the Shots View—and you can also choose to display information on thumbnails in the Scene and Galleries.

Custom reporting

Daylight’s extensive metadata handling carries right on over into a sophisticated report generator that includes custom columns, colour accurate thumbnail images and cover pages. This means that you can produce a consistent, professional report at the end of every workday.

Transcoding in post

Daylight makes use of over 10 years of accumulated Baselight development to provide comprehensive support for all camera and deliverable formats—including audio and retiming capability. Support for sophisticated rescaling, filtering, masking and burn-in operations, alongside Truelight Colour Spaces for accurate colour transforms, means that all of your deliverable requirements can be met by one application.

Comprehensive codec support

Baselight is well regarded for supporting all common RAW camera formats and delivery codecs natively as soon as they are released. This is carried across to Daylight, along with user-defined formats and a sophisticated format mapping system that allows resolution, aspect ratio, frame rate and colour space to be freely mixed within a project.

Audio sync & playback

Audio can easily be synced with your camera footage—either automatically using timecode, or semi-automatically using a clap-detector, which pinpoints the exact time in the audio file that the clapper closes. Sound files that span multiple camera takes are easily handled and waveforms help you to manually adjust sound sync on a per-shot basis.
The fastest renderer never runs

Working with Baselight or Baselight Editions in post?

Of course, the sophistication of the Daylight render queue is welcome when you have to deliver graded files; however, the fastest renderer is the one that never runs. Instead of images, it delivers grading metadata. If you are working with a post-production facility equipped with Baselight or Baselight Editions, the full grade from Daylight can be encapsulated in a completely portable, cross-platform BLG file. No amount of additional GPUs or CPUs can be as fast or as flexible as this workflow.

Professional panel support

Daylight supports for Tangent Wave and Element panels, as well as Avid Artist Color and Transport devices. However, just because you’re grading dailies and don’t have the space, it doesn’t mean you can’t have a purpose-designed control surface. Our Slate panel is an ideal size for the near-set environment.

Render Queue with multiple deliverables

No need to wait for Daylight to finish rendering before you can start the next operation. You can easily pause, re-order and resubmit tasks to the Render Queue enabling you to work more efficiently. You can even optimise the process by producing several deliverables simultaneously from the one scene; for example, producing QuickTime movies at the same time as rendered DPX files.

Specifications:

• Supported on macOS 10.1010.13

Minimum specification:

• MacBook Pro or Mac Pro
• 1GB GPU memory
• 8GB RAM

Recommended specification:

• 2013 Mac Pro
• 2GB GPU memory
• 16GB RAM
• External highperformance disk system
• AJA video monitoring

Web Site: http://www.filmlight.ltd.uk/products/daylight/overview_dl.php

What’s New in FilmLight Daylight 5.2.11535

• Release notes not available at the time of this post.

Screenshots

Name	Red Giant Trapcode Suite 15.1.1 macOS.zip
Size	710.6 MB
Created on	2019-03-13 04:55:51
Hash	381b8f4e7a7171f182f32eff3c902e13525b146d
Files	Red Giant Trapcode Suite 15.1.1 macOS.zip (710.6 MB)

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Red Giant Trapcode Suite 15.1.1 macOS

Trapcode Suite 15, Particle simulations and 3D effects for motion graphics and VFX

Particle Effects

Trapcode Suite brings the power of 3D particle systems right into After Effects. Use particle emitters to create fire, water, smoke, snow and other organic visual effects, or create technological marvels and user interfaces with immortal particle grids and 3D forms. Combine multiple particle systems into one unified 3D space for visually stunning results. With GPU acceleration, Trapcode plugins help you get beautiful results fast.

Physics & Fluids

For the first time ever, run realistic fluid simulations using the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.

3D Objects & Surfaces

Create flowing surfaces, mountainous terrains, endless tunnels, and abstract shapes. Use paths and motion to generate beautifully complex geometric shapes, ribbons and extrusions. Whether you are creating motion graphics or visual effects, the possibilities are endless.

Lights and Glimmers

Bring light and life into your motion design. Simulate organic, 3D-camera aware volumetric lighting. Use masks and paths to add light streaks that can bring your logos and text to life and add starry glimmers to accent the highlights in your work.

Sound and Motion

Use audio to generate keyframes that drive animation and effects. Scale, rotate and move to the beat, or use drum hits to create particle effects. Duplicate and offset layers and their motion with ease. Trapcode Suite gives you the power to automate complex animation easily.

Web Site: https://www.redgiant.com/products/trapcode-suite/

What’s New in Red Giant Trapcode Suite 15.1.1

• Release notes not available at the time of this post.

Graphics & Design Video

Name	BLUELUTS_Pack_3 – The_Cine_LUTs.zip
Size	12.75 MB
Created on	2019-03-11 19:09:05
Hash	422b475cd1367a05f2f73dcc1aa077948812faa2
Files	BLUELUTS_Pack_3 – The_Cine_LUTs.zip (12.75 MB)

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BLUELUTS – Pack 3 – The Cine LUTs (Win/Mac)

A pack of 10 different .cube LUTs designed with your CINE footage in mind. These luts WILL work with other “flat” camera profiles, however they are designed for Cine4 and Cine2 so results may vary and additional adjustments may be needed. They have been thoroughly tested on Sony Cine4 and Cine2 picture profiles.

As with all LUTs, these LUTs are designed only to be used as a base to your color correction. Because every clip is unique, no LUT will be a one-size-fits-all solution to your entire video.

