Tag Archives: Premiere

Katch 1 to 9.5 LUTs (3dl + cube) for AE, PS, Premiere, Resolve and FCPX [Win/Mac]

Katch 1 to 9 5 luts for ae ps premiere resolve and fcpx icon

Description

Name: Katch 1 to 9.5 LUTs (Win/Mac)

Requirements :
 - After Effects
 - Photoshop
 - Premiere Pro
 - DaVinci Resolve
 - Final Cut Pro X
 - SpeedGrade
and more...


Web Site: http://katchsilvapresets.com/preset-bundle



Overview
Film inspired lightroom presets for digital photography.



KATCH 1:
This preset works accross many lighting scenarios, with warm shadows and desaturated yellows and greens, it brings out the yummy tones. With some tweaks for each lighting situation, this is my Jack of all Trades. Or at least very close to it!


KATCH 2:
With slightly blue-green highlights and warm shadows, this preset brings out the cool tones in the bright, and contrasts them well with the dark. It will bring a pop to low-contrast light situations, and also add a nice push to already contrasty scenes. If Katch 1 is the Jack of all trades, this one is my Jill of all trades.


KATCH 3:
This ones all about the golds, the greens, and the skin tones I love so much. It’s warm overall, with green shadows, so it brings out lovely green tones in woodsy scenes and smooth warm tones in skin. Certain types of greens might need a little HSL tweaking, but once you have it down, it’s golden! If you want to enhance the gold of golden hour, or mellow out the greens in a moody forest, while perfecting skin tones, this is the winner winner chicken dinner.


KATCH 4:
All about the cool blues! This one will bring out that lovely blue mood in images, especially those taken at twilight or indoors. Greens become bluer, highlights become bluer, and the mood becomes cooler.


KATCH 5:
BOOM! My go-to black and white for images that need a little POP. It brightens up skin tones while darkening the other tones that are often in the background (greens, blues, etc) so that the subject POPS. Overall a pretty contrasty black and white, if you’re into that.


KATCH 6:
Cool highlights for the cool kids. This one works best on higher contrast photos that need a touch of cool. It makes the highlights and whites cool and decreases contrast for a more faded look. This is one of my favorites for my personal work, but it’s a much more specific look for more specific taste. The acquired taste of blues.


KATCH 7:
Cotton candy me please! This preset is faded with low, slightly cool highlights. Best for already warm images, it’ll make skin pink and creamy, and highlights soft and blue, for that perfect soft mellow mood.


KATCH 8:
Skin tones like sweet, sweet honey. This one has creamy highlights, red shadows and is all about that creamy warm goodness.


KATCH 9 and 9.5:
Perfect for those sunny days, these two low contrast presets bring down the saturation and harshness of direct sunlight. But they're not just for sunny days. These will look great on any high contrast lighting situation!

Screenshots

Name Katch 1 to 9.5 LUTs.dmg
Size 537.0 kB
Created on 2017-07-01 03:42:37
Hash c04dcd4b089b1f0be98ce3ec1b9492c3847719c1
Files Katch 1 to 9.5 LUTs.dmg (537.0 kB)

Adobe Premiere Pro CC 2015 9.2 for Mac

Description

Name: Adobe Premiere Pro CC 2015
Version: 9.2
Mac Platform: Intel

OS X 10.9 or later, 64-bit processor
More info: http://www.adobe.com/products/premiere.html


Adobe Premiere Pro CC lets you edit video faster than ever before. Dozens of brand-new features include a redesigned timeline, improved media management, and streamlined color grading. And it's just the beginning: You'll get access to new features the moment they're released. Your entire creative world, together in one place. Only in Creative Cloud.

Version 9.2.0 (2015.2): 
New
New High Quality Playback option has been added to the playback settings. In previous releases, Premiere's playback settings only gave users fractional resolution choices, and playback was optimized for real time playback performance. At the default settings, frames typically have a slightly softer look during playback vs. pause, even when both are set to full resolution. Toggling on the new High Quality setting can provide a smoother viewing experience, where playback better matches the image quality of frames when paused. High Quality playback may result in dropped frames depending on the media and hardware configuration, and most users will find the default settings are still the best choice for real time playback.