If you enjoy the product, click the “heart” icon ?

Works in Premiere Pro and Final Cut Pro X!

Web Site: https://sellfy.com/p/zdkQ/

Name	Trapcode_Particular_401.zip
Size	709.1 MB
Created on	2019-03-10 19:55:07
Hash	7343325d393dec0c663c336da228b4cc1144ed7a
Files	Trapcode_Particular_401.zip (709.1 MB)

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Red Giant Trapcode Particular 4.0.1 for Adobe After Effects MacOS

Create organic 3D particle effects and complex motion graphics elements in After Effects. Now with Fluid Dynamics.

Motion Graphics

Trapcode Particular is a plugin for After Effects that lets you add particles to your compositions to bring your motion graphics work to life. Use 3D objects for even more beauty and complexity.

Visual Effects

Create fire, water, smoke, snow and other organic effects. Combine multiple particle systems into one unified 3D space for visually stunning results.

Physics

For the first time ever, run realistic fluid simulations with the new Dynamic Fluids™ physics engine, or emulate particles moving through the air and bouncing off surfaces.

FEATURES

Trapcode Particular has been redesigned to include lots of new features and enhancements.

DESIGNER (NEW)

Creating particle effects is easier than ever before, in the updated Designer. Add adjustable blocks with preset behaviors and styles for emitters, particles, physics and aux particles. Or add complete, customizable particle effects with a single click.

FLUID DYNAMICS (NEW)

Create dynamic, swirling effects with the new Dynamic Fluids physics engine, which allows particles to behave as if they are moving through real fluids. Choose from 4 customizable fluidic behaviors.

GPU-ACCELERATED

Get fast feedback with Trapcode Particular’s new GPU Acceleration through OpenGL. Depending on your system and setup, you could see speed boosts of up to 4X or more over previous versions.

3D CAMERA AND LIGHTS

Particular uses After Effects’ 3D Camera and Lights so you can fully integrate your particle Effects with your motion graphics and live-action vfx shots.

INSTANT FEEDBACK

The designer gives instant visual feedback, making the building and previewing of effects an intuitive and creative experience. New in Particular 3, the Designer respects the AE comp size, bringing in the composition and camera info. Preview your particle layout with camera and emitter position controls

MULTIPLE SYSTEMS

For the first time ever, explore endless creative possibilities when you combine multiple particle systems in the same 3D space. Create beautiful, complex effects through the interaction of different systems, all within one instance of Particular. Emitters in Multi-system setups can share parameter settings (such as turbulence, gravity and more), and can be saved as a single preset.

OBJS AS EMITTERS

Give your particle systems a new dimension by using 3D models and animated OBJ sequences as particle emitters. For added flexibility, you can choose to emit particles from the vertices, edges, faces or volume of your OBJ file. Choose from Particular’s library of over 60 OBJs, or easily load your own models using the new OBJ Loading Panel directly in After Effects or within the Designer.

SPRITES AND POLYGONS

Use any image in your composition as a particle by assigning it to a 2D sprite or textured polygon. Particular 3 now includes over 270 still and animated sprite images, easily loaded directly within After Effects or in the Designer via the new Sprite Loading Panel.

LIGHTING AND SHADOWS

Shade all particle types from lights in After Effects. Shading can emulate light falloff, and Shadowlet rendering can cast shadows on both main and aux particles.

BOUNCE AND PHYSICS

Move particles organically through the air, or bounce off of other layers, with Particular’s physics engine. Includes wind, gravity, turbulence controls and more for simulating complex, realistic motion.

AUX SYSTEM

Spawn new child particles through Particular’s Aux system. Create organic trails and branching, or build splashes after a bounce. Particular 3’s updated Aux system now includes the ability to add custom particles for even more variation, as well as keyframable parameters for more control.

335 PLUS PRESETS (NEW)

Hit the ground running with over 335 fully-customizable Designer presets. Particular 4 includes over 35 new presets that show off powerful features like fluid dynamics and more. Explore the library to find beautifully designed effects for creating fluids, fire, spaceflight, fireworks, muzzle flashes, explosions, smoke and more. Save your own presets, and share them across your facility.

REFLECTION MAPS

Create dynamic color changes in your textured polygon particles by using layer as a reflection map. Add glints to particles as they rotate in 3D.

COMPATIBILITY

HOST APPLICATIONS

Adobe After Effects CC(2019), CC (2018), CC (2017), CC (2015.3), CC (2015), CC (2014)

APPLE MACINTOSH

• Mac OS X 10.10
• Mac OS X 10.11
• Mac OS X 10.12
• Mac OS X 10.13
• Mac OS X 10.14
• 4 GB of RAM
• 800 MB of Hard Drive space

ADDITIONAL REQUIREMENTS

The minimum GPU required is an Intel HD 5000 integrated graphics chip. Of course, newer and faster discrete GPU components from AMD and Nvidia will yield faster performance.

• For Nvidia, we recommend 9xx series graphics cards or newer; mobile GPUs; or the professional series Quadro cards.
• For AMD, we recommend 200 series graphics cards or newer; mobile GPUs; or the professional series FireGL cards.

VRAM size requirements: For HD resolution output, we recommend that your GPU have at least 2 GB of memory. If you are planning on doing high-resolution project in 4K or more, we recommend a GPU with at least 4 GB of memory.

Any CPU from Intel or AMD is supported.

Web Site: https://www.redgiant.com/products/trapcode-particular/

What’s New in Red Giant Trapcode Particular 4.0.1

• Release notes not available at the time of this post.