Fixed
Adobe Stock and CC Libraries could not be used by users who connect to the internet using proxy servers.
Premiere Pro could not launch on Windows systems with AMD Phenom 2 processors.
Users of Wacom tablets could experience interface lag.
Multiple fixes with Adobe Stock support.
Dissolves displayed incorrectly on OS X El Capitan when working in CUDA mode.
Crashing issues when Warp Stabilizer re-analyzes.
DNxHD MXF import sometimes failed.
Titles could not be imported via the Import dialog on Mac.
Playback could stop when audio input was set to digital on Mac.
Synchronizing by audio waveform could give inaccurate results.
Double clicking a clip or sequence when the Project panel is in icon mode did not open the item.
Soft Subclips could appear with black thumbnails in the Project panel.
Rendered files sometimes did not maintain sequence start time.
A crash occurred with importing .wav files from Fostex DC-R 302 recorders.
Moving the info panel could cause a crash.
AVCi100 OP-Atom MXF files from Avid displayed incorrectly.
Audio drop-outs occurred on export.
The final frame of a nested sequence displayed incorrectly when using optical flow with GPU enabled.
Merged Clips could become corrupted when round-tripping via FCP XML.
PSD files caused Premiere Pro to stop responding when closing a project.
Live Text Templates with more then one parameter often lost render previews.
Sync Settings did not respect system proxy settings on Windows machines.
Specular highlights corrupted when exporting to non-PQ J2K files in HDR workflows.
Merged Clips dropped into a sequence were unlinked.
Premiere Pro project names incorrectly permitted the back and forward slash characters.
Render files did not travel with transition and analysis data.
Text layers in Live Text Templates displayed with jaggy edges.
XML files exported from FCP 7 could show as corrupt sequences.
Incorrect fonts were displayed when importing an XML from Annotation Edit software
Reverse playback could occasionally not work.
Panasonic 50i/60i .mp4 and .mov displayed incorrectly.
Premiere Pro crashed if the preferences folder was set to be read only on Mac
Exporting to QuickTime with MPEG-4 Enhanced Low Delay Audio could result in an Error Compiling Movie dialog.
GPU playback and rendering failed with sequences containing the Track Matte effect.
The About dialog showed an incorrect version number.
Crashing could occur with AJA 12-bit HDR output in software mode.
IMX 30 full-frame anamorphic exports were incorrectly exported as 4:3.
Several situations where crashes could occur have been resolved.




Multilenguaje (incluido español)

Premiere Pro CC. Todas las novedades de 2015. Crea vídeos visualmente sorprendentes en prácticamente cualquier lugar.

El conjunto de herramientas de producción de vídeo líder del sector ofrece ahora una manera de trabajar más agilizada conectando tus aplicaciones de escritorio y para dispositivos móviles con tus activos creativos. De esta manera, puedes crear producciones profesionales con colores brillantes en cualquier lugar.

El Premiere Pro más colorido.
El editor de vídeo no lineal más rápido y eficiente es ahora también el primero en ofrecer un Lumetri Color panel intuitivo y dedicado para manipular el color y la luz, además de una transición del corte de transformación que te permite crear rápidamente las escenas con personajes parlantes más perfectas que puedas imaginar. La aplicación también ofrece numerosas funciones diseñadas para ayudarte a dar el salto desde Final Cut o Avid. Entre ellas se incluyen métodos abreviados de teclado, paneles y comandos comunes.

Simplificación del color.
Aplica desde correcciones rápidas de color hasta looks de Lumetri complejos mediante un nuevo espacio de trabajo de color que ofrece reguladores y otros controles sencillos.

Creatividad en todas partes.
Aplicaciones para dispositivos móviles como Adobe Premiere Clip y el nuevo Hue CC llevan toda la potencia de Premiere Pro a tus dispositivos. De esta manera, puedes crear vídeos con efectos visuales y de audio increíbles.

Integración perfecta con After Effects.
Trabaja fácilmente con efectos visuales y gráficos animados entre Premiere Pro y After Effects mediante Dynamic Link, que elimina los procesamientos intermedios para acelerar tus flujos de trabajo.

Evita los procesos de ajuste, solo tienes que empezar a editar.
Ahorra tiempo editando prácticamente cualquier tipo de medio, desde vídeo de smartphones hasta secuencias en 8K, gracias a la amplia compatibilidad con formatos nativos en Premiere Pro.

Name adobe.premiere.pro.cc.2015.v9.2
Size 1.56 GB
Created on 2016-01-30 18:21:17
Hash bf2974b6fab05cc3f2faedc843c04d88938104af
Files Adobe_Premiere_Pro_CC_2015_v9.2/Adobe_Premiere_Pro_CC_2015_v9.2.zip (1.56 GB)
Adobe_Premiere_Pro_CC_2015_v9.2/Torrent downloaded from MacAPPS at FlashTorrents.org.txt (0.06 kB)
Adobe_Premiere_Pro_CC_2015_v9.2/Torrent downloaded from MacAPPS at torrent-core.org.txt (0.05 kB)
Adobe_Premiere_Pro_CC_2015_v9.2/Torrent downloaded from MacAPPS torrents at btstor.cc.txt (0.12 kB